80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 15 von 40 Tonight, Tonight, Tonight Genesis · 1987 · Tonart Dm · ≈ 98 BPM · Harmonie 5/5 · Experte I: | N.C. | N.C. | N.C. | N.C. | · INST: | Bb | Bb | A | A D5 | Bb | Bb | A | A D5 | · V: | Bb | Bb | A | A D5 | Bb | Bb | A | A D5 | Bb | Bb | C | C | D7 | D7 | · C: | G7sus4 | G7sus4 | Am/G | Am/G | G7sus4 | G7sus4 | Am/G | Am/G | · INST2: | Bb | Bb | A | A D5 | · V2: | Bb | Bb | A | A D5 | Bb | Bb | A | A D5 | Bb | Bb | C | C | D7 | D7 | · C2: | G7sus4 | G7sus4 | Am/G | Am/G | G7sus4 | G7sus4 | Am/G | Am/G | · PC: | Gm7 | C | Gm7 | C | F | F | Gm7 | C | Gm7 | C | D | D | · C3: | G7sus4 | G7sus4 | Am/G | Am/G | G7sus4 | G7sus4 | Am/G | Am/G | · INT: | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | Dm | Bb | C | Gm | Dm | Bb | C | Asus4 | Gm | Gm | D(no3,no5) | D(no3,no5) | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Bb/D | G/D | C/D | Dm7 | Bbadd9/D | C/D | Dm7 | Dm7 | Gm7/D | G7 | C | Dm | Gm7 | C | D7sus4 | D5 D7sus4 | Daug D5 | D5 | · B: | Bb Am | F Dm | Gsus4 | G | Bb Am | F Dm | Gsus4 | G | Bb Am F Dm | G | Bb Am F Dm | G7sus4/C | Am7/C | G7sus4/C | Am7/C | G7sus4/C | Am7/C | G7sus4/C | Am7/C | D7 | D7 | D7 | D7 | · INST3: | Bb | Bb | A | A D | · V3: | Bb | Bb | A | A D | Bb | Bb | A | A D | Bb | Bb | C | C | D7 | D7 | · C4: | G7sus4 | G7sus4 | G6 | G6 | G7sus4 | G7sus4 | G6 | G6 | · B2: | C7sus4 | C6 | C7sus4 | C6 | C7sus4 | C6 | C7sus4 | C6 | · C5: | Dm7 | Dm7 | Em/D | Em/D | Dm7 | Dm7 | Em/D | Em/D | · C6: | Dm7 | Dm7 | Em/D | Em/D | Dm7 | Dm7 | Em/D | Em/D | · O: | Dm7 | Dm7 | Em/D | Em/D | Dm7 | Dm7 | Em/D | Em/D | Dm7 | Dm7 | Em/D | Em/D | Dm7 | Dm7 | Em/D | Em/D | Dm7 | Dm7 | Em/D | Em/D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Best Thing That Ever Happened To Me Gladys Knight & The Pips · 1974 · Tonart A · ≈ 94 BPM · Harmonie 5/5 · Experte I: | A A/G# | A/G A/F# | Dmaj7 Dm6/E | Amaj7 | · V: | Amaj7 | Amaj7 | Bm7 | Bm7 | Esus4 | E7 | Amaj7 | A7 | Dmaj7 | E7sus4 E7 | Amaj7 | Amaj7 | F#m F#m/E# | F#m/E B9 | E9sus4 | E7 | · C: | Amaj7 | A7 | Dmaj7 | Dmaj7 | Bm7 | E7 | Amaj7 | A7 | Dmaj7 | E7 | Amaj7 | Dmaj7 | Bm7 | E7 | Amaj7 | Dmaj7 | Bm7 | E7 | · T: | Amaj7 | Bm/A | Amaj7 | F#7sus4 F#7 | · V2: | Bmaj7 | Bmaj7 | C#m7 | C#m7 | F#sus4 | F#7 | Bmaj7 | B7 | Emaj7 | F#7sus4 F#7 | Bmaj7 | Bmaj7 | G#m G#m/F# | G#m/F C#9 | F#9sus4 | F#7 | · C2: | Bmaj7 | B7 | Emaj7 | Emaj7 | C#m7 | F#7 | Bmaj7 | B7 | Emaj7 | F#7 | Bmaj7 | Emaj7 | C#m7 | F#7 | Bmaj7 | Emaj7 | C#m7 | F#7 | Bmaj7 | Emaj7 | C#m7 N.C. | F#7 N.C. | · CO: | B B/A# | B/A B/G# | Emaj7 Em6/F# | Bmaj7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Wichita Lineman Glen Campbell · 1969 · Tonart F · ≈ 85 BPM · Harmonie 4/5 · Fortgeschritten I: | Fmaj7 | Bb6/F | Fmaj7 | Bb6/F | · V: | Bbmaj7 | Am7 | Bbmaj7 | Dm7 Am7 | G | D | D | C6/9 | C6/9 | Gadd9/B | Bb6 | D | Asus4add9 | Bb | Cadd9 | Bb | C7sus4 | · V2: | Bbmaj7 | Am7 | Bbmaj7 | Dm7 Am7 | G | D | D | C6/9 | C6/9 | Gadd9/B | Bb6 | D | Asus4add9 | Bb | Cadd9 | Bb | C7sus4 | · S: | Bbmaj7 | F | C7sus4 | Dm7 Am7 | G | D | D | C6/9 | C6/9 | Gadd9/B | Bb6 | D | Asus4add9 | Bb | Cadd9 | Bb | C7sus4 | · CO: | Bb | Cadd9 | Bb | Cadd9 | · O: | Bb | Cadd9 | Bb | Cadd9 | Bb | Cadd9 | Bb | Cadd9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ The Little Old Lady (From Pasadena) Jan & Dean · 1964 · Tonart Eb · ≈ 146 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | N.C. | N.C. | Bb | Bb | · V: | Eb | Eb | Eb | Ab Eb | Eb | Eb | Bb7 | F Bb7 | Eb | Ab | F Db | Bb7 | Bb7 | · C: | Eb | Eb | Eb | Eb | Ab | Ab | Eb | Eb | Gb | Bb | Bb | Bb | · V2: | Eb | Eb | Eb | Ab Eb | Eb | Eb | Bb7 | F Bb7 | Eb | Ab | F Db | Bb7 | Bb7 | · C2: | Eb | Eb | Eb | Eb | Ab | Ab | Eb | Eb | Gb | Bb | Bb | A | · V3: | F | F | F | Bb F | F | F | C7 | G C7 | F | Bb | G Eb | C7 | C7 | · C3: | F | F | F | F | Bb | Bb | F | F | Ab | Db | Db | · O: | Db | Gb Db | Ab7 | Eb Ab7 | Db | Gb Db | Ab7 | Eb Ab7 | Db | Gb Db | Ab7 | Eb Ab7 | Db | Gb Db | Ab7 | Eb Ab7 | Db | Gb Db | Ab7 | Eb Ab7 | Db | Gb Db | Ab7 | Eb Ab7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ It Keeps Right On A-Hurtin' Johnny Tillotson · 1962 · Tonart A · ≈ 102 BPM · Harmonie 2/5 · Leicht I: | E7 | E7 | A D | A E | · V: | A | A7 | D | D | A | A | E7 | E7 | A | A7 | D | D | E7 | E7 | A D | A | · C: | E7 | E7 | D | D | E7 | E7 | D | A | A | A7 | D | D | E7 | E7 | A D | A E | · V2: | A | A7 | D | D | A | A | E7 | E7 | A | A7 | D | D | E7 | E7 | A D | A | · C2: | E7 | E7 | D | D | E7 | E7 | D | A | A | A7 | D | D | E7 | E7 | A D | D A/C# Bm7 | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ I Don't Need You Kenny Rogers · 1981 · Tonart Db · ≈ 67 BPM · Harmonie 5/5 · Experte I: | Dbadd9 | Ab7/Db Db | · V: | Dbadd9 | Ab/Db Ab6/Db | Gb6/9 Db/Gb | Gb6/9 | Ab Gbadd9/Ab | Ab6 Ab9 | Dbadd9 | Ab/Db | Dbadd9 | Ab/Db | Gbadd9 Db/F | Ebm7 | Ab Gbadd9/Ab | Ab6 Gb/Ab | Dbsus4add9 Dbadd9 | Ab/Db | · C: | Db Ab/Db | Db | Gb Db/Gb | Gb | Ab Ab7sus4 | Ab6 | · T: | Dbadd9 | Ab7/Db Db | · V2: | Dbadd9 | Ab/Db Ab6/Db | Gb6/9 Db/Gb | Gb6/9 | Ab Gbadd9/Ab | Ab6 Ab9 | Dbadd9 | Ab/Db | Dbadd9 | Ab/Db | Gbadd9 Db/F | Ebm7 | Ab Gbadd9/Ab | Ab6 Gb/Ab | Dbsus4add9 Dbadd9 | Ab/Db | · C2: | Db Ab/Db | Db | Gb Db/Gb | Gb | Ab Ab7sus4 | Ab6 | · T2: | Dbadd9 | Ab7/Db Db | · O: | Gb Db/Gb | Gb6 | Ab Ab9 | Ab6 | Ab | Ab6/Db Db | Db | Db N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Reminiscing Little River Band · 1978 · Tonart Eb · ≈ 95 BPM · Harmonie 4/5 · Fortgeschritten I: | Eb | Fm9 Bb7sus4 | Eb | Abm9 Db9 | F#m9 B9 | Em9 A9/E | D | D | · V: | Gmaj7 | Gmaj7 | C9 | C9 | B9 | B9 | Gmaj7 | Gmaj7 | C9 | C9 | B9 | B9 | · C: | Gmaj7 | Bb9 | D G/D | D | · V2: | Gmaj7 | Gmaj7 | C9 | C9 | B9 | B9 | Gmaj7 | Gmaj7 | C9 | C9 | B9 | B9 | · C2: | Gmaj7 | Bb9 | D G/D | D | · B: | Gmaj7 | Gm9 | B9 | B9 | · C3: | Gmaj7 | Bb9 | D G/D | D | · V3: | Gmaj7 | Gmaj7 | C9 | C9 | B9 | B9 | Gmaj7 | Gmaj7 | C9 | C9 | B9 | B9 | · C4: | Gmaj7 | Bb9 | D G/D | D | · B2: | Gmaj7 | Gm9 | B9 | B9 | · C5: | Gmaj7 | Bb9 | D G/D | D | · O: | Gmaj7 | Gmaj7 | C9 | C9 | B9 | B9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Good Morning Starshine Oliver · 1969 · Tonart Bb · ≈ 125 BPM · Harmonie 5/5 · Experte I: | N.C. | N.C. | N.C. | N.C. | F11 | F11 | F11 | F11 | F11 | F11 | Bb | Bbmaj7 | Cm7 | F7 | Cm7 | F7 | Bb | Bb | · V: | Eb F | Eb F | Eb F | Eb F | Eb F | Eb F | Bb | F | Eb F | Eb F | Eb F | Eb D7 | D7 Gm Bb | Eb Bbm | C7 F7 | Bb | · C: | Bb | Bb | Cm7 F7 | Cm7 F7 | F7 | F7 | Bb | Bb7 | Eb D7 | Gm Cm | Bb F7 | Bb | · V2: | Eb F | Eb F | Eb F | Eb F | Eb F | Eb F | Bb | F | Eb F | Eb F | Eb F | Eb D7 | D7 Gm Bb | Eb Bbm | C7 F7 | Bb | · C2: | Bb | Bb | Cm7 F7 | Cm7 F7 | F7 | F7 | Bb | Bb7 | Eb D7 | Gm Cm | Bb F7 | Bb | · B: | Ab/Eb | Ab/Eb | Ab/Eb | Ab/Eb | Eb F | Eb F | Eb F | Eb F | · C3: | Bb | Bb | Cm7 F7 | Cm7 F7 | F7 | F7 | Bb | Bb | Eb D7 | Gm Cm | Bb Gm | Cm7 F7 | Bbmaj7 | Bbmaj7 | Bb Gm | Cm7 F7 | Bbmaj7 | Bbmaj7 | · O: | Bb | Cm7 F7 | Bbmaj7 | Bbmaj7 | Bb | Cm7 F7 | Bbmaj7 | Bbmaj7 | Bb | Cm7 F7 | Bbmaj7 | Bbmaj7 | Bbmaj7 Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Unskinny Bop Poison · 1990 · Tonart Ab · ≈ 185 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | · INST: | Ab | Ab | Ab | Gb/Ab Db/Ab | Ab | Ab | Ab | Gb/Ab Db/Ab | · V: | Ab | Ab | Ab | Gb/Ab Db/Ab | Ab | Ab | Ab | Gb/Ab Db/Ab | Ab | Ab | Ab | Gb/Ab Db/Ab | Ab | Ab | Ab | Gb/Ab Db/Ab | · PC: | Eb | Eb Gb(no3,no5) | Eb | Eb Gb(no3,no5) | Eb | Eb Gb(no3,no5) | Eb | Eb Gb(no3,no5) | · C: | Ab | Ab | Gb | Db | Ab | Ab | Gb | Db | Ab | Ab | Gb | Db | Eb | Eb | N.C. | N.C. | · V2: | Ab | Ab | Ab | Gb/Ab Db/Ab | Ab | Ab | Ab | Gb/Ab Db/Ab | Ab | Ab | Ab | Gb/Ab Db/Ab | Ab | Ab | Ab | Gb/Ab Db | · PC2: | Eb | Eb Gb(no3,no5) | Eb | Eb Gb(no3,no5) | Eb | Eb Gb(no3,no5) | Eb | Eb Gb(no3,no5) | · C2: | Ab | Ab | Gb | Db | Ab | Ab | Gb | Db | Ab | Ab | Gb | Db | Eb | Eb | Gb5 | Gb5 G5 | · B: | Db | Db | Ab | Ab | Db | Db | Ab Db/Ab | Ab | Db | Db | Ab | Ab | Eb | Eb | N.C. | N.C. | · S: | Ab | Ab | Gb | Db | Ab | Ab | Gb | Db | Ab | Ab | Gb | Db | Eb | Eb | Gb5 | Gb5 G5 | · INT: | Ab | Ab | Ab | Ab | Ab | Ab | Db | Db | Gb | Gb | · C3: | Ab | Ab | Gb | Db | Ab | Ab | Gb | Db | Ab | Ab | Gb | Db | Ab | Ab | Gb | Db | · C4: | Ab | Ab | Gb | Db | · O: | Ab | Ab | Gb | Db | Ab | Ab | Gb | Db | Ab | Ab | Gb | Db | Ab N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Harden My Heart Quarterflash · 1982 · Tonart Bm · ≈ 124 BPM · Harmonie 2/5 · Leicht I: | Bm7 | Gadd9 | A | Gadd9 A | Bm7 | Gadd9 | A | Gadd9 A | · V: | Bm | Bm | A | A | Bm | Bm | A | A | · PC: | Gadd9 | A | Bm7 A | Gadd9 | Gadd9 | Bm7 A | Gadd9 | A | · C: | Bm | Bm | A | A | Gadd9 A | Bm7 A | Gadd9 | Gadd9 | · V2: | Bm | Bm | A | A | Bm | Bm | A | A | · PC2: | Gadd9 | A | Bm7 A | Gadd9 | Gadd9 | Bm7 A | Gadd9 | A | · C2: | Bm | Bm | A | A | Gadd9 A | Bm7 A | Gadd9 | Gadd9 | · S: | Bm7 | Gadd9 | A | Gadd9 A | Bm7 | Gadd9 | A | Gadd9 A | · S2: | Bm | Bm | A | A | Bm | Bm | A | A | · PC3: | Gadd9 | A | Bm7 A | Gadd9 | Gadd9 | Bm7 A | Gadd9 | A | · C3: | Bm | Bm | A | A | Gadd9 A | Bm7 A | Gadd9 | Gadd9 | · C4: | Bm | Bm | A | A | Bm | Bm | A | A | · C5: | Bm | Bm | A | A | Bm | Bm | A | A | · C6: | Bm | Bm | A | A | Bm | Bm | A | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ If You Love Somebody Set Them Free Sting · 1985 · Tonart Dm · ≈ 125 BPM · Harmonie 4/5 · Fortgeschritten I: | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | · V: | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | · C: | Bm | Bm | G11 | G11 | Bm | Bm | G11 | Dm7/A | · B: | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | · V2: | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | · C2: | Bm | Bm | G11 | G11 | Bm | Bm | G11 | Dm7/A | · B2: | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | · B: | Gm11 | Fadd9 | C/E | C | Gm11 | Fadd9 | C/E | C | Gm11 | Fadd9 | C/E | C | Gm11 | Fadd9 | C/E | C | · V3: | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | · C3: | Bm | Bm | G11 | G11 | Bm | Bm | G11 | Dm7/A | · B3: | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | · O: | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | Dm7 | Dm7/A G/A G | Dm | Dm7/A G/A G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Eye In The Sky The Alan Parsons Project · 1982 · Tonart Bm · ≈ 111 BPM · Harmonie 4/5 · Fortgeschritten I: | Bm | Bm | G | G | Bm | Bm | G | G | · V: | A/D D | A/D D | Bm9 | Bm9 | A/D D | A/D D | Bm9 | Bm9 | G6 | Gm6 | Bm7 | E9 | D | Gmaj7 | D | D | · V2: | A/D D | A/D D | Bm9 | Bm9 | A/D D | A/D D | Bm9 | Bm9 | G6 | Gm6 | Bm7 | E9 | D | Gmaj7 | D | D | · C: | A/D D | A/D D | F#m | F#m | A/D D | A/D D | F#m | F#m | G6 | Gm6 | Bm7 | Bm7 | Gadd9 | Gadd9 | Bm7 | Bm7 | Gadd9 | Gadd9 | · V3: | A/D D | A/D D | Bm9 | Bm9 | A/D D | A/D D | Bm9 | Bm9 | G6 | Gm6 | Bm7 | E9 | D | Gmaj7 | D | D | · C2: | A/D D | A/D D | F#m | F#m | A/D D | A/D D | F#m | F#m | G6 | Gm6 | Bm7 | Bm7 | Gadd9 | Gadd9 | Bm7 | Bm7 | Gadd9 | Gadd9 | · C3: | A/D D | A/D D | F#m | F#m | A/D D | A/D D | F#m | F#m | G6 | Gm6 | · O: | Bm7 | Bm7 | Gadd9 | Gadd9 | Bm7 | Bm7 | Gadd9 | Gadd9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Do You Love Me The Contours · 1988 · Tonart F · ≈ 150 BPM · Harmonie 3/5 · Mittel I: | F | Bb | C | Dm | C | N.C. | C | · C: | F F/A | Bb C | F F/A | Bb C | F F/A | Bb C | Bb | Bbm | C | C7 | C7 | C7 | · V: | F F/A | Bb C | F F/A | Bb C | F F/A | Bb C | F | C | F F/A | Bb C | F F/A | Bb C | F F/A | Bb C | F F/A | Bb C | C | C7 | C7 | C7 | · C2: | F F/A | Bb C | F F/A | Bb C | F F/A | Bb C | Bb | Bbm | C | C7 | C7 | C7 | · V2: | F F/A | Bb C | F F/A | Bb C | F F/A | Bb C | F | C | F F/A | Bb C | F F/A | Bb C | F F/A | Bb C | F | C | F F/A | Bb C | F F/A | Bb C | F F/A | Bb C | F F/A | Bb C | C | C7 | C7 | C7 | · C3: | F F/A | Bb C | F F/A | Bb C | F F/A | Bb C | C | C7 | C7 | C7 | · V3: | F F/A | Bb C | F F/A | Bb C | F F/A | Bb C | F | C | · O: | F F/A | Bb C | F F/A | Bb C | F F/A | Bb C | F | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ He's So Shy The Pointer Sisters · 1980 · Tonart Cm · ≈ 115 BPM · Harmonie 4/5 · Fortgeschritten I: | Fm9 Abmaj7 | Bb Eb/Bb Bb | Fm9 Abmaj7 | Bb Eb/Bb Bb | Fm9 Abmaj7 | Bb Eb/Bb Bb | Cm | Cm | · V: | Fm9 | Cm | Fm9 | Bb | Fm9 | Bb | G | Cm | Fm9 | Cm | Fm9 | Bb | Fm9 | Bb | G | Cm | Cm | · C: | Fm9 Abmaj7 | Bb | Fm9 Abmaj7 | Bb | Fm/Bb Abmaj7/C | Bb | Bb | Fm9 Abmaj7 | Bb | Fm9 Abmaj7 | Bb | Fm9/Bb Abmaj7 | Bb | Bb | Cm | Cm | Cm | · V2: | Fm9 | Cm | Fm9 | Bb | Fm9 | Bb | G | Cm | Fm9 | Cm | Fm9 | Bb | Fm9 | Bb | G | Cm | Cm | · C2: | Fm9 Abmaj7 | Bb | Fm9 Abmaj7 | Bb | Fm/Bb Abmaj7/C | Bb | Bb | Fm9 Abmaj7 | Bb | Fm9 Abmaj7 | Bb | Fm9/Bb Abmaj7 | Bb | Bb | · S: | Fm9 Abmaj7 | Bb | Fm9 Abmaj7 | Bb | Fm9 Abmaj7 | Bb | Ab Eb Ab Eb | Bb | · C3: | Fm9 Abmaj7 | Bb | Fm9 Abmaj7 | Bb | Fm/Bb Abmaj7/C | Bb | Bb | Fm9 Abmaj7 | Bb | Fm9 Abmaj7 | Bb | Fm/Bb Abmaj7/C | Bb | Bb | · O: | Fm9 Abmaj7 | Bb | Fm9 Abmaj7 | Bb | Fm9 Abmaj7 | Bb | Fm9 Abmaj7 | Bb | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Jump (for My Love) The Pointer Sisters · 1984 · Tonart A · ≈ 135 BPM · Harmonie 5/5 · Experte I: | N.C. | N.C. A | A(no3,no5) | A(no3,no5) | A(no3,no5) A/C# D | E/G# A | G | G | G | G | · V: | G | G F/G | G | G F/G | G | G F/G | G | G F/G | · V2: | G | G F/G | G | G F/G | G | G F/G | G | G F/G | · PC: | F/C | G/C | C/E | F | Dm7 | G/B | E/B | E | · C: | A A/C# D | E/G# A | A A/C# D | E/G# A | A A/C# D | E/G# A | A A/C# D | E/G# A | A A/C# D | E/G# A | A A/C# D | E/G# A | A A/C# D | E/G# A | A A/C# D | E/G# A | · T: | G | G | G | G | · V3: | G | G F/G | G | G F/G | G | G F/G | G | G F/G | · PC2: | F/C | G/C | C/E | F | Dm7 | G/B | E/B | E | · C2: | A A/C# D | E/G# A | A A/C# D | E/G# A | A A/C# D | E/G# A | A A/C# D | E/G# A | A A/C# D | E/G# A | A A/C# D | E/G# A | A A/C# D | E/G# A | A A/C# D | E/G# A | · B: | A E/A | A E/A | C C/G | C6 C/G | G/F Fmaj7 | G/F Fmaj7 | Em7 | Em7 | · B2: | A E/A | A E/A | C C/G | C6 C/G | G/F Fmaj7 | G/F Fmaj7 | Em7 | Em7 | · C3: | A A/C# D | E/G# A | A A/C# D | E/G# A | A A/C# D | E/G# A | A A/C# D | E/G# A | F F/A Bb | C/E F | F F/A Bb | C/E F | F F/A Bb | C/E F | F F/A Bb | C/E F | · O: | F F/A Bb | C/E F | F F/A Bb | C/E F | F F/A Bb | C/E F | F F/A Bb | C/E F | · O: | F F/A Bb | C/E F | F F/A Bb | C/E F | F F/A Bb | C/E F | F F/A Bb | C/E F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Every Little Thing She Does Is Magic The Police · 1981 · Tonart D · ≈ 164 BPM · Harmonie 5/5 · Experte I: | N.C. | A/G | A | A/B | A/C# | A/G | A | A/B | A/C# | · V: | A/G | A | A/B | A/C# | A/G | A | A/B | A/C# | A/G | A | A/B | A/C# | · PC: | D G A | D G A | D G A | D | · C: | A | D | A | D | A | D | A | · T: | Bb9 | C/F | Gm7 | Am7 | A/B | A/C# | · V2: | A/G | A | A/B | A/C# | A/G | A | A/B | A/C# | A/G | A | A/B | A/C# | · PC2: | D G A | D G A | D G A | D | · C2: | A | D | A | D | A | D | A | · T2: | Bb9 | C/F | Gm7 | Am7 | A/B | A/C# | · B: | Bb6/9 | F6/9/A | Gm11 | F6/9/A | G7sus4 | F6/9/A | Bb6/9 | F6/9/A | Bb6/9 | Cadd9 | Bb6/9 | Cadd9 | Bb6/9 | Cadd9 | Bb6/9 | Cadd9 | D | D | · C3: | A | D | A | D | A | D | A | D | A | D | A | D | A | D | A | · O: | Bb9 | C/F | Gm7 | Am7 | Bbmaj7 | C/F C | D | D | Bb9 | C/F | Gm7 | Am7 | Bbmaj7 | C/F C | D | D | Bb9 | C/F | Gm7 | Am7 | Bbmaj7 | C/F C | D | D | Bb9 | C/F | Gm7 | Am7 | Bbmaj7 | C/F C | D | D | Bb9 | C/F | Gm7 | Am7 | Bbmaj7 | C/F C | D | D | Bb9 | C/F | Gm7 | Am7 | Bbmaj7 | C/F C | D | D | D | D | Bb9 | C/F | Gm7 | Am7 | Bbmaj7 | C/F C | · O: | D | D | D | D | D | D | D | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Wheels The String-A-Longs · 1961 · Tonart F · ≈ 126 BPM · Harmonie 1/5 · Einsteiger C: | F | F | C | C | F | F | C | F | · C2: | F | F | C | C | F | F | C | F | · B: | C | F | C | F | C | F | C | F | · C3: | G | G | D | D | G | G | D | G | · C4: | G | G | D | D | G | G | D | G | · B2: | D | G | D | G | D | G | D | G | · C5: | G | G | D | D | G | G | D | G | D | G | D | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Mony Mony Tommy James · 1968 · Tonart A · ≈ 131 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | N.C. | N.C. | · V: | A | N.C. | A D | A | A | N.C. | A D | A | A | N.C. | A D | A | A | N.C. | D | E | E | E | E | · C: | A G A | A G A | A G A | A G A | D C D | D C D | D C D | D C D | E | E | E | E | · INT: | N.C. | N.C. | · V2: | A | N.C. | A D | A | A | N.C. | A D | A | A | N.C. | A D | A | A | N.C. | D | E | E | E | E | · C2: | A G A | A G A | A G A | A G A | D C D | D C D | D C D | D C D | E | E | E | E | · B: | A | D(no3,no5) | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | E | E | E | E | · C3: | A G A | A G A | A G A | A G A | · O: | D C D | D C D | D C D | D C D | E | E | E | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ This House Tracie Spencer · 1990 · Tonart F#m · ≈ 112 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | N.C. | N.C. | · V: | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | · V2: | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | · PC: | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | · C: | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | · V3: | F#m E/F# | D D/C# | F#m E/F# | D D/E | · V4: | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | · PC2: | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | · C2: | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | · INT: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · B: | D | E | F#m | F#m | D | E | F#m | F#m | D | E | F#m | F#m | D | E | F#m | F#m | D | E | F#m | F#m | D | E | F#m | F#m | N.C. | · O: | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | F#m E/F# | D D/C# | F#m E/F# | D D/E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ In The Navy Village People · 1979 · Tonart Gm · ≈ 126 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | · INT: | Gm | F7 | Ebmaj7 | Dsus4 D | Gm | F7 | Ebmaj7 | D7 | · V: | Gm | Gm | Gm | Bb | Cm | Bb | Cm7 | D | Gm | Gm | Gm | Bb | Cm | Bb | Cm7 | D | · C: | Gmaj7 | Gmaj7 | Am7 | D | Am7 | D | G | D | Gmaj7 | Gmaj7 | Am7 | D | Am7 | D | G | D | · T: | Gm | N.C. | N.C. | N.C. | · V2: | Gm | Gm | Gm | Bb | Cm | Bb | Cm7 | D | Gm | Gm | Gm | Bb | Cm | Bb | Cm7 | D | · C2: | Gmaj7 | Gmaj7 | Am7 | D | Am7 | D | G | D | Gmaj7 | Gmaj7 | Am7 | D | Am7 | D | G | D | · T2: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · B: | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | · C3: | Gmaj7 | Gmaj7 | Am7 | D | Am7 | D | G | D | · O: | Gmaj7 | Gmaj7 | Am7 | D | Am7 | D | G | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ With You I'm Born Again Billy Preston · 1979 · Tonart Dm · ≈ 79 BPM · Harmonie 5/5 · Experte I: | Dm9 | C6/9 | Bbmaj9 | A9sus4 | · C: | Dm | C | Bbmaj9 | Am7 | Gm7 | Em7b5 | A7 | Dsus4 D | Dm9 | Am7 | Bbmaj9 | Am7 | Gm9 | A9sus4 A | Dsus4 | D | · V: | Gm9 | Am7 | Bbmaj7 | Am7 | Gm9 | Am7 | Ebmaj9 Dm7 | Cm9 | · C2: | Dm9 | Am7 | Bbmaj9 | Am7 | Gm9 | Asus4 A | Dm9 | Dm9/C | Bbmaj9 | Asus4 A | · INT: | Em/D | D | A/D | D | Em/D | D | A/D | D | · C3: | Dm9 | Am7 | Bbmaj9 | Am7 | Gm9 | A9sus4 A | Dsus4 | D | Dm9 | Am7 | Bbmaj9 | Am7 | Gm9 | A9sus4 A | Dsus4 | D | · V2: | Gm9 | Am7 | Bbmaj7 | Am7 | Gm9 | Am7 | Ebmaj9 | Cm9 | Cm9 | · C4: | Ebm9 | Bbm7 | Cbmaj9 | Bbm7 | Abm9 | Bb9sus4 Bb | Ebm9 | Ebm9/Db | Cbmaj9 | Bb9sus4 | Bb | Ebsus4 | Ebsus4 | Eb | Eb | Eb | Eb | Eb | Eb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Night Moves Bob Seger · 1977 · Tonart Ab · ≈ 119 BPM · Harmonie 4/5 · Fortgeschritten I: | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | · V: | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | · C: | Fm Eb | Db Eb | Fm Eb | Db Eb | Fm Eb | Db Dbmaj7 | · V2: | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | · C2: | Fm Eb | Db Eb | Fm Eb | Db Eb | Fm Eb | Db Dbmaj7 | · V3: | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | · B: | Fm | Fm | Ab Ab7 | Ab Ab7 | Db | Db | Ab | Ab | Db | Db | Gb | Gb | Eb | Eb | · INT: | Ab N.C. | Ab | Dbmaj7 | Ab | Dbmaj7 | Fm | Db | Fm | Db | Fm | Db Dbmaj7 | Dbmaj7 | Ab | Ab | · INST: | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | Ab | Ab Gb | Db | Db Gb | Fm | Fm | Cm | Cm | Bbm | Db | Ab | Ab N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ If Bread · 1971 · Tonart A · ≈ 98 BPM · Harmonie 4/5 · Fortgeschritten I: | Aadd9 | E/A | A7sus2 | D6/9/A | Dm9/A | A | Dm6 | E7 | · V: | Aadd9 | E/A | A7sus2 | D6/9/A | Dm9/A | A | Dm6 | E7 | Aadd9 | E/A | A7sus2 | D6/9/A | Dm9/A | A | Dm6 | E7 | · C: | F#m | F#m/E# | F#m/E | D6 | C#m7b5 | F#7 | Bm7 | E7 | · V2: | Aadd9 | E/A | A7sus2 | D6/9/A | Dm9/A | A | Dm6 | E7 | Aadd9 | E/A | A7sus2 | D6/9/A | Dm9/A | A | Dm6 | E7 | · C2: | F#m | F#m/E# | F#m/E | D6 | C#m7b5 | F#7 | Bm7 | E7 | · O: | A | D/A | Dm/A | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Dum Dum Brenda Lee · 1961 · Tonart Db · ≈ 125 BPM · Harmonie 3/5 · Mittel I: | Db7 | Gb7 | Db7 | Ab7 | · C: | Db7 | Gb7 Db7 | Db7 | Gb7 Db7 | Db7 | Gb7 Db7 | Ab7 | N.C. | · V: | Db7 | Gb7 Db7 | Db7 | Gb7 Db7 | Db7 | Gb | Ab7 | N.C. | · C2: | Db7 | Gb7 Db7 | Db7 | Gb7 Db7 | Db7 | Gb7 Db7 | Ab7 | N.C. | · V2: | Db7 | Gb7 Db7 | Db7 | Gb7 Db7 | Db7 | Gb | Ab7 | N.C. | · C3: | Db7 | Gb7 Db7 | Db7 | Gb7 Db7 | Db7 | Gb7 Db7 | Ab7 | N.C. | · S: | Db7 | Gb7 Db7 | Db7 | Gb7 Db7 | Db7 | Gb7 Db7 | Ab7 | N.C. | · V3: | Db7 | Gb7 Db7 | Db7 | Gb7 Db7 | Db7 | Gb | Ab7 | N.C. | · C4: | Db7 | Gb7 Db7 | Db7 | Gb7 Db7 | Db7 | Gb7 Db7 | Ab7 | N.C. | · O: | Db7 | Gb7 Db7 | Db7 | Gb7 Db7 | Db7 | Gb7 Db7 | Ab7 | N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Sweet Nothin's Brenda Lee · 1960 · Tonart G · ≈ 125 BPM · Harmonie 2/5 · Leicht I: | G | · V: | G | C | G | G | G | C | G | G | C | C | G | G | D | C | G | G | · V2: | G | C | G | G | G | C | G | G | C | C | G | G | D | C | G | G | · INST: | G | C | G | G | G | C | G | G | C | C | G | G | D | C | G | G | · V3: | G | C | G | G | G | C | G | G | C | C | G | G | D | C | G | G | D | C | G | G | N.C. | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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