80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
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1.000 Songs Seite 13 von 40 Goodbye Yellow Brick Road Elton John · 1973 · Tonart F · ≈ 61 BPM · Harmonie 4/5 · Fortgeschritten I: | F C/E Dm Dm/C | Bb C F | · V: | Gm7 Bb C | F F/A Bb | Eb C7/E | F | Gm7 Bb C | F F/A Bb | Eb C7/E | F | · C: | Bbm Eb | Ab Db | Bbm C7 | · C2: | F A7 | Bb F | D7 Gm7 | C F C/E | Dm7 A7 | Bb | Db | F C/E Dm Dm/C | Bb C | · C3: | Bbm Eb | Ab Db | Bbm C7 | F | · V2: | Gm7 Bb C | F F/A Bb | Eb C7/E | F | Gm7 Bb C | F F/A Bb | Eb C7/E | F | · C4: | Bbm Eb | Ab Db | Bbm C7 | · C5: | F A7 | Bb F | D7 Gm7 | C F C/E | Dm7 A7 | Bb | Db | F C/E Dm Dm/C | Bb C | · C6: | Bbm Eb | Ab Db | Bbm C7 | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Last Date Floyd Cramer · 1960 · Tonart C · ≈ 69 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. F C G | C | · V: | C C7 | F | C C7 | F | C C7 | F | C G7 | C7 F | C G7 | C G7 | · V2: | C C7 | F | C C7 | F | C C7 | F | C G7 | C7 F | C G7 | C | · B: | F G | C C7 | F G | C C7 | F G | C Am | F | Dm7 G | · V3: | C C7 | F | C C7 | F | C C7 | F | C G7 | C7 F | C G7 | C F C G | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ All Those Years Ago George Harrison · 1981 · Tonart D · ≈ 126 BPM · Harmonie 4/5 · Fortgeschritten I: | D | D | D | D | · V: | D | D | Em | Edim7 Gdim7 | D F#m | Em Gm | D B | Em | D | D | Em | Edim7 Gdim7 | D F#m | Em Gm | D B | Em | · C: | A D | Em | A7 | D | A D | Em | A | Aaug | · V2: | D | D | Em | Edim7 Gdim7 | D F#m | Em Gm | D B | Em | D F#m | Em Gm | D B | Em | · T: | D | D | D | D | · S: | D | D | Em | Edim7 Gdim7 | D F#m | Em Gm | D B | Em | D | D | Em | Edim7 Gdim7 | D F#m | Em Gm | D B | Em | · C2: | A D | Em | A | D | A D | Em | A | Aaug | · V3: | D | D | Em | Edim Gdim | D F#m | Em Gm | D B | Em | D F#m | Em Gm | D B | Em | D F#m | Em Gm | D B | Em | A | · INST: | D | D | Em | Edim7 Gdim7 | D F#m | Em Gm | D B | Em | D | D | Em | Edim7 Gdim7 | D F#m | Em Gm | D B | Em | · O: | D | D | Em | Edim7 Gdim7 | D F#m | Em Gm | D B | Em | D | D | Em | Edim7 Gdim7 | D F#m | Em Gm | D B | Em | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Last Kiss J. Frank Wilson & The Cavaliers · 1964 · Tonart E · ≈ 135 BPM · Harmonie 2/5 · Leicht I: | N.C. | N.C. | E | C#m | A | B | · C: | E | C#m | A | B | E | C#m | A | B | · T: | E | E | · V: | E | C#m | A | B | E | C#m | A | B | E | C#m | A | B | E | C#m | A | B | · T2: | E | E | · C2: | E | C#m | A | B | E | C#m | A | B | · T3: | E | E | · V2: | E | C#m | A | B | E | C#m | A | B | E | C#m | A | B | E | C#m | A | B | E | C#m | A | B | · T4: | E | E | · C3: | E | C#m | A | B | E | C#m | A | B | · T5: | E | E | · O: | E | C#m | A | B | · O: | E | C#m | A | B | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Right Here, Right Now Jesus Jones · 1991 · Tonart D · ≈ 107 BPM · Harmonie 4/5 · Fortgeschritten I: | D5 | E/D | Em/D | G/D D A5/D | D5 | E/D | Em/D | G/D D A5/D | · V: | D5 | E/D | Em/D | G/D D A5/D | D5 | E/D | Em/D | G/D D A5/D | · PC: | G | G | G | G D/G Em/G D/C | · C: | D | E/D | Em/D | G/D D Em/D | D | E/D | Em/D | G/D D Em/D | · INT: | D(no3,no5) | · V2: | D | E/D | Em/D | G/D D Em/D | D | E/D | Em/D | G/D D Em/D | · PC2: | G | G | G | G D/G Em/G D/C | · C2: | D5 | D5 | · S: | D | D | D | D | D | D | D | D | · PC3: | G | G | G | G D/G Em/G D/C | · C3: | D | E/D | Em/D | G/D D Em/D | D | E/D | Em/D | G/D D Em/D | · C4: | D | E/D | Em/D | G/D D Em/D | D | E/D | Em/D | G/D D Em/D | · C5: | D | E/D | Em/D | G/D D Em/D | D | E/D | Em/D | G/D D Em/D | D(no3,no5) | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Handy Man Jimmy Jones · 1960 · Tonart Bb · ≈ 147 BPM · Harmonie 3/5 · Mittel I: | Bb | Gm | Bb | Gm | · C: | Bb | Bb | Gm | Gm | Eb | F | Bb | F7 | · C2: | Bb | Bb | Gm | Gm | Eb | F | Bb | Bb7 | · B: | Eb | Eb | Bb | Bb | Eb | Eb | F | F | · C3: | Bb | Bb | Gm | Gm | Eb | F | Bb | F7 | · S: | Bb | Bb | Gm | Gm | Eb | F | Bb | Bb7 | · B2: | Eb | Eb | Bb | Bb | Eb | Eb | F | F | · C4: | Bb | Bb | Gm | Gm | Eb | F | Bb | F7 | · O: | Bb | Gm | Bb | Gm | · O: | Bb | Gm | Bb | Gm | Bb | Gm | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Queen Of Hearts Juice Newton · 1981 · Tonart D · ≈ 169 BPM · Harmonie 3/5 · Mittel I: | A G | D | A D | G | G A | D | G A | D | D | · V: | D | D | D | D | D | D | G | G | D | D | D | D | D | D | G | G | · C: | A G | D | A D | G | G A | D | G A | D | A G | D | A D | G | G A | D | G A | D | D | · V2: | D | D | D | D | D | D | G | G | D | D | D | D | D | D | G | G | · C2: | A G | D | A D | G | G A | D | G A | D | A G | D | A D | G | G A | D | G A | D | · S: | B A | E | B E | A | A B | E | A B | E | A B | E | · V3: | D | D | D | D | D | D | G | G | D | D | D | D | D | D | G | G | · C3: | A G | D | A D | G | G A | D | G A | D | · C4: | N.C. | N.C. | N.C. | A | A B | E | A B | E | B A | E | B E | A | A B | E | A B | E | · O: | B A | E | B A | E | B A | E | B A | E | · O: | B A | E | B A | E | B A | E | B A | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Gloria Laura Branigan · 1982 · Tonart A · ≈ 131 BPM · Harmonie 4/5 · Fortgeschritten I: | A | A | A | A | A/E E A/E | E A/E E | A/E E A/E | E A/E E | D/A A D/A | A D/A A | D/A A D/A | A D/A A | · V: | A/E E A/E | E A/E E | D/A A D/A | A D/A A | A/E E A/E | E A/E E | D/A A D/A | A D/A A | A/E E A/E | E A/E E | D/A A D/A | A D/A A | A/E E A/E | E A/E E | D/A A D/A | A D/A A | · PC: | F#m | B | E | Amaj9 | D | E | D/A A D/A | A D/A A | · C: | E | E | A | A | E | E | A | A | E | G | D | E | D/A A D/A | A D/A A | · C2: | A/E E A/E | E A/E E | D/A A D/A | A D/A A | A/E E A/E | E A/E E | D/A A D/A | A D/A A | F#m | B | E | Amaj9 | D | E | D/A A D/A | A D/A A | · INT: | A/E E A/E | E A/E E | A/E E A/E | E A/E E | D/A A D/A | A D/A A | D/A A D/A | A D/A A | · V2: | A/E E A/E | E A/E E | D/A A D/A | A D/A A | A/E E A/E | E A/E E | D/A A D/A | A D/A A | A/E E A/E | E A/E E | D/A A D/A | A D/A A | A/E E A/E | E A/E E | D/A A D/A | A D/A A | · PC2: | F#m | B | E | Amaj9 | D | E | D/A A D/A | A D/A A | · C3: | A/E E A/E | E A/E E | D/A A D/A | A D/A A | A/E E A/E | E A/E E | D/A A D/A | A D/A A | F#m | B | E | Amaj9 | D | E | D/A A D/A | A D/A A | · O: | A/E E A/E | E A/E E | D/A A D/A | A D/A A | A/E E A/E | E A/E E | D/A A D/A | A D/A A | A/E E A/E | E A/E E | D/A A D/A | A D/A A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ You Don't Own Me Lesley Gore · 1964 · Tonart Gm · ≈ 64 BPM · Harmonie 3/5 · Mittel I: | Gm | Gm | · V: | Gm Cm | D7 Cm D7 | Gm Cm | D7 Cm D7 | G | · C: | G | Em | C | D7 | · V2: | Gm Cm | D7 Cm D7 | Gm Cm | D7 Cm D7 | G | · C2: | G | Em | C | D7 | · C3: | Ab | Fm | Db | Eb7 | · S: | Abm Dbm | Eb7 Dbm Eb7 | Abm Dbm | Eb7 Dbm Eb7 | Ab | · C4: | Ab | Fm | Db | Eb7 | · C5: | A | F#m | D | E7 | · O: | Bb | Gm | Eb | F7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ When Will I Be Loved Linda Ronstadt · 1975 · Tonart E · ≈ 133 BPM · Harmonie 2/5 · Leicht C: | E | E | E | E | E | A/E B/E | E | A B | E | A B | E | A B | E | A B | E | E | · V: | Aadd9 | Aadd9 B | Aadd9 | E | Aadd9 | B | Dbm7 | B | B | · C2: | E | A B | E | A B | E | A B | E | E | E | A B | E | A B | E | A B | E | E | · V2: | Aadd9 | Aadd9 B | Aadd9 | E | Aadd9 | Aadd9 B | Dbm7 | B | B | · C3: | E | A B | E | A B | E | A B | E | A B | E | A B | E | A B | E | A/E B/E | A/E | N.C. | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Girl You Know It's True Milli Vanilli · 1989 · Tonart Bbm · ≈ 98 BPM · Harmonie 5/5 · Experte I: | N.C. | Bbm Gb/Bb | Gb | Ab Ab6 | Ab Ab6 | Bbm Gb/Bb | Gb | Ab Ab6 | Ab Ab6 | Bbm Gb/Bb | Gb | Ab Ab6 | Ab Ab6 | · V: | Bb(no3,no5) | Gb(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Bb(no3,no5) | Gb(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Bbm | Gb | Ab9sus4 | Ab9sus4 | · PC: | Bbm Gb/Bb | Gbsus2 Gb Gbsus2 Gb | Ab Ab6 | Ab Ab6 Ab Ab6 | · C: | Bbm | Gb | Ab | Ab | Bbm Gb/Bb | Gb | Ab Ab6 | Ab Ab6 | Bbm Gb/Bb | Gb | Ab Ab6 | Ab Ab6 | Bbm Gb/Bb | Gb | Ab Ab6 | Ab Ab6 | · V2: | Bb(no3,no5) | Gb(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Bb(no3,no5) | Gb(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Bbm | Gb | Ab9sus4 | Ab9sus4 | · PC2: | Bbm Gb/Bb | Gbsus2 Gb Gbsus2 Gb | Ab Ab6 | Ab Ab6 Ab Ab6 | · C2: | Bbm | Gb | Ab | Ab | Bbm Gb/Bb | Gb | Ab Ab6 | Ab Ab6 | Bbm Gb/Bb | Gb | Ab Ab6 | Ab Ab6 | Bbm Gb/Bb | Gb | Ab Ab6 | Ab Ab6 | · B: | N.C. | Bb(no3,no5) | Bb(no3,no5) | N.C. | N.C. | N.C. | N.C. | · C3: | Bbm Gb/Bb | Gb | Ab Ab6 | Ab Ab6 | Bbm Gb/Bb | Gb | Ab Ab6 | Ab Ab6 | Bbm Gb/Bb | Gb | Ab Ab6 | Ab Ab6 | Bbm N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Ramblin' Rose Nat King Cole · 1962 · Tonart A · ≈ 97 BPM · Harmonie 3/5 · Mittel C: | E7 | E7 | A | A | B7 | B7 | E7 | E7 A7 | D | D | A | A | Bm | E | A D | A | · C2: | E7 | E7 | A | A | B7 | B7 | E7 | E7 A7 | D | D | A | A | Bm | E | A | F7 | · C3: | F7 | F7 | Bb | Bb | C7 | C7 | F7 | F7 Bb7 | Eb | Eb | Bb | Bb Gm | Cm | F | Bb Eb | Bb | · C4: | F7 | F7 | Bb | Bb | C7 | C7 | F7 | F7 Bb7 | Eb | Eb | Bb | Bb Gm | Cm | F13 N.C. | · O: | Bb Eb7 | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Put Your Hand In The Hand Ocean · 1971 · Tonart E · ≈ 68 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | E | E | · C: | E | B | F#m7 B | E | E7 | A A#dim | E C#m F#m7 A | E A E B | · V: | E | B | F#m7 B | E | E7 | A A#dim | E C#m F#m7 A | E A E | · C2: | A | E | Bm7 E | A | A7 | D D#dim | A F#m Bm7 D | A D A E | · V2: | A | E | E7 | A | A7 | D D#dim | A F#m Bm7 D | A D A E | · C3: | A | E | Bm7 E | A | A7 | D D#dim | A F#m Bm7 D | A D A E | · C4: | A | E | · O: | Bm7 E | A | A7 | D D#dim | A F#m Bm7 D | A D A E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ What Have I Done To Deserve This? Pet Shop Boys · 1988 · Tonart C · ≈ 118 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | F | Em Am | F | Em Am | F | Em Am | F | Em Am | F | Em Am | F | Em Am | · I2: | D | C | D | C | · V: | D | C | D | C | D | C | · R: | Bb5 | C5 | Bb | C | · V2: | D | C | D | C | D | C | · R2: | Bb | C | Bb | C | · C: | F | Em Am | F | Em Am | F | Em Am | F | Em Am | N.C. | N.C. | · B: | C | Dm | Dm | G | C | Dm | Dm | · R3: | Bb | C | Bb | C | · V3: | Csus2 | C | Csus2 | C | Csus2 | C | · R4: | Bb5/C | C5 | Bb/C | C | · C2: | F | Em Am | F | Em Am | F | Em Am | F | Em Am | N.C. | N.C. | · B2: | C | Dm | Dm | G | C | Dm | Dm | · R5: | Bb | C | Bb | C | Bb/C | C | Bb/C | C | Bb/C | C | Bb/C | C | · O: | F | Em Am | F | Em Am | F | Em Am | F | Em Am | F | Em Am | F | Em Am | F | Em Am | F | Em Am | F | Em Am | F | Em Am | F | Em Am | · O: | F | Em Am | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Don't Talk To Strangers Rick Springfield · 1982 · Tonart E · ≈ 123 BPM · Harmonie 5/5 · Experte I: | Gm | C#(no3,no5) C#9sus4 C#m7 | G#m7 B9sus4 | C#(no3,no5) C#9sus4 C#m7 | G#m7 B9sus4 | · V: | C#(no3,no5) C#9sus4 C#m7 | G#m7 B9sus4 | C#(no3,no5) C#9sus4 C#m7 | G#m7 B9sus4 | C#(no3,no5) C#9sus4 C#m7 | G#m7 B9sus4 | C#(no3,no5) C#9sus4 C#m7 | G#m7 B9sus4 | N.C. | C#(no3,no5) C#9sus4 C#m7 | G#m7 B9sus4 | C#(no3,no5) C#9sus4 C#m7 | G#m7 B9sus4 | C#(no3,no5) C#9sus4 C#m7 | G#m7 | B9sus4 | B9sus4 | · C: | E(no3,no5) B/E E | C#m9 C#m7 B6 | E(no3,no5) B/E E | C#m9 C#m7 B6 | A5 B/A Amaj9 | B/A Amaj9 B6 | C#5 C#7sus4 C#m7 | C#7sus4 C#m7 B6 | A5 B/A Amaj9 | B/A Amaj9 B6 | C#9sus4 | C#9sus4 | · V2: | C#(no3,no5) C#9sus4 C#m7 | G#m7 B9sus4 | C#(no3,no5) C#9sus4 C#m7 | G#m7 B9sus4 | C#(no3,no5) C#9sus4 C#m7 | G#m7 B9sus4 | B9sus4 | B9sus4 G#m7 | N.C. | C#(no3,no5) C#9sus4 C#m7 | G#m7 B9sus4 | C#(no3,no5) C#9sus4 C#m7 | G#m7 B9sus4 | C#(no3,no5) C#9sus4 C#m7 | G#m7 | B9sus4 | B9sus4 | · C2: | E(no3,no5) B/E E | C#m9 C#m7 B6 | E(no3,no5) B/E E | C#m9 C#m7 B6 | A5 B/A Amaj9 | B/A Amaj9 B6 | C#5 C#7sus4 C#m7 | C#7sus4 C#m7 B6 | A5 B/A Amaj9 | B/A Amaj9 B6 | C#9sus4 | C#9sus4 | · B: | B B/A | Eadd9/G# | B B/A | Eadd9/G# | B B/A | Eadd9/G# A B | · C3: | E(no3,no5) B/E E | C#m9 C#m7 B6 | E(no3,no5) B/E E | C#m9 C#m7 B6 | A5 B/A Amaj9 | B/A Amaj9 B6 | C#5 C#7sus4 C#m7 | C#7sus4 C#m7 B6 | A5 B/A Amaj9 | B/A Amaj9 B6 | · O: | E(no3,no5) B/E E | C#m9 C#m7 B6 | E(no3,no5) B/E E | C#m9 C#m7 B6 | · O: | E(no3,no5) B/E E | C#m9 C#m7 B6 | E(no3,no5) B/E E | C#m9 C#m7 B6 | E(no3,no5) B/E E | C#m9 C#m7 B6 | E(no3,no5) B/E E | C#m9 C#m7 B6 | E(no3,no5) B/E E | C#m9 C#m7 B6 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ (Your Love Has Lifted Me) Higher And Higher Rita Coolidge · 1977 · Tonart Db · ≈ 118 BPM · Harmonie 4/5 · Fortgeschritten I: | Db | Db7 | Eb/Db | Eb/Db | Ebm/Db | Ebm7b5/Db | Db | Db | · T: | Db | Db | Db | Db | · V: | Db | Db | Ebm/Db | Ebm/Db | Ebm/Db | Ebm7b5/Db | Db | Db | Db | Db | Ebm/Db | Ebm/Db | Ebm/Db | Ebm7b5/Db | Db | Db | · V2: | Db | Db | Ebm/Db | Ebm/Db | Ebm/Db | Ebm7b5/Db | Db | Db | Db | Db | Ebm/Db | Ebm/Db | Ebm/Db | Ebm7b5/Db | Db | Db | · S: | Db | Db | Ebm/Db | Ebm/Db | Ebm/Db | Ebm7b5/Db | Db | Db | Db | Db | Ebm/Db | Ebm/Db | Ebm/Db | Ebm/Db | A7 | A7 | · V3: | D | D | E/D | E/D | Em/D | Em7b5/D | D | D | D | D | E/D | E/D | Em/D | Em7b5/D | D | D | · V4: | D | D | E/D | E/D | Em/D | Em7b5/D | D | D | D | D | E/D | E/D | Em/D | Em7b5/D | D | D | · V5: | Eb | Eb | Fm/Eb | Fm/Eb | Fm/Eb | Fm7b5/Eb | Eb | Eb | Eb | Eb | Fm/Eb | Fm/Eb | Fm/Eb | Fm7b5/Eb | Eb | Eb | · O: | Eb | Eb | Fm/Eb | Fm/Eb | Fm/Eb | Fm7b5/Eb | Eb | Eb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Somebody's Watching Me Rockwell · 1984 · Tonart C#m · ≈ 124 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | C#m | C#m | C#m | C#m | C#m | C#m | C#m | C#m | C#m | Amaj7 B6 | C#m | A B7 | C#m | Amaj7 B6 | C#m | A B7 | · V: | C#m | A | C#m | A B | C#m | A | C#m | A B | · C: | C#m | A B | C#m | A B | C#m | A B | C#m | A B | · V2: | C#m | A | C#m | A B | C#m | A B | C#m | A B | · V3: | C#m | A B | C#m | A B | C#m | A B | C#m | A B | · C2: | C#m | A B | C#m | A B | C#m | A B | C#m | A B | · S: | C#m | A B | C#m | A B | C#m | A B | C#m | A B | C#m | C#m | C#m | C#m | C#m | C#m | C#m | A B | · B: | C#m | C#madd4 | C#m | A | C#m | Amaj7 | C#m | A B | · C3: | C#m | A B | C#m | A B | C#m | A B | C#m | A B | C#m | A B | C#m | A B | C#m | A B | C#m | A B | · C4: | C#m | A B | C#m | A B | C#m | A B | C#m | A B | C#m | A B | C#m | A B | · O: | C#m | A B | C#m | A B | C#m | A B | C#m | A B | C#m | A B | C#m | A B | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Treat Her Right Roy Head · 1965 · Tonart G · ≈ 164 BPM · Harmonie 1/5 · Einsteiger INST: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · INST2: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · V: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · V2: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · V3: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · INST3: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · INST4: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Hot Fun In The Summertime Sly & The Family Stone · 1969 · Tonart C · ≈ 97 BPM · Harmonie 3/5 · Mittel I: | C | Gm9 | C | Gm9 | · V: | C | Gm9 | Dm7b5 | Abadd9 Gm7 Fm7 | Ebadd9 Eb | Eb | Dm7 G7 | G7 | Dm7 | G7 | C | Gm9 | Dm7b5 | Abadd9 Gm7 Fm7 | Ebadd9 Eb | Eb | Dm7 G7 | G7 | Dm7 | G7 | · C: | Dm7 | G7 | Dm7 | G7 | Dm7 | G7 | Dm7 | G7 | Dm7 | G7 | Dm7 | G7 | Dm7 | G7 | Dm7 | G7 | · V2: | C | Gm9 | Dm7b5 | Abadd9 Gm7 Fm7 | Ebadd9 Eb | Eb | Dm7 G7 | G7 | Dm7 | G7 | · C2: | Dm7 | G | Dm7 | G | · O: | Dm7 | G | Dm7 | G | Dm7 | G | Dm7 | G | Dm7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ The Power Snap · 1990 · Tonart Bm · ≈ 109 BPM · Harmonie 2/5 · Leicht I: | F#(no3,no5) | F#(no3,no5) | · T: | Bm | Bm | Bm | Bm | · PC: | Bm | Bm | Bm | Bm | F#m/B | F#m/B | F#m/B | F#m/B | · V: | Bm | Bm | Bm | Bm | · V2: | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | Bm | · C: | Bm | Bm | Bm | Bm | F#m/B | F#m/B | F#m/B | F#m/B | · V3: | Bm | Bm | Bm | Bm | · I2: | F#(no3,no5) | F#(no3,no5) | · C2: | Bm | Bm | Bm | Bm | F#m/B | F#m/B | F#m/B | F#m/B | Bm | Bm | Bm | Bm | F#m/B | F#m/B | F#m/B | F#m/B | · INT: | Bm | Bm | Bm | Bm | · V4: | Bm | Bm | Bm | Bm | · V5: | Bm | Bm | Bm | Bm | · INT2: | Bm | Bm | · V6: | Bm | Bm | Bm | Bm | Bm7 | Bm7 | Bm | Bm | · INT3: | F#(no3,no5) | F#(no3,no5) | · C3: | Bm | Bm | Bm | Bm | F#m/B | F#m/B | F#m/B | F#m/B | Bm | Bm | Bm | Bm | F#m/B | F#m/B | F#m/B | F#m/B | Bm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ One Less Bell To Answer The 5th Dimension · 1971 · Tonart D · ≈ 66 BPM · Harmonie 5/5 · Experte I: | Dmaj7 G9 | Dmaj7 Gadd9 F#m7 E9sus4 | Dmaj7 G9 | Dmaj7 Gadd9 F#m7 E9sus4 | · V: | Dmaj7 | D6 Dmaj7 | Bm7 F#m7 | Bm7 F#m7 | Gmaj7 | F#9sus4 F#7 | Bm7 E9 | A9sus4 | Em7 F#m7 Gadd9 A9sus4 | Dmaj7 | D6 Dmaj7 | Bm7 F#m7 | Bm7 F#m7 | Gmaj7 | F#9sus4 F#7 | · C: | Eb | Gm7 | Ab6 | F6/9 | Cmaj9 Em7 | Fmaj7 Cmaj9/E | Fmaj7 Cmaj9/E | Esus4 E | Em9 A9 | Em9 A9 | · INST: | Dmaj9 A6 | D6/9 A6 | Bm9 F#m7 | Bm9 F#m7 | · B: | Gmaj7 | A6 Bm7 | Em7 A9sus4 | Am7 B7b9 | B7 | Em9 F#m7 | Gmaj9 A9sus4 | Gmaj7 F#m7 Em9 A9sus4 | · CO: | Dmaj7 | D6 Dmaj7 | Bm7 F#m7 | Gmaj7 F#m7 Em9 A9sus4 | Dmaj7 | D6 Dmaj7 | Bm7 F#m7 | Gmaj7 F#m7 Em9 A9sus4 | Dmaj7 | D6 Dmaj7 | Bm7 F#m7 | Gmaj7 F#m7 Em9 A9sus4 | Dmaj7 | D6 Dmaj7 | Bm7 F#m7 | Gmaj7 F#m7 Em9 A9sus4 | Dmaj7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Do You Want To Know A Secret The Beatles · 1964 · Tonart Em · ≈ 124 BPM · Harmonie 4/5 · Fortgeschritten I: | Em | F#m7b5 Em | Em | Em | A B | B13 | · V: | E G#m Gm | F#m B7 | E G#m Gm | F#m B7 | E G#m Gm | F#m B7b9/C | E G#m Gm | F#m B7 | E G#m Gm | F#m B7 | A | B | · C: | C#m | A B | · V2: | E G#m Gm | F#m B7 | E G#m Gm | F#m B7 | E G#m Gm | F#m B7b9/C | E G#m Gm | F#m B7 | E G#m Gm | F#m B7 | A | B | · C2: | C#m | A B | · B: | A F#m | C#m Bm | A F#m | C#m Bm | F#m | B7 | · V3: | E G#m Gm | F#m B7 | E G#m Gm | F#m B7 | E G#m Gm | F#m B7b9/C | E G#m Gm | F#m B7 | E G#m Gm | F#m B7 | A | B | · C3: | C#m | A B | · O: | C#m | A B | C#m | A B | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Cry Like A Baby The Box Tops · 1968 · Tonart D · ≈ 133 BPM · Harmonie 2/5 · Leicht I: | Bm | Bm | Bm | Bm | · V: | D | D | D | D | D | D | D | D | G | G | A | G | D | F# | F# | D A | G D | · V2: | D | D | D | D | D | D | D | D | G | G | A | G | D | D | · B: | Em | Em | Bm A | G7 | Em | Em | Bm A | G | G | · S: | D | D | D | D | D | F# | F# | · V3: | D | D | D | D | D | D | D | D | G | G D | D | D | · V4: | D | D | D | D | D | D | D | D | · O: | D7 | D | D | D | D7 | D | D | D | · O: | D7 | D | D | D | D7 | D | D | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Hair The Cowsills · 1969 · Tonart Cm · ≈ 114 BPM · Harmonie 4/5 · Fortgeschritten I: | Cm | Cm | Cm | Cm N.C. | · V: | Eb/Bb N.C. | Cm/G N.C. | Eb/Bb N.C. | Gm N.C. | Eb N.C. | Gm N.C. | Bb N.C. | Gm N.C. | Eb N.C. | Gm N.C. | Bb N.C. | Ab Bb N.C. | · V2: | Cm Ab | Cm Eb | Cm Ab | Cm Eb | Gm Eb | Gm Bb | Gm Eb | Gm Bb | · C: | Cm Ab/C | Cm Eb | Bb Eb7 | Ab Bb | G | · V3: | Cm Ab | Cm Eb | Cm Ab | Cm Eb | Gm Eb | Gm Bb | Gm Eb | Gm Bb | · C2: | Cm Ab/C | Cm Eb | Bb Eb7 | Ab Bb | Eb | · B: | Csus4 Csus4/B | Gsus4/A G/B | Csus4 | Csus4 | Fsus4 F | Fsus4 F | Fsus4 F | Fsus4 F | Bb | · INT: | Eb | Eb | Eb | Bb | · V4: | Cm Ab | Cm Ab | Bb | N.C. | N.C. | · V5: | Cm Ab | Cm Eb | Cm Ab | Cm Eb | Gm Eb | Gm Bb | Gm Eb | Gm Bb | · C3: | Cm Ab/C | Cm Eb | Bb | Eb7 | Ab Bb | Cm Ab/C | Cm Eb | Bb Eb7 | Ab Bb | · O: | Cm Ab/C | Cm Ab/C | Cm Ab/C | Cm Ab/C | Cm Bb G N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Lyin' Eyes The Eagles · 1975 · Tonart G · ≈ 133 BPM · Harmonie 3/5 · Mittel I: | G | Gmaj7 | C | C | Am | D7 | G | G | · V: | G | Gmaj7 | C | C | Am | Am | D7 | D7 | G | Gmaj7 | C | C | Am | C | G | G | · V2: | G | Gmaj7 | C | C | Am | Am | D7 | D7 | G | Gmaj7 | C | C | Am | C | G | C D7 | · V3: | G | Gmaj7 | C | C | Am | Am | D7 | D7 | G | Gmaj7 | C | C | Am | C | G | G | · C: | G | C/G | G | G | Em | Bm | Am | D7 | G | G7 | C | A | Am | D7 | · INT: | G | Gmaj7 | C | C | Am | D7 | G | G | · V4: | G | Gmaj7 | C | C | Am | Am | D7 | D7 | G | Gmaj7 | C | C | Am | C | G | C D7 | · V5: | G | Gmaj7 | C | C | Am | Am | D7 | D7 | G | Gmaj7 | C | C | Am | C | G | G | · C2: | G | C/G | G | G | Em | Bm | Am | D7 | G | G7 | C | A | Am | D7 | · INT2: | G | Gmaj7 | C | C | Am | D7 | G | G | · V6: | G | Gmaj7 | C | C | Am | Am | D7 | D7 | G | Gmaj7 | C | C | Am | C | G | C D7 | · V7: | G | Gmaj7 | C | C | Am | Am | D7 | D7 | G | Gmaj7 | C | C | Am | C | G | G | · V8: | G | Gmaj7 | C | C | Am | Am | D7 | D7 | G | Gmaj7 | C | C | Am | C | G | G | · C3: | G | C/G | G | G | Em | Bm | Am | D7 | G | G7 | C | A | Am | D7 | G | Gmaj7 | Am | D7 | G | Gmaj7 | Am | D7 | G | Gmaj7 | Am | D7 | G C | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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