80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
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1.000 Songs Seite 14 von 40 Bird Dog The Everly Brothers · 1958 · Tonart B · ≈ 143 BPM · Harmonie 3/5 · Mittel I: | B E A | F#7 | B E A | F#7 | · V: | B | B | B | B | E | E | B | B | F# | E7 | · T: | B E A | F#7 | · V2: | B | B | B | B | E | E | B | B | F# | E7 | · T2: | B E A | F#7 | · C: | E7 | E7 | B | B | F# | E7 | B | B7 | E7 | E7 | B | B | F#7 | E7 | · T3: | B E A | F#7 | B E A | F#7 | · V3: | B | B | B | B | E | E | B | B | F#7 | E7 | · T4: | B E A | F#7 | · C2: | E7 | E7 | B | B | F#7 | E7 | B | B7 | E7 | E7 | B | B | F#7 | E7 | · O: | B E A | F#7 | B E A | F#7 | B E A | F#7 | B E A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ It's Your Thing The Isley Brothers · 1969 · Tonart F · ≈ 185 BPM · Harmonie 2/5 · Leicht I: | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | · V: | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | · C: | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | · V2: | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | · C2: | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | · V3: | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | · C3: | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | F7 | · V4: | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | F7 | Bb7 | · O: | F7 | Bb7 | F7 | Bb7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Dancing Machine The Jacksons · 1974 · Tonart Ab · ≈ 109 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. Ab(no3,no5) N.C. Ab(no3,no5) | N.C. Cb(no3,no5) Db(no3,no5) | Abm11 | Abm11 | · V: | Abm7 | Abm7 | Abm7 | Abm7 | Abm7 | Abm7 | Abm7 | Abm7 | · INT: | Ebm7 E7 | Fm7b5 Db7/Gb | Abm7 | Abm7 | · V2: | Abm7 | Abm7 | Abm7 | Abm7 | Abm7 | Abm7 | Abm7 | Abm7 | · S: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · C: | N.C. Ab(no3,no5) N.C. Ab(no3,no5) | N.C. Cb(no3,no5) Db(no3,no5) | Abm11 | Abm11 | N.C. Ab(no3,no5) N.C. Ab(no3,no5) | N.C. Cb(no3,no5) Db(no3,no5) | Abm11 | Abm11 | · O: | Abm7 | Db7/F | Gbadd9 Db7/F | Ab7 | Abm7 | Db7/F | Gbadd9 Db7/F | Ab7 | · INST: | Abm7 | Db7/F | Gbadd9 Db7/F | Ab7 | Abm7 | Db7/F | Gbadd9 Db7/F | Ab7 | · O2: | Abm7 | Db7/F | Gbadd9 Db7/F | Ab7 | Abm7 | Db7/F | Gbadd9 Db7/F | Ab7 | · O: | Abm7 | Db7/F | Gbadd9 Db7/F | Ab7 | Abm7 | Db7/F N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Little Bit O' Soul The Music Explosion · 1967 · Tonart F# · ≈ 131 BPM · Harmonie 4/5 · Fortgeschritten I: | F#(no3,no5) B(no3,no5) | C#(no3,no5) F#(no3,no5) | F#(no3,no5) B(no3,no5) | C#(no3,no5) F#(no3,no5) | · V: | F# B | C# F# | F# B | C# F# | F# B | C# F# | F# B | C# F# | · C: | F# B | C# F# | F# B | C# F# | F# B | C# F# | · T: | F#(no3,no5) B(no3,no5) | C#(no3,no5) F#(no3,no5) | F#(no3,no5) B(no3,no5) | C#(no3,no5) F#(no3,no5) | · V2: | F# B | C# F# | F# B | C# F# | F# B | C# F# | F# B | C# F# | · C2: | F# B | C# F# | F# B | C# F# | F# B | C# F# | F# B | C# F# | · B: | C# F# | G# C# | C# F# | G# C# | C# F# | G# C# | C# | C# | · T2: | F#(no3,no5) B(no3,no5) | C#(no3,no5) F#(no3,no5) | F#(no3,no5) B(no3,no5) | C#(no3,no5) F#(no3,no5) | · V3: | F# B | C# F# | F# B | C# F# | F# B | C# F# | F# B | C# F# | · C3: | F# B | C# F# | F# B | C# F# | F# B | C# F# | F# B | C# F# | · O: | F# B | C# F# | F# B | C# F# | · O: | F# B | C# F# | F# B | C# F# | F# B | C# F# | F# B | C# F# | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ We Don't Need Another Hero (Thunderdome) Tina Turner · 1985 · Tonart Gb · ≈ 99 BPM · Harmonie 5/5 · Experte I: | Cb | Gb | Cb | Gb | Dbm11/Fb | Gb | Db | Db | · V: | Cb | Gb | Cb | Gb | Dbm11/Fb | Gb | Db | Db | Cb | Gb | Cb | Gb | Dbm11/Fb | Gb | Db | Db | · PC: | Fb | Gb | Dbm9 | Dbm9 | Fb | Gb | Dbm9 | Gb Fb/Ab Gb | · C: | Fb Gb | Gb Fb/Ab Gb | Fb Gb | Gb/Eb Cb/Eb Gb/Eb | Fb Gb | Dbm | Dbm | · V2: | Cb | Gb | Cb | Gb | Dbm11/Fb | Gb | Db | Db | Cb | Gb | Cb | Gb | Dbm11/Fb | Gb | Db | Db | · PC2: | Fb | Gb | Dbm9 | Dbm9 | Fb | Gb | Dbm9 | Dbm9 | Gb Fb/Ab Gb | · C2: | Fb Gb | Gb Fb/Ab Gb | Fb Gb | Gb/Eb Cb/Eb Gb/Eb | Fb Gb | Dbm Cb | · B: | Bbb | Gb | Bbb | Dbm | Ebb | Fb/Eb | Ebb | Fb7 | Fb7 | · S: | Fb Gb | Gb Fb/Ab Gb | Fb Gb | Gb Gb/Eb Cb/Eb Gb/Eb | Fb Gb | Gb Fb/Ab Gb | Fb Gb | Gb Fb/Ab Gb | · C3: | Fb Gb | Gb Fb/Ab Gb | Fb Gb | Gb/Eb Cb/Eb Gb/Eb | Fb Gb | Dbm | Dbm | Gb Fb/Ab Gb | · C4: | Fb Gb | Gb Fb/Ab Gb | Fb Gb | Gb/Eb Cb/Eb Gb/Eb | Fb Gb | Dbm | Dbm | · O: | Dbm | Dbm | Dbm | Dbm N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ She's A Lady Tom Jones · 1971 · Tonart D · ≈ 123 BPM · Harmonie 4/5 · Fortgeschritten I: | Em | Em | Em | Em | · V: | Em | Em | Dmaj7 | Dmaj7 | Em | Em | Dmaj7 | Dmaj7 | · C: | Em | A9sus4 | Dmaj7 | Dmaj7 | Em | A9sus4 | Bm | Bm | · V2: | Em | Em | Dmaj7 | Dmaj7 | Em | Em | Dmaj7 | Dmaj7 | · C2: | Em | A9sus4 | Dmaj7 | Dmaj7 | Em | A9sus4 | Bm | Bm | · B: | Bb F/A | Eb Bb | Bb F/A | Eb Bb | Bb F/A | Eb Bb | Bb F/A | Eb | G | A | A | · V3: | Em | A9sus4 | Dmaj7 | Dmaj7 | Em | A9sus4 | Bm | Bm | · C3: | Em | A9sus4 | Dmaj7 | Dmaj7 | Em | A9sus4 | Bm | Bm | · O: | Em | A9sus4 | Dmaj7 | Dmaj7 | Em | A9sus4 | Dmaj7 | Dmaj7 | Em | A9sus4 | Bm | Bm | Em | A9sus4 | Dmaj7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Crystal Blue Persuasion Tommy James · 1969 · Tonart A · ≈ 99 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | · INST: | Amaj9 | Bm7 | Amaj9 | Bm7 | Amaj9 | Bm7 D | A | · V: | Amaj9 | Bm7 | Amaj9 | Bm7 | Amaj9 | Bm7 | Amaj9 | Bm7 | Amaj9 | Bm7 | Amaj9 | Bm7 | Amaj9 | Bm7 | Amaj9 | Bm7 D | A | A | · V2: | Amaj9 | Bm7 | Amaj9 | Bm7 | Amaj9 | Bm7 | Amaj9 | Bm7 | Amaj9 | Bm7 | Amaj9 | Bm7 | Amaj9 | Bm7 | Amaj9 | Bm7 D | · B: | A | G | D | A | A | G | Bm7 | Bm7/E | Amaj9 | Bm7 | Amaj9 | Bm7 | Amaj9 | Bm7 | D | A | · T: | Bb(no3,no5) | Bb(no3,no5) | · V3: | Bbmaj9 | Cm7 | Bbmaj9 | Cm7 | Bbmaj9 | Cm7 | Bbmaj9 | Cm7 | Bbmaj9 | Cm7 | Bbmaj9 | Cm7 | Bbmaj9 | Eb/Ab | Cm | Cm | · V4: | Bbmaj9 | Cm7 | Bbmaj9 | Cm7 | Bbmaj9 | Cm7 | Bbmaj9 | Cm7 | Bbmaj9 | Cm7 | Bbmaj9 | Cm7 | Bbmaj9 | Cm7 | Bbmaj9 | Cm7 | · O: | Bbmaj9 | Cm7 | Bbmaj9 | Cm7 | Bbmaj9 | Cm7 | Bbmaj9 | Cm7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #2 Anhören ↗ Sukiyaki A Taste Of Honey · 1981 · Tonart Eb · ≈ 68 BPM · Harmonie 5/5 · Experte I: | Bb Abmaj7/Bb | Bb Abmaj7/Bb | Bb Abmaj7/Bb | Bb Abmaj7/Bb | · V: | Bb Abmaj7/Bb | Bb Abmaj7/Bb | Bb Abmaj7/Bb | Bb Abmaj7/Bb | Eb/Bb Ab/Bb | Bb Gsus4 G | Eb Ab Fm | Bb7 | · V2: | Ebmaj7 Cm | Eb Cm Bb | Eb Gm | Cm Bb | Eb Abmaj7 | Abmaj7 Gsus4 G | Eb Ab Fm | Ebadd9 | · C: | Abmaj7 Bb7 | Eb Eb7 | Abm7 Db7 | Gm Cm Bb7sus4 Bb7 | Eb Cm | Eb Cm Bb | Eb Gm | Cm Bb | Eb Abmaj7 | Abmaj7 Gsus4 G | Eb Ab Fm | Ebmaj7 | · S: | Eb Cm | Eb Cm Bbsus4 | Eb Gm | Cm Bb | Eb Abmaj7 | Abmaj7 Gsus4 G | Eb Ab Fm | Ebmaj7 | · V3: | Eb Cm | Eb Cm Bb | Eb Gm | Cm Bb | Eb Abmaj7 | Abmaj7 Gsus4 G | Eb Ab Fm | Cm F | Fm Gm Ab Bbsus4 N.C. | · O: | Eb/Bb Abmaj7/Bb | Eb/Bb Abmaj7/Bb | Eb/Bb Abmaj7/Bb | Eb/Bb Abmaj7/Bb | Eb/Bb Abmaj7/Bb | Eb/Bb Abmaj7/Bb | Eb/Bb Abmaj7/Bb | Eb/Bb Abmaj7/Bb | Eb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Take A Chance On Me ABBA · 1978 · Tonart B · ≈ 107 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | B | B | B | · C: | B | B | B | F# | F# | F# | F# | B | · V: | C#m7 | F# | C#m7 | F# | · V2: | C#m7 | C#m7 | B | B | C#m7 | C#m7 | B | B | G#m | E | G#m E F#add9 | G#m | E | C#m7 | F# | C#m7 | F# | · C2: | B | B | B | F# | F# | F# | F# | B | B | · C3: | B | B | B | F# | F# | F# | F# | B | · V3: | C#m11 | F# | C#m11 | F# | · V4: | C#m7 | C#m7 | B | B | C#m7 | C#m7 | B | B | G#m | E | G#m E F#add9 | G#m | E | C#m7 | F# | C#m7 | F# | · C4: | B | B | B | F# | F# | F# | F# | B | B | B | B | B | F# | F# | F# | F# | B | B | B | B | B | F# | F# | F# | F# | B | B | · O: | B | B | B | F# | F# | F# | F# | B | B | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Giving You The Best That I Got Anita Baker · 1989 · Tonart A · ≈ 105 BPM · Harmonie 4/5 · Fortgeschritten I: | Dadd9 | Aadd9/C# | C Bm7 Am7 Gadd9 | F#m7 | Bbmaj7 Am7 Gm7 Fmaj9 | D/E | D/E | · V: | E/A A | E/A A | C#m7 | C#m7 | Dmaj7 | Dmaj7 | Cmaj7 | Bm7 D/E | E/A A | E/A A | C#m7 | C#m7 | Dmaj7 | Dmaj9 | Cmaj7 | Bm7 D/E | · C: | Dmaj7 | Aadd9/C# | Cmaj7 | Bm7 D/E | Dmaj7 | Aadd9/C# | Cmaj7 | Bm7 Aadd9/C# | Dmaj7 | Aadd9/C# | Cmaj7 | Bm7 D/E | · V2: | E/A A | E/A A | C#m7 | C#m7 | Dmaj7 | Dmaj7 | Cmaj7 | Bm7 D/E | · C2: | Dmaj7 | Aadd9/C# | Cmaj7 | Bm7 D/E | Dmaj7 | Aadd9/C# | Cmaj7 | Bm7 Aadd9/C# | Dmaj7 | Aadd9/C# | Cmaj7 | Bm7 D/E | · B: | D/E | D/E | D/E | D/E Cdim | Bm7 | C#m7 | Dmaj7 | D/E | · V3: | E/A A | E/A A | C#m7 | C#m7 | Dmaj7 | Dmaj7 | Cmaj7 | Bm7 D/E | · C3: | Dmaj7 | Aadd9/C# | Cmaj7 | Bm7 D/E | Dmaj7 | Aadd9/C# | Cmaj7 | Bm7 Aadd9/C# | Dmaj7 | Aadd9/C# | Cmaj7 | Bm7 D/E | · O: | Dmaj7 | Aadd9/C# | Cmaj7 | Bm7 D/E | Dmaj7 | Aadd9/C# | Cmaj7 | Bm7 D/E | Dmaj7 | Aadd9/C# | Cmaj7 | Bm7 D/E | Dmaj7 | Aadd9/C# | Cmaj7 | Bm7 D/E | · O: | Dmaj7 | Aadd9/C# | Cmaj7 | Bm7 D/E | Dmaj7 | Aadd9/C# | Cmaj7 | Bm7 D/E | Dmaj7 | Aadd9/C# | Cmaj7 | Bm7 D/E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Hello Stranger Barbara Lewis · 1963 · Tonart C · ≈ 103 BPM · Harmonie 3/5 · Mittel I: | C | C | Dm7 | G7 | · V: | Cmaj9 | Cmaj9 | Dm7 | Dm7 | Em7 | Em7 | Dm7 | Dm7 G | Cmaj9 | Cmaj9 | Dm7 | Dm7 G | Cmaj9 | Cmaj9 | Dm7 | G7 | · V2: | Cmaj9 | Cmaj9 | Dm7 | Dm7 | Em7 | Em7 | Dm7 | Dm7 G | Cmaj9 | Cmaj9 | Dm7 | Dm7 G | Cmaj7 | Cmaj7 | Dm7 | G7 | · V3: | Cmaj9 | Cmaj9 | Dm7 | Dm7 | Em7 | Em7 | Dm7 | Dm7 G | Cmaj9 | Cmaj9 | Dm7 | Dm7 | Cmaj7 | Cmaj7 | Dm7 | G7 | · V4: | Cmaj9 | Cmaj9 | Dm7 | Dm7 | Em7 | Em7 | Dm7 | Dm7 G | Cmaj9 | Cmaj9 | Dm7 | Dm7 | · O: | Em7 | Em7 | Dm7 | Dm7 G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ The Rose Bette Midler · 1980 · Tonart C · ≈ 63 BPM · Harmonie 3/5 · Mittel I: | C5 | C5 | C5 | C5 | · V: | C | G/B | F/A G/B | C | C | G/B | F/A G/B | C | C/B | Fsus2/A | F/A | F/G G7 | C | G/B | F/A G | Cadd9 | Cadd9 | · V2: | Cadd9 | Gadd9 | Fadd9 G | Cadd9 | Cadd9 | Gadd9 | Fadd9 G | Cadd9 | Em/B | Amadd4 Aadd4/G | Fadd9 | G | Cadd9 | Gadd9 | Fadd9 G | C | C | · V3: | C | G | F G | C | C | G | F G | C | Em | Amadd4 | Fadd9 | Gadd9 | Cadd9 | Gadd9 | Fadd9 G | Cadd9 | Cadd9 | Cadd9 | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Ain't No Sunshine Bill Withers · 1971 · Tonart Am · ≈ 79 BPM · Harmonie 3/5 · Mittel C: | Am7 Em7 G7 | Am7 | Am7 Em7 G7 | Am7 | Em7 | Dm7 | Am7 Em7 G7 | Am7 | · C2: | Am7 Em7 G7 | Am7 | Am7 Em7 G7 | Am7 | Em7 | Dm7 | Am7 Em7 G7 | Am7 | · INT: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | Am7 Em7 G7 | Am7 | · C3: | Am7 Em7 G7 | Am7 | Am7 Em7 G7 | Am7 | Em7 | Dm7 | Am7 Em7 G7 | Am7 | · O: | Am7 Em7 G7 | Am7 | Am7 Em7 G7 | Am7 | Am7 Em7 G7 | Am7 | Am7 Em7 G7 | Am9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Just The Way You Are Billy Joel · 1978 · Tonart D · ≈ 139 BPM · Harmonie 5/5 · Experte I: | D(no3,no5) Em7b5/D | D(no3,no5) G/D D | D(no3,no5) Em7b5/D | D(no3,no5) G/D D | · V: | D | Bm7 | Gmaj7 | Bm7 D7 | Gmaj7 | Gm7 | D | Am D7 | Gmaj7 | Gm7 | D | Bm7 | E7sus4 | E7 | A9sus4 | A9sus4 | D | Bm7 | Gmaj7 | Bm7 D7 | Gmaj7 | Gm7 | D/F# | Am D7 | Gmaj7 | Gm7 | D/F# | Bm7 | Em | A9sus4 | · INT: | D(no3,no5) Em7b5/D | D(no3,no5) G/D D | D Em7b5/D | D(no3,no5) G/D D | · V2: | D | Bm7 | Gmaj7 | Bm7 D7 | Gmaj7 | Gm7 | D/F# | Am D7 | Gmaj7 | Gm7 | D/F# | Bm7 | E7sus4 | E7 | A9sus4 | A9sus4 | D | Bm7 | Gmaj7 | Bm7 D7 | Gmaj7 | Gm7 | D/F# | Am D7 | Gmaj7 | Gm7 | D/F# | Bm7 | Em | A9sus4 | · INT2: | D(no3,no5) Em7b5/D | D(no3,no5) G/D D | D(no3,no5) Em7b5/D | Am7 D7 | · B: | Gmaj7 | A7 | F#m7 | B7sus4 | Em7 | A7 | D | D D7/C | Bbmaj7 | C7 | Am7 | D7 | Gm7 | Gm7/C | G/A | G/A | · V3: | D | Bm7 | Gmaj7 | Bm7 D7 | Gmaj7 | Gm7 | D/F# | Am D7 | Gmaj7 | Gm7 | D/F# | Bm7 | Em | A9sus4 | · INT3: | D(no3,no5) Em7b5/D | D(no3,no5) G/D D | D(no3,no5) Em7b5/D | Am7 D7 | · S: | D | Bm7 | Gmaj7 | Bm7 D7 | Gmaj7 | Gm7 | D/F# | Am D7 | Gmaj7 | Gm7 | D/F# | Bm7 | E7sus4 | E7 | A9sus4 | A9sus4 | · V4: | D | Bm7 | Gmaj7 | Bm7 D7 | Gmaj7 | Gm7 | D/F# | Am D7 | Gmaj7 | Gm7 | D/F# | Bm7 | Em | A9sus4 | · O: | Bb | C | Am7 | D7 | Gm7 | A7 | · O2: | D | Bm7 | Gmaj7 | Bm7 D7 | Gmaj7 | Gm7 | D/F# | Am D7 | Gmaj7 | Gm7 | D/F# | Bm7 | E7sus4 | E7 | A9sus4 | A9sus4 | D | Bm7 | Gmaj7 | Bm7 D7 | Gmaj7 | Gm7 | D/F# | Am D7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Motownphilly Boyz II Men · 1991 · Tonart Dm · ≈ 115 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | Dm7 | Dm7 | Dm7 | Dm7 | Dm | Dm | Dm | Dm | N.C. | · C: | Dm | Dm | Bb | A7 | Dm | Dm | Bb | A7b9 A7 | · V: | Dm | Dm | Bb | A7 | Dm | Dm | Bb | A7b9 A7 | Dm | C#dim7/E | Gm7 | Asus4 | Gm7 | A7 | Bbmaj7 | C A7/C# | · C2: | Dm | Dm | Bb | A7 | Dm | Dm | Bb | A7b9 A7 | N.C. | · S: | N.C. | N.C. | N.C. | N.C. | · V2: | Dm | Dm | Bb | A7 | Dm | Dm | Bb | A7b9 A7 | Dm | C#dim7/E | Gm7 | Asus4 | Gm7 | A7 | Bbmaj7 | C A7/C# | · C3: | Dm | Dm | Bb | A7 | Dm | Dm | Bb | A7b9 A7 | · INST: | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | N.C. | · S2: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · INT: | Dm | Dm | Bb | A7 | Dm | Dm | Bb | A7 | · C4: | Dm | Dm | Bb | A7 | Dm | Dm | Bb | A7b9 A7 | N.C. | · CO: | Dm | Dm | Dm | Dm | A7b9 A7 | Dm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ All Alone Am I Brenda Lee · 1962 · Tonart F · ≈ 99 BPM · Harmonie 5/5 · Experte I: | N.C. | · C: | Bbmaj7 | Gm7 | C | F | Gm | Edim/Bb | A7 | A7 | Bbmaj7 | Gm7 | C | F | Gm | C | F | F | · B: | F | F | F | F | F | F | C | C | Dm | Dm | Dm | Dm | Dm | Dm | A7 | A7 | · C2: | Bbmaj7 | Gm7 | C | F | Gm | Edim/Bb | A7 | A7 | Bbmaj7 | Gm7 | C | F | Gm | C | F | F | · B2: | F | Faug | F6 | F6 | F | F6 | Gm | C | Dm | Dmmaj7 | Dm7 | Dm Dm7 | G7 | G7 | C7 | C7 | · C3: | Bbmaj7 | Gm7 | C | F | Gm | Edim/Bb | A7 | A7 | Bbmaj7 | Gm7 | C | F | Gm | C N.C. | · O: | F | Bb | Am Bb | C C7 | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Smokin' In The Boy's Room Brownsville Station · 1973 · Tonart D · ≈ 129 BPM · Harmonie 3/5 · Mittel I: | D5 | D5 | D5 | D5 | D5 | D5 | D5 | D5 | D5 | D5 | D5 | D5 | · V: | D5 | D5 | Bb5 | Bb5 | D5 | D5 | Bb5 | Bb5 | · C: | G | G | D | D | A | G | A | G | · T: | D5 | D5 | · V2: | D5 | D5 | Bb5 | Bb5 | D5 | D5 | Bb5 | Bb5 | · C2: | G | G | D | D | A | G | A | G | · T2: | D5 | D5 | · S: | G | G | D | D | G | G | A | A | G | G | D | D | G | G | Em | A | · V3: | D5 | D5 | Bb5 | Bb5 | D5 | D5 | Bb5 | Bb5 | · C3: | G | G | D | D | A | G | A | G | · T3: | D5 | D7#9 | · C4: | G | G | D | D | A | G | A | G | · CO: | D | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ If I Could Turn Back Time Cher · 1989 · Tonart B · ≈ 109 BPM · Harmonie 4/5 · Fortgeschritten I: | B | B | B | B | · C: | B | B | E | E | C#m | C#m | F#add4 | · V: | F# B | E F# | F# B | E F# | F# B | E F# | F# B | E F# | · PC: | E G#m F# | F# | E G#m F# | F# | E/G# | F#/A# | · C2: | B | B | E | E | C#m | C#m | F# | · C3: | B | B | E | E | C#m | C#m | · INT: | F# B | E F# | F# B | E F# | · V2: | F# B | E F# | F# B | E F# | F# B | E F# | F# B | E F# | · PC2: | E G#m F# | F# | E G#m F# | F# | E/G# | F#/A# | · C4: | B | B | E | E | C#m | C#m | F# | · C5: | B | B | E | E | C#m | C#m | F# | · INT2: | F# B | E F# | F# B | E F# | F# B | E F# | F# B | E F# | F# B | E F# | · PC3: | E G#m F# | F# | E G#m F# | F# | E/G# | F#/A# | · C6: | B | B | E | E | C#m | C#m | · C7: | D | D | G | G | Em | Em | A | A | · C8: | D | D | G | G | Em | Em | A | D | D | G | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Nightshift Commodores · 1985 · Tonart Ab · ≈ 105 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | N.C. | N.C. | · INST: | Ab | Fm Db | Eb | Eb | Dbadd9 | Dbadd9 | Ab | Ab Eb | · V: | Ab | Fm Db | Eb | Eb | Db | Db | Eb | Eb | Eb Ab | Fm Db | Eb | Eb | Dbadd9 | Dbadd9 | Eb | Eb | · PC: | Fm | Bbm | Eb | Eb | Fm | Bbm | Dbmaj7 | Dbmaj7 | · C: | Ab | Fm Db | Eb | Eb | Db | Db | Ab | Ab Eb | Ab | Fm Db | Eb | Eb | Db | Eb | Ab | Fm | Db | Eb | · INST2: | Ab | Fm Db | Eb | Eb | · V2: | Ab | Fm Db | Eb | Eb | Dbadd9 | Dbadd9 | Dbadd9 Eb | Eb | Eb Ab | Fm Db | Db Eb | Eb | Dbadd9 | Dbadd9 | Dbadd9 Eb | Eb | · PC2: | Fm | Bbm | Eb | Eb | Fm | Bbm | Dbmaj7 | Ab | · C2: | Ab | Fm Db | Eb | Eb | Db | Db | Ab | Ab | Ab | Fm Db | Eb | Eb | Db | Eb | Fm | · C3: | Ab | Fm Db | Eb | Eb | Db | Db | Ab | Ab | · O: | Ab | Fm Db | Eb | Eb | Db | Db | Ab | Ab Eb | Ab N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Treat Her Like A Lady Cornelius Brothers & Sister Rose · 1971 · Tonart F# · ≈ 131 BPM · Harmonie 2/5 · Leicht I: | F# | A | B | F# | F# | A | B | F# | · V: | F# | F# | F# | F# | F# | F# | F# | F# | · C: | A | Bm | A | Bm | Bm A | Bm | F# | F# | F# | F# | · V2: | F# | F# | F# | F# | F# | F# | F# | F# | · C2: | A | Bm | A | Bm | Bm A | Bm | F# | F# | F# | F# | · B: | F# | A | B | F# | F# | A | B | F# | F# | A | A B | F# | F# | A | A B | F# | · V3: | F# | F# | F# | F# | F# | F# | F# | F# | F# | F# | F# | F# | · C3: | A | Bm | A | Bm | Bm A | Bm | F# | F# | F# | F# | · C4: | A | Bm | A | Bm | Bm A | Bm | F# | F# | F# | F# | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ She Bop Cyndi Lauper · 1984 · Tonart Am · ≈ 137 BPM · Harmonie 2/5 · Leicht I: | Am | Am | Am | Am | Am | Am | Am | Am | · V: | Am | Am | Am | Am | Am | Am | Am | Am | F | F | G | G | Am | Am | Am | Am | · V2: | Am | Am | Am | Am | Am | Am | Am | Am | F | F | G | G | Am | Am | Am | Am | · C: | Dm | Dm | C | F | G | E7 | Am | Am | Dm | Dm | C | F | G | E7 | Am | Am | Am | Am | · INST: | Am | Am | Am | Am | Am | Am | Am | Am | F | F | G | G | Am | Am | Am | Am | · V3: | Am | Am | Am | Am | Am | Am | Am | Am | F | F | G | G | Am | Am | Am | Am | · C2: | Dm | Dm | C | F | G | E7 | Am | Am | Dm | Dm | C | F | G | E7 | Am | Am | Am | Am | · C3: | Dm | Dm | C | F | G | E7 | Am | Am | Dm | Dm | C | F | G | E7 | Am | Am | Am | Am | · O: | Am | Am | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Lovers Who Wander Dion · 1962 · Tonart C · ≈ 148 BPM · Harmonie 3/5 · Mittel I: | C | C | Am | Am | F | F | G | N.C. | · C: | C | C | Am | Am | F | F | G | N.C. | · V: | C | C | Am | Am | F | F | G | N.C. | · C2: | C | C | Am | Am | F | F | G | N.C. | · B: | F | F | C | C | D | D | G | N.C. | · V2: | C | C | Am | Am | F | F | G | N.C. | · C3: | C | C | Am | Am | F | F | G | N.C. | · B2: | F | F | C | C | D | D | G | N.C. | · V3: | C | C | Am | Am | F | F | G | N.C. | · C4: | C | C | Am | Am | F | F | G | G | · O: | C | C | Am | Am | F | F | G | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Where Or When Dion · 1960 · Tonart Ab · ≈ 73 BPM · Harmonie 4/5 · Fortgeschritten I: | Ab | Fm | Db | Eb Db | · V: | Ab | Ab6 | Abmaj7 | Abmaj7 | Db | Db | Db | Db | Ab Fm | Db Eb | · V2: | Ab | Ab6 | Abmaj7 | Abmaj7 | Db | Db | Db | Db | Abmaj7 Fm | Db C7 | · B: | Fm | Bbm | Gm7b5 | C7 | Fm | Bbm | Bbm7 | Eb7 | · V3: | Abmaj7 | Ab6 | Abmaj7 | Ab7#5 | Bbm | F7 | Bbm7 | Cm7 | Dbmaj7 | Eb7 | Abmaj7 | Fm | Bbm | Eb Db | Ab N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Last Dance Donna Summer · 1978 · Tonart Eb · ≈ 126 BPM · Harmonie 4/5 · Fortgeschritten I: | Eb | Ab/Eb | Eb | Ab/Eb | · V: | Ebmaj7 | Ab/Eb | Ebmaj7 | Bbaug7 | Ebmaj7 | Ab/Eb | Eb7 | Eb7 | Abmaj7 | Abmaj7 Bb/Ab | Gm7 | Cm | Cm Abmaj7 | Abmaj7 Bb/Ab | Gm7 G7 | Cm F9 | F9 | · C: | Eb/Bb | Ab/Bb | Eb/Bb | Ab/Bb | Eb/Bb | Ab/Bb | Ab/Bb F9/A | Bb | · V2: | Ebmaj7 | Ab/Eb | Ebmaj7 | Bbaug7 | Bbaug7 Ebmaj7 | Ab/Eb | Eb7 | Eb7 | Abmaj7 | Bb/Ab | Gm7 | Cm | Abmaj7 | Bb/Ab | Gm7 G7 | Cm F9 | · C2: | Eb/Bb | Ab/Bb | Eb/Bb | Ab/Bb | F/C | Bb/C | Bb/C G9/B | Bbmaj7 | Bbmaj7 F/A | Gm7 C9sus4 | · V3: | F | Bb/F | F | Caug7 | F | Bb/F | F7 | F7 | Bbmaj7 | C/Bb | Am7 | Dm | Bbmaj7 | C/Bb | Am7 A7 | A7 Dm G9/D | · C3: | F/C | Bb/C | F/C | Bb/C | F/C | Bb/C | G9/B | Bbmaj7 | F/A | Gm7 C9sus4 | C9sus4 | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Lay Down Sally Eric Clapton · 1978 · Tonart A · ≈ 191 BPM · Harmonie 2/5 · Leicht I: | A | A7 | A | A | A | A7 | A | A | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | · V: | A7 | A7 | A7 | A7 | D | D | A7 | A7 | A7 | A7 | D | D | E | E | · C: | A | A | D | D | E | E | A | A | A | A | D | D | E | E | A | A | · INT: | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | · V2: | A7 | A7 | A7 | A7 | D | D | A7 | A7 | A7 | A7 | D | D | E | E | · C2: | A | A | D | D | E | E | A | A | A | A | D | D | E | E | A | A | · S: | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | · V3: | A7 | A7 | A7 | A7 | D | D | A7 | A7 | A7 | A7 | D | D | E | E | · C3: | A | A | D | D | E | E | A | A | A | A | D | D | E | E | A | A | · C4: | A | A | D | D | E | E | A | A | A | A | D | D | E | E | A | A | · O: | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | A7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #3 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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