80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 16 von 40 25 Or 6 To 4 Chicago · 1970 · Tonart Am · ≈ 148 BPM · Harmonie 4/5 · Fortgeschritten I: | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | · V: | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | · C: | F | F | C | C | G | G | F | F | · INT: | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | · V2: | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | · C2: | F | F | C | C | G | G | F | F | · INST: | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | · V3: | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | · V4: | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | · C3: | F | F | C | C | G | G | F | F | · O: | Am | Am/G | Am/F# | Fmaj7 E7 | Am | Am/G | Am/F# | Fmaj7 E7 | Dmadd9 | Cmadd9 | B7b9 | G7/Bb | B/A | B/A | B/A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Patches Clarence Carter · 1970 · Tonart B · ≈ 81 BPM · Harmonie 3/5 · Mittel V: | B | B/A# | B7/A | E | G#7 C#m | F# | E | F# | E | F# | E | B Bm/D | E B | B Bm/D | E B | · C: | B | D#m | B7/A | E | G#7 C#m | · V2: | F# | E | F# | E | F# | E | B Bm/D | E B | B Bm/D | E B | · C2: | B | D#m | B7/A | E | G#7 C#m | · V3: | B | B/A# | B7/A | E C# | G#7 C#m | F# | E | F# | E | F# | E | B Bm/D | E B | B Bm/D | E B | · C3: | B | D#m | B7/A | E | G#7 C#m | · O: | B | D#m | B7/A | E | G#7 C#m | · O: | B | D#m | B7/A | E | G#7 C#m | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Easy Commodores · 1977 · Tonart Ab · ≈ 133 BPM · Harmonie 4/5 · Fortgeschritten I: | Ab | Cm7 | Bbm7 | Db/Eb | Ab | Cm7 | Bbm7 | Bbm7 | · V: | Ab | Cm7 | Bbm7 | Db/Eb | Ab | Cm7 | Bbm7 | Db/Eb Ab | Ab | Cm7 | Bbm7 | Db/Eb | Ab | Cm7 | Bbm7 | Bbm7 | Db/Eb | Db/Eb | · C: | Ab | Cm7 | Bbm7 | Db/Eb | Ab | Cm7 | Bbm7 | Db/Eb | Ab | Cm7 | Bbm7 | Db/Eb | Gb Db/F | Db/F Db/Eb | Ab | Ab | · V2: | Ab | Cm7 | Bbm7 | Db/Eb | Ab | Cm7 | Bbm7 | Db/Eb Ab | Ab | Cm7 | Bbm7 | Db/Eb | Ab | Cm7 | Bbm7 | Bbm7 | Db/Eb | Db/Eb | · C2: | Ab | Cm7 | Bbm7 | Db/Eb | Ab | Cm7 | Bbm7 | Db/Eb | Ab | Cm7 | Bbm7 | Db/Eb | Gb Db/F | Db/F Db/Eb | Ab | Ab | · B: | Gbmaj7 | Gbmaj7 Fm7 | Ebm7 | Gb/Ab Fm7 | Gbmaj7 | Gbmaj7 Fm7 | Ebm7 | Gb/Ab Fm7 | Gbmaj7 | Gbmaj7 Fm7 | Ebm7 | Gb/Ab | Cb Gb/Bb | Gb/Bb | Ebm7 Db | Db | Db | · S: | Ab | Cm7 | Bbm7 | Db/Eb | Ab | Cm7 | Bbm7 | Db/Eb Ab | Ab | Cm7 | Bbm7 | Db/Eb | Ab | Cm7 | Bbm7 | Bbm7 Db/Eb | · C3: | Ab | Cm7 | Bbm7 | Db/Eb | Ab | Cm7 | Bbm7 | Db/Eb | Ab | Cm7 | Bbm7 | Db/Eb | Ab | Cm7 | Bbm7 Bm7 | Bm7 D/E | · C4: | A | C#m7 | Bm7 | D/E | A | C#m7 | Bm7 | D/E A | A | C#m7 | Bm7 | D/E | · O: | A | C#m7 | Bm7 | D/E | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Sara Smile Daryl Hall & John Oates · 1976 · Tonart Dm · ≈ 75 BPM · Harmonie 5/5 · Experte I: | Dm7 Am7 | Gm7 C9sus4 | Dm7 Am7 | Gm7 C9sus4 | · V: | Dm7 | Am/C | Bbmaj9 | A9sus4 A | Dm7 | Am/C | Bbmaj9 | A9sus4 A | · PC: | Bb C | A7b9/C# Dm7 | Bb C | Eb7 Dm7 | Gm7 | N.C. | · C: | Dm7 Am7 | Gm7 C9sus4 C#9 | Dm7 Am7 | Gm7 C9sus4 | · V2: | Dm7 | Am/C | Bbmaj9 | A9sus4 A | Dm7 | Am/C | Bbmaj9 | A9sus4 A | · PC2: | Bb C | A7b9/C# Dm7 | Bb C | Eb7 Dm7 | Gm7 | N.C. | · C2: | Dm7 Am7 | Gm7 C9sus4 C#9 | Dm7 Am7 | Gm7 C9sus4 | Dm7 Am7 | Gm7 Csus4add9 C#9 | Dm7 Am7 | Gm7 Csus4add9 | · B: | Gm7 C Dm9 | F Bb C#dim | · C3: | Dm7 Am7 | Gm7 C9sus4 C#9 | Dm7 Am7 | Gm7 C9sus4 | Dm7 Am7 | Gm7 C9sus4 C#9 | Dm7 Am7 | Gm7 C9sus4 | · O: | Dm7 Am7 | Gm7 C9sus4 C#9 | Dm7 Am7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Abraham, Martin And John Dion · 1968 · Tonart E · ≈ 147 BPM · Harmonie 4/5 · Fortgeschritten I: | E G#m | F#m7 A E | E B9sus4 B | A/E | E | E | · V: | E | G#m7 | F#m7 A | E | E | F#m7 | G#m7 | B7 | C#m | G#m7 | F#sus4 A | G#m7 | F#m | B | E | E | · T: | E | B9 | A | E | · V2: | E | G#m7 | F#m7 A | E | E | F#m7 | G#m7 | B7 | C#m | G#m7 | F#sus4 A | G#m7 | F#m | B | A | A | · S: | E | E | E | E | E | E | A | A | E | E | · V3: | E | G#m7 | F#m7 A | E | E | F#m7 | G#m7 | B7 | C#m | G#m7 | F#sus4 A | G#m7 | F#m | B | A | E | · B: | A | G#m7 | F#sus4 A | G#m7 | A | G#m7 | F#sus4 A | F#sus4 A | E | E | Bm7 | D | A | G#m7 | F#9sus4 | Bsus4 B | · V4: | E | G#m7 | F#m7 A | E | E | F#m7 | G#m7 | B7 | C#m | G#m7 | F#sus4 A | G#m7 | F#m | B | C#m | A | A | E | E | E | · O: | E | E | E | E | E | E | E | E | E | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ I Don't Want Your Love Duran Duran · 1989 · Tonart Dm · ≈ 109 BPM · Harmonie 3/5 · Mittel I: | Dm | Dm | Dm | Dm | · V: | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | Dm7 | Dm6 | Bb/D | Dm6 | Dm7 | Dm6 | Bb/D | Dm | · C: | Dm | Csus4 | G7 | G7 | Dm | Csus4 | G7 | G7 | · INT: | Dm | Dm | Dm | Dm | · V2: | Dm7 | Dm6 | Bb/D | Dm6 | Dm7 | Dm6 | Bb/D | Dm | · C2: | Dm | Csus4 | G7 | G7 | Dm | Csus4 | G7 | G7 | Dm | Csus4 | G7 | G7 | Dm | Csus4 | G7 | G7 | · INT2: | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | · V3: | Dm7 | Dm6 | Bb/D | Dm | Dm7 | Dm6 | Bb/D | Dm | · INT3: | Dm | Csus4 | G7 | G7 | Dm | Csus4 | G7 | G7 | · PC: | Dm | Csus4 | G7 | G7 | · C3: | Dm | Csus4 | G7 | G7 | Dm | Csus4 | G7 | G7 | Dm | Csus4 | G7 | G7 | · O: | Dm | Csus4 | G7 | G7 | Dm | Csus4 | G7 | G7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Is There Something I Should Know Duran Duran · 1983 · Tonart D · ≈ 125 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · I: | D D/C | D D/C | D D/C | D D/C | D D/C | D D/C | G | C | D D/C | D D/C | · V: | D D/C | D D/C | D D/C | D D/C | G | C | D D/C | D D/C | D D/C | D D/C | D D/C | D D/C | D D/C | D D/C | D D/C | D D/C | · PC: | G | C | D | D | G | C | F | C | · C: | D | F C | A5 | Gsus4 G | D | F C | A5 | Gsus4 G | G | C | D D/C | D D/C | D D/C | D D/C | · V2: | D D/C | D D/C | D D/C | D D/C | G | C | D D/C | D D/C | D D/C | D D/C | D D/C | D D/C | D D/C | D D/C | D D/C | D D/C | · PC2: | G | C | D | D | G | C | F | C | · C2: | D | F C | A5 | Gsus4 G | D | F C | A5 | Gsus4 G | G | C | D D/C | D D/C | · INT: | Bm | C | D | Em | Bm | C | D | Em | Bm | C | D | C | C | · O: | D7sus4 | G C | D7sus4 | G C | D7sus4 | G C | D7sus4 | G C | D7sus4 | G C | D7sus4 | G C | D7sus4 | G C | D7sus4 | G C | D7sus4 | G C | D7sus4 | G C | D7sus4 | G C | D7sus4 | G C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ The Bitch Is Back Elton John · 1974 · Tonart Ab · ≈ 133 BPM · Harmonie 4/5 · Fortgeschritten I: | Ab(no3,no5) | Ab | Ab Db/Ab | Ab | Ab Db/Ab | Ab | Ab Db/Ab | Ab | Ab Db/Ab | · V: | Ab | Ab | Ab | Eb Ab | Gb | Db | Ab | Ab/Eb Ab | · INT: | Ab Db/Ab Ab | Db/Ab Ab | Ab Db/Ab Ab | Db/Ab Ab | · V2: | Ab | Ab | Ab | Eb Ab | Gb | Db | Ab | Ab/Eb Ab | · INT2: | Ab Db/Ab Ab | Db/Ab Ab | · C: | Eb | Eb | Fm | Db | Eb | Eb | Gb | Eb | · INT3: | Ab | Ab Db/Ab | Ab | Ab Db/Ab | Ab | Ab Db/Ab | Ab | Ab Db/Ab | · V3: | Ab | Ab | Ab | Eb Ab | Gb | Db | Ab | Ab/Eb Ab | · INT4: | Ab Db/Ab Ab | Db/Ab Ab | · C2: | Eb | Eb | Fm | Db | Eb | Eb | Gb | Eb | · INT5: | Ab | Ab Db/Ab | Ab | Ab Db/Ab | · S: | Ab | Ab | Ab | Eb Ab | Gb | Db | Ab | Ab/Eb Ab | · INT6: | Ab Db/Ab Ab | Db/Ab Ab | · C3: | Eb | Eb | Fm | Db | Eb | Eb | Gb | Eb | · INT7: | Ab | Ab Db/Ab | Ab | Ab Db/Ab | · O: | Ab | Gb Db | Ab | Gb Db | Ab | Gb Db | Ab | Gb Db | Ab | Gb Db | Ab | Gb Db | Ab | Gb Db | Ab | Gb Db | Ab | Gb Db | Ab | Gb Db | Ab | Gb Db | Ab | Gb Db | Ab | Gb Db | Ab | Gb Db N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ (Marie's the Name) His Latest Flame Elvis Presley · 1961 · Tonart G · ≈ 209 BPM · Harmonie 2/5 · Leicht I: | G | Em | G | Em | G | Em | · V: | G | Em | G | Em | G | Em | G | Em | Em | C | D | · T: | G | Em | G | Em | · V2: | G | Em | G | Em | G | Em | G | Em | Em | C | D | · T2: | G | Em | G | Em | · B: | D | C | D | C | D | C | D | C | D | C | D | C | D | C | · T3: | G | Em | G | Em | · V3: | G | Em | G | Em | G | Em | G | Em | Em | C | D | · T4: | G | Em | G | Em | · B2: | D | C | D | C | D | C | D | C | D | C | D | C | D | C | · T5: | G | Em | G | Em | · V4: | G | Em | G | Em | G | Em | G | Em | Em | C | D | G | Em | · O: | C | D | G | Em | C | D | G | Em | C | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ One Night Elvis Presley · 1959 · Tonart E · ≈ 122 BPM · Harmonie 3/5 · Mittel I: | E(no3,no5) A(no3,no5) | E(no3,no5) | · V: | E7 | E7 | B7 | B7 | B7 | B7 | E7 | E7 | · V2: | E7 | E7 | B7 | B7 | B7 | B7 | E | E7 | · B: | A | A | E | E | F#7 | F#7 | B7 | N.C. | · V3: | E | E | B7 | B7 | B7 | B7 | E | E7 | · B2: | A | A | E | E | F#7 | F#7 | B7 | N.C. | · V4: | E | E | B7 | B7 | B7 | B7 | E A | E B7 E N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Hungry Eyes (from the film Dirty Dancing) Eric Carmen · 1988 · Tonart F · ≈ 110 BPM · Harmonie 5/5 · Experte I: | F(no3,no5) | F(no3,no5) | · I2: | Fadd9 | Bbadd9 Csus4 C | Fadd9 | Bbadd9 Csus4 C | Fadd9 | Bbadd9 Csus4 C | Fadd9 | Bbadd9 Csus4 C | Fadd9 | Fadd9 | · V: | F | F | Am | Am9 | Am9 | Am9 Dm/A C/A | Am | Am9 | Dm7 | Dm11 | G | G C/E | Dm7 | Dm11 | G | Bb C | · C: | F | Bb C | F | Bb C | F | Bb C | F | Bb C | · T: | F | F C7/E | · V2: | Am | Am9 | Am9 | Am9 Dm/A C/A | Am | Am9 | Dm7 | Dm11 | G | G C/E | Dm7 | Dm11 | G | Bb C | · C2: | F | Bb C | F | Bb C | F | Bb C | F | Bb C | · C3: | F | Bb C | F | Bb C | F | Bb C | F | Bb C | · B: | Dm7 | Dm11 | Dm7 | Dm11 | Dm7 | Dm11 | Dm7 | Bb C | · S: | F | Bb C | F | Bb C | F | Bb C | F | Bb C | · C4: | F | Bb C | F | Bb C | F | Bb C | F | Bb C | · C5: | F | Bb C | F | Bb C | F | Bb C | F | Bb C | · O: | F | Bb C | F | Bb C | F | Bb C | F | Bb C | F | Bb C | F | Bb C N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Rescue Me Fontella Bass · 1965 · Tonart A · ≈ 123 BPM · Harmonie 3/5 · Mittel I: | A(no3,no5) | A(no3,no5) | A | D/A | A | D/A | D | E9sus4 | · V: | A | D | G | Em7 | A | D | G | Em7 | · C: | A | D | A | D | A | D | D | E9sus4 | · V2: | A | D | G | Em7 | A | D | G | Em7 | · C2: | A | D | A | D | A | D | D | E9sus4 | · INT: | A(no3,no5) | A(no3,no5) | A | D/A | A | D/A | D | E9sus4 | · V3: | A | D | G | Em7 | A | D | G | Em7 | · C3: | A | D | A | D | A | D | D | E9sus4 | · C4: | A | D | A | D | A | D | D | E9sus4 | · C5: | A(no3,no5) | D(no3,no5) | A(no3,no5) | D(no3,no5) | A(no3,no5) | D(no3,no5) | D(no3,no5) | E(no3,no5) | · C6: | A(no3,no5) | D(no3,no5) | A(no3,no5) | D(no3,no5) | · O: | A(no3,no5) | D(no3,no5) | D(no3,no5) | E(no3,no5) | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Galveston Glen Campbell · 1969 · Tonart Fm · ≈ 119 BPM · Harmonie 4/5 · Fortgeschritten I: | F | F | F | F Bb C | · V: | F | Bb C | F | F | F7 | Bb Bb/A | Gm C7 | F | Bb Bb/A | Gm C7 | Dm | Bb | C11 | F Bb C | · V2: | F | Bb C | F | F | F7 | Bb Bb/A | Gm C7 | F | Bb Bb/A | Gm C7 | Dm | Bb | C11 | F Bb C | · B: | Ab | Ab Bb | Ab | Ab Bb | Cm | Cm | Ab | Fm Dm7b5 | Eb | Bb | Fm | Fm Bb C | · V3: | F | Bb C | F | F | F7 | Bb Bb/A | Gm C7 | F | Bb Bb/A | Gm C7 | Dm Dm/C | Bb Bb/A | Gm | Gm | D | C6 | · T: | F | F | F | F | · INST: | F | Bb C | F | F | F7 | Bb Bb/A | Gm C7 | F | Bb Bb/A | Gm C7 | Dm | Bb | C11 | F Bb C | · O: | F | Bb C | F | F | F7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Just A Dream Jimmy Clanton · 1958 · Tonart G · ≈ 125 BPM · Harmonie 3/5 · Mittel V: | G | G7 | D7 | D7 | D7 | D7 | G C | G | G | G7 | D7 | D7 | D7 | D7 | G C | G G7 G6 G | · C: | C | Cm | G | G7 | C | Cm | A7 | D7 | D7 | · V2: | G | G7 | D7 | D7 | D7 | D7 | G C | G G7 G6 G | · C2: | C | Cm | G | G7 | C | Cm | A7 | D7 | D7 | · V3: | G | G7 | D7 | D7 | D7 | D7 | G D7 | G D7 G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Jungle Boogie Kool & The Gang · 1974 · Tonart Gm · ≈ 106 BPM · Harmonie 1/5 · Einsteiger V: | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | · INST: | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | · C: | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | · INST2: | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | · C2: | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | · V2: | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | · INST3: | Gm7 | Gm7 | Gm7 | Gm7 | · O: | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Gm7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Mercy Mercy Me (The Ecology) Marvin Gaye · 1971 · Tonart Eb · ≈ 93 BPM · Harmonie 3/5 · Mittel I: | Bb7sus4 | Bb7sus4 | B7sus4 | B7sus4 | · V: | Emaj7 | Emaj7 | C#m7 | C#m7 | F#m7 | F#m7 | B7sus4 | B7sus4 | · V2: | Emaj7 | Emaj7 | C#m7 | C#m7 | F#m7 | F#m7 | B7sus4 | B7sus4 | · V3: | Emaj7 | Emaj7 | C#m7 | C#m7 | F#m7 | F#m7 | B7sus4 | B7sus4 | · V4: | Emaj7 | Emaj7 | C#m7 | C#m7 | F#m7 | F#m7 | B7sus4 | B7sus4 | · V5: | Emaj7 | Emaj7 | C#m7 | C#m7 | F#m7 | F#m7 | B7sus4 | B7sus4 | · S: | Fmaj7 | Fmaj7 | Dm7 | Dm7 | Gm7 | Gm7 | C7sus4 | C7sus4 | · O: | Bbm9 | Bbm9 | Bbm9 | Bbm9 | Bbm9 | Bbm9 | Bbm9 | Bbm9 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Kicks Paul Revere & The Raiders · 1966 · Tonart Fm · ≈ 132 BPM · Harmonie 4/5 · Fortgeschritten I: | Fm7 | Fm7/Bb Fm7/Ab Fm7/G | Fm7 | Fm7/Bb Fm7/Ab Fm7/G | · V: | Fm7 | Fm7/Bb Fm7/Ab Fm7/G | Fm7 | Fm7/Bb Fm7/Ab Fm7/G | Fm7 | Fm7/Bb Fm7/Ab Fm7/G | Fm7 | Fm7/Bb Fm7/Ab Fm7/G | Db | Db | Fm | Fmmaj7 Fm7 | Db | Db | C7 | C7 | · C: | Ab | Db | Ab | Db | Ab | Ab | C7 | C7 | · T: | Fm7 | Fm7/Bb Fm7/Ab Fm7/G | Fm7 | Fm7/Bb Fm7/Ab Fm7/G | · V2: | Fm7 | Fm7/Bb Fm7/Ab Fm7/G | Fm7 | Fm7/Bb Fm7/Ab Fm7/G | Fm7 | Fm7/Bb Fm7/Ab Fm7/G | Fm7 | Fm7/Bb Fm7/Ab Fm7/G | Db | Db | Fm | Fmmaj7 Fm7 | Db | Db | C7 | C7 | · C2: | Ab | Db | Ab | Db | Ab | Ab | C7 | C7 | · B: | F | F | Dm | Dm | Bb | Bb | C | C | · C3: | Ab | Db | Ab | Db | Ab | Ab | C7 | C7 | · O: | Ab | Db | Ab | Db | Ab | Ab | C7 | C7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Always On My Mind Pet Shop Boys · 1988 · Tonart G · ≈ 125 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | · S: | G | D | Em D6 | C D | G | D | Em D6 | C D | G | D | Em D6 | C D | C D | C D | · V: | G | D | Em D6 | C D | G | D | Em D6 | A | · C: | C | G | C G/B | Am G | D | D G | C D | Bb C | · V2: | G | D | Em D6 | C D | G | D | Em D6 | A | · C2: | C | G | C G/B | Am G | D | G | C D | Bb C | · B: | C G D/F# | Em D | C G/B | Am D | G D/F# | Em D | C G/B | Am D | · S2: | G | D | Em D6 | C D | G | D | Em D6 | C D | · C3: | C | G | C G/B | Am G | D | D G | C D | Bb C | · B2: | C G D/F# | Em D | C G/B | Am D | G D/F# | Em D | C G/B | Am D | · C4: | D | G | C D | G | D | G | C D | G | D | G | C D | Bb C | · O: | G | D | Em D6 | C D | G | D | Em D6 | C D | G | D | Em D6 | C D | G | D | Em D6 | C D | G | D | Em D6 | C D | · O: | G | D | Em D6 | C D | G | D | Em D6 | C D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ We Are The Champions Queen · 1978 · Tonart Cm · ≈ 95 BPM · Harmonie 5/5 · Experte SON: | N.C. | · V: | Cm | G7sus4/C | Cm | G7sus4/C | Cm | G7sus4/C | Cm | G7sus4/C | Eb | Bb7sus4/Eb | Eb | Bb7sus4/Eb | Eb Bb/D | Cm F7 | Bb | Bb7sus4 Bb7#11 | Bb7 C7 | · C: | F | Am7 | D | Bb5 C5 | F | Am7 | Bb | D7/F# | Gm | Gm | Bbm | A7b9/E A7b9/G | F | Ebmaj7#11/G | Ab6 | Bb | Cm7 | · T: | Fm | Gm7 | Fm | Gm7 | Fm | C7sus4 | · V2: | Cm | G7sus4/C | Cm | G7sus4/C | Cm | G7sus4/C | Cm | G7sus4/C | Eb | Bb7sus4/Eb | Eb | Bb7sus4/Eb | Eb Bb/D | Cm F7 | Bb | Bb7sus4 Bb7#11 | Bb7 C7 | · C2: | F | Am7 | Dm | Bb5 C5 | F | Am7 | Bb | D7/F# | Gm | Gm | Bbm | A7b9/E A7b9/G | F | Ebmaj7#11/G | Ab6 | Bb | Cm7 | · C3: | F | Am7 | Dm | Bb5 C5 | F | Am7 | Bb | D7/F# | Gm | Gm | Bbm | A7b9/E A7b9/G | F | Ebmaj7#11/G | Ab6 | Bb | Cm7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Just When I Needed You Most Randy Vanwarmer · 1979 · Tonart A · ≈ 97 BPM · Harmonie 3/5 · Mittel I: | A | A7 | A6 | A | A | A7 | A6 | A | · V: | A | A7 | A6 | D/A | D | A | Bm | A/E E | A | A7 | A6 | D/A | D | A | E | A E/B A/C# | · T: | D | A | E7 | A | A7 | · V2: | A | A7 | A6 | A | D | A | Bm | E | A | A7 | A6 | D/A | D | A | E | A E/B A/C# | · T2: | D | A | E7 | A | A7 | · S: | A | A7 | A6 | D/A | D | A | Bm | E | A | A7 | A6 | D/A | D | A | E7 | A | A | · V3: | A | A7 | A6 | D/A | D | A | Bm | E | A | A7 | A6 | D/A | D | A | E | A E/B A/C# | D | A | E | A E/B A/C# | D | A | E | · CO: | A | A7 | A6 | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Get Ready Rare Earth · 1970 · Tonart D · ≈ 137 BPM · Harmonie 3/5 · Mittel I: | D | D G F | D | D G F | D | D G F | D | D G F | D | D G F | D | D G F | · V: | D | D G F | D | D G F | D | D G F | D | D G F | D | D G F | D | D G F | · C: | F | Bb7 | Gm | C | F | Bb7 | Gm | C | · V2: | D | D G F | D | D G F | D | D G F | D | D G F | D | D G F | D | D G F | D | D G F | D | D G F | · C2: | F | Bb | Gm7 | C | F | Bb | Gm7 | C | · V3: | D | D G F | D | D G F | · S: | D | D G F | D | D G F | G A | G A | G A | Bb Am G | · V4: | D | D G F | D | D G F | D | D G F | D | D G F | D | D G F | D | D G F | · C3: | F | Bb | Gm7 | C | F | Bb | Gm7 | C | · O: | D | D G F | D | D G F | D | D G F | D | D G F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Walk This Way Run-D.M.C. · 1986 · Tonart E · ≈ 106 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · INT: | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) A | · V: | C7 | C7 | C7 | C7 | C7 | C7 | C7 | C7 A | · INT2: | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) A | · V2: | C7 | C7 | C7 | C7 | C7 | C7 | C7 | C7 | · C: | C7 | F7 | C7 | F7 | C7 | F7 | C7 | F7 | · S: | C7 | C7 | C7 | C7 A | · INT3: | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) A | · V3: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · INT4: | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) A | · V4: | C7 | C7 | C7 | C7 | C7 | C7 | C7 | C7 | · C2: | C7 | F7 | C7 | F7 | C7 | F7 | C7 | F7 | · S2: | C(no3,no5) | C(no3,no5) | C(no3,no5) | C(no3,no5) A | · INT5: | E(no3,no5) E | E(no3,no5) A | E(no3,no5) E | E(no3,no5) A | · S3: | E(no3,no5) E | E(no3,no5) A | E(no3,no5) E | E(no3,no5) A | E(no3,no5) E | E(no3,no5) A | E(no3,no5) E | E(no3,no5) A | E(no3,no5) E | E(no3,no5) A | E(no3,no5) E | E(no3,no5) A | E(no3,no5) E | E(no3,no5) A | E(no3,no5) E | E(no3,no5) A | E(no3,no5) E | E(no3,no5) A | E(no3,no5) E | E(no3,no5) A | E | E A | E | E A | E | E A | E | E A | E(no3,no5) E | E(no3,no5) A | E(no3,no5) E | E(no3,no5) A | E(no3,no5) E | E(no3,no5) A | E(no3,no5) E | E(no3,no5) A | E(no3,no5) E | E(no3,no5) A | E(no3,no5) E | E(no3,no5) A | N.C. E | N.C. A | N.C. E | N.C. A | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Cecilia Simon & Garfunkel · 1970 · Tonart B · ≈ 103 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | N.C. | N.C. | · C: | N.C. | N.C. | N.C. | F# | E B | E B | E B | F# | · C2: | B | E B | E B | F# | E B | E B | E B | F# | B | · V: | B | B | B | F# B | B | B | B | F# B | · C3: | B | E B | E B | F# | E B | E B | E B | F# | B | · INT: | N.C. | N.C. | N.C. | F# | · S: | B | E B | E B | F# | E B | E B | E B | F# | · C4: | B | E B | E B | F# | E B | E B | E B | B F# | E B | E B | E B | B F# | E B | E B | E B | B F# | · O: | E B | E B | E B | B F# | E B | E B | E B | B F# | E B | E B | E B | F# | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Cruisin' Smokey Robinson · 1980 · Tonart E · ≈ 84 BPM · Harmonie 3/5 · Mittel I: | E | E | E | E | · V: | E | F#m7 | E | F#m7 | E | F#m7 | E | F#m7 | E | F#m7 | E | F#m7 | · PC: | E | F#m7 | E | F#m7 | · C: | E | A | D B7 | E | E | A | D B7 | E | · V2: | E | F#m7 | E | F#m7 | E | F#m7 | E | F#m7 | E | F#m7 | E | F#m7 | · PC2: | E | F#m7 | E | F#m7 | · C2: | E | A | D B7 | E | E | A | D B7 | E | · T: | E | E | · S: | E | F#m7 | E | F#m7 | E | F#m7 | E | F#m7 | · V3: | E | F#m7 | E | F#m7 | E | F#m7 | E | F#m7 | E | F#m7 | E | F#m7 | · PC3: | E | F#m7 | E | F#m7 | · C3: | E | A | D B7 | E | E | A | D B7 | E | · O: | E | A | D B7 | E | E | A | D B7 | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ TRUE Spandau Ballet · 1983 · Tonart G · ≈ 97 BPM · Harmonie 5/5 · Experte I: | G | Em9 | Cmaj9 | Bm7 | G | Em9 | Cmaj9 | Bm7 | G | Em9 | Cmaj9 | Bm7 | Am | F6/9 | D(no3,no5) | · V: | G | Bm | C | C Eb | G | Bm | C Em7 | Em7 C | C G | G G/F# | C | G | C C/B | G | C C/B | G | C C/B | Fmaj9 | · C: | G | Em9 | Cmaj9 | Bm7 | G | Em9 | Cmaj9 | Bm7 | Am | F6/9 | N.C. | · V2: | G | Bm | C | Eb | G | Bm | C Em7 | Em7 C | C G | G G/F# | C | G | C C/B | G | C C/B | G | C C/B | Fmaj9 | · C2: | G | Em9 | Cmaj9 | Bm7 | G | Em9 | Cmaj9 | Bm7 | Am | F6/9 | F6/9 Eb | · S: | Eb | Ab | Eb | Ab | Eb | Ab | Eb | Ab | Eb | Ab | Eb | Ab | Eb | Ab | G | G | · V3: | C C/B | G | C | G | C C/B | G | C G/B | Fmaj9 | Fmaj9 | · C3: | G | Em9 | Cmaj9 | Bm7 | G | Em9 | Cmaj9 | Bm7 | · CO: | Am7 | Em7 | Am7 | Em9 | Am7 | F6/9 | F6/9 | · O: | G | Em9 | Cmaj9 | Bm7 | G | Em9 | Cmaj9 | Bm7 | G | Em9 | Cmaj9 | Cmaj9 Bm7 | · O: | G | Em9 | Cmaj9 | Bm7 | G | Em9 | Cmaj9 | Bm7 | G | Em9 | Cmaj9 | Bm7 | G N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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