80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 17 von 40 Higher Ground Stevie Wonder · 1973 · Tonart Eb · ≈ 188 BPM · Harmonie 4/5 · Fortgeschritten I: | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | · V: | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | F7 | F7 | Ab7 | Db7 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | · V2: | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | F7 | F7 | Ab7 | Db7 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | · C: | Ab7 | Eb7#9 | Ab7 | Eb7#9 | Ab7 | Eb7#9 | F7 | Bb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | · V3: | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | F7 | F7 | Ab7 | Db7 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | · V4: | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | F7 | F7 | Ab7 | Db7 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | · C2: | Ab7 | Eb7#9 | Ab7 | Eb7#9 | Ab7 | Eb7#9 | F7 | Bb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | · O: | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 | Eb7#9 Gb Ab | Eb7#9 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ That Girl Stevie Wonder · 1982 · Tonart Ab · ≈ 107 BPM · Harmonie 5/5 · Experte I: | N.C. | N.C. | N.C. | Abm Eb7#9 | · INST: | Abm9 | Abm6 | Abm | Dbm9 Abm7 | Abm9 | Abm6 | Abm | Dbm9 Abm7 | · V: | Abm9 | Abm6 | Abm | Dbm9 Abm7 | Abm9 | Abm6 | Abm | Dbm9 Abm7 | · PC: | Gb | Dbm7 | Bbm7 Eb7#5 | Abm9 | Gmaj7/A | Dmaj9 | Gmaj9 C/F# | C/F# D/F# E/G# | · V2: | Abm9 | Abm6 | Abm | Dbm9 Abm7 | Abm9 | Abm6 | Abm | Dbm9 Abm7 | · PC2: | Gb | Dbm7 | Bbm7 Eb7#5 | Abm9 | Gmaj7/A | Dmaj9 | Gmaj9 C/F# | C/F# D/F# E/G# | · C: | Ebm/Db | Db6/Ab | Db7sus4 | Gbmaj7/Ab Am6 | Ebm/Db | Db6/Ab | Db7sus4 | Gbmaj7/Ab Am6 | · B: | Dbm9 | Bbm7b5 Eb7#9 | Dbm7b5 | Em7/B | Dbm7b5 | Em7/B | Ab7sus4 | Ab7sus4 | Dbm7b5 | Em7/B | Dbm7b5 | Em7/B | Ab7sus4 | Ab7sus4 | Bb7sus4 | A9 | · V3: | Abm9 | Abm6 | Abm | Dbm9 Abm7 | Abm9 | Abm6 | Abm | Dbm9 Abm7 | · PC3: | Gb | Dbm7 | Bbm7 Eb7#5 | Abm9 | Gmaj7/A | Dmaj9 | Gmaj9 C/F# | C/F# D/F# E/G# | · V4: | Abm9 | Abm6 | Abm | Dbm9 Abm7 | Abm9 | Abm6 | Abm | Dbm9 Abm7 | · PC4: | Gb | Dbm7 | Bbm7 Eb7#5 | Abm9 | Gmaj7/A | Dmaj9 | Gmaj9 C/F# | C/F# D/F# E/G# | · C2: | Ebm/Db | Db6/Ab | Db7sus4 | Gbmaj7/Ab Am6 | Ebm/Db | Db6/Ab | Db7sus4 | Gbmaj7/Ab Am6 | · C3: | Ebm/Db | Db6/Ab | Db7sus4 | Gbmaj7/Ab Am6 | Ebm/Db | Db6/Ab | Db7sus4 | Gbmaj7/Ab Am6 | · C4: | Ebm/Db | Db6/Ab | Db7sus4 | Gbmaj7/Ab Am6 | Ebm/Db | Db6/Ab | Db7sus4 | Gbmaj7/Ab Am6 | · C5: | Ebm/Db | Db6/Ab | Db7sus4 | Gbmaj7/Ab Am6 | Ebm/Db | Db6/Ab | Db7sus4 | Gbmaj7/Ab Am6 | · O: | Ebm/Db | Db6/Ab | Db7sus4 | Gbmaj7/Ab Am6 | Ebm/Db | Db6/Ab | Db7sus4 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ She's A Woman The Beatles · 1964 · Tonart Ab · ≈ 175 BPM · Harmonie 4/5 · Fortgeschritten I: | Eb7 | Eb7 | Db7 | Db7 | Ab7 | Ab7 | Ab7 | Ab7 | · V: | Ab7 | Db7 | Ab7 | Ab7 | Ab7 | Db7 | Ab7 | Ab7 | Db7 | Db7 | Db7 | Db7 | Ab7 | Db7 | Ab7 | Ab7 | Eb7 | Eb7 | Db7 | Db7 | Ab7 | Db7 | Ab7 | Eb7 | · V2: | Ab7 | Db7 | Ab7 | Ab7 | Ab7 | Db7 | Ab7 | Ab7 | Db7 | Db7 | Db7 | Db7 | Ab7 | Db7 | Ab7 | Ab7 | Eb7 | Eb7 | Db7 | Db7 | Ab7 | Db7 | Ab7 | Eb7 | · B: | Cm | Fm | Cm | Db7 Eb7 | · V3: | Ab7 | Db7 | Ab7 | Ab7 | Ab7 | Db7 | Ab7 | Ab7 | Db7 | Db7 | Db7 | Db7 | Ab7 | Db7 | Ab7 | Ab7 | Eb7 | Eb7 | Db7 | Db7 | Ab7 | Db7 | Ab7 | Eb7 | · S: | Ab7 | Ab7 | Ab7 | Ab7 | Db7 | Db7 | Ab7 | Ab7 | Eb7 | Db7 | Ab7 | Ab7 | · C: | Ab7 | Ab7 | Ab7 | Ab7 | Db7 | Db7 | Ab7 | Ab7 | Eb7 | Db7 | Ab7 | Ab7 | · C2: | Ab7 | Ab7 | Ab7 | Ab7 | Db7 | Db7 | Ab7 | Ab7 | Eb7 | Db7 | Ab7 | Ab13 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Freeze-Frame The J. Geils Band · 1982 · Tonart C · ≈ 186 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | C | C | Bb | F | C | C | Bb | F | · INST: | C | C | Bb | F | C | C | Bb | F | · V: | C | C | Bb | F | C | C | Bb | F | C | C | Bb | F | C | C | Bb | F | G | G | F | F | G Ab/G | A/G Ab/G | G Ab/G | Bb/G B/G | · V2: | C | C | Bb | F | F C | C | Bb | F | C | C | Bb | F | C | C | Bb | F | G | G | F | F | G Ab/G | A/G Ab/G | G Ab/G | Bb/G B/G | · C: | C N.C. | C N.C. | C N.C. | C N.C. | G | N.C. | · V3: | C | C | Bb | Bb F | F C | C | Bb | F | C | C | Bb | F | C | C | Bb | F | G | G | F | F | G Ab/G | A/G Ab/G | G Ab/G | Bb/G B/G | · C2: | C N.C. | C N.C. | C N.C. | C N.C. | G | N.C. | · T: | C7 | C7 | C7 | C7 | C7 | C7 | C7 | C7 | · V4: | C | C | Bb | F | C | C | Bb | F | C | Bb F | C | Bb F | C | Bb F | C | Bb F | G | G | F | F | G Ab/G | A/G Ab/G | G Ab/G | Bb/G B/G | · C3: | C N.C. | C N.C. | C N.C. | C N.C. | G | N.C. | · O: | C | C | Bb | F | C | C | Bb | F | C | C | Bb | F | C | C | Bb | F | C | C | Bb | F | C | C | Bb | F | C | C | Bb | F | C | C | Bb | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ I Second That Emotion The Miracles · 1968 · Tonart D · ≈ 96 BPM · Harmonie 2/5 · Leicht I: | A G | G | D | D | · V: | D | D | D | D | D | D | G A | D | · PC: | G | D | G | D | · C: | D | A G | G | D | D | A G | G | D | · T: | A G | · V2: | D | D | D | D | D | D | G A | D | · PC2: | G | D | G | D | · C2: | D | A G | G | D | D | A G | G | D | · T2: | A G | D | A G | G | D | · PC3: | G | D | G | D | · C3: | D | A G | G | D | D | A G | G | D | · O: | A G | D | A G | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Unchained Melody The Righteous Brothers · 1965 · Tonart C · ≈ 99 BPM · Harmonie 3/5 · Mittel V: | C | Am | F | G | C | Am | G | G | C | Am | F | G | C | Am | G | G | · C: | C | G | Am | Em | F | G | C | C7 | · B: | F G | F Eb | F G | C | F G | F Eb | F G | C | · V2: | C | Am | F | G | C | Am | G | G | C | Am | F | G | C | Am | G | G | · C2: | C | G | Am | Em | F | G | C | Am | F Fm | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ I Wish It Would Rain The Temptations · 1968 · Tonart Bb · ≈ 89 BPM · Harmonie 3/5 · Mittel I: | Bb | Eb | Bb | Eb | Bb | Bb | · V: | Bb(no3,no5) | Bb(no3,no5) | Bb(no3,no5) | Bb(no3,no5) | Eb(no3,no5) | Eb(no3,no5) | Bb(no3,no5) | Bb(no3,no5) | F(no3,no5) | Eb(no3,no5) | Bb | Eb | · V2: | Bb | Bb | Bb | Bb | Eb | Eb | Bb | Bb | F7 | Eb | Bb | Eb | Bb | Eb | · C: | Bb | Eb | Bb | Eb | Bb | Eb | Bb | Eb | · V3: | Bb | Bb | Bb | Bb | Eb | Eb | Bb | Bb | F7 | Eb | Bb | Eb | · C2: | Bb | Eb | Bb | Eb | · O: | Bb | Eb | Bb | Eb | Bb | Eb | Bb | Eb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #4 Anhören ↗ Hooked On A Feeling B.J. Thomas · 1968 · Tonart A · ≈ 126 BPM · Harmonie 4/5 · Fortgeschritten I: | A5 | E/G# | A7/G | D/F# | Dm/F | A/E | Esus4 | E5 | · V: | A | E | A7 | D | Dm | A | Esus4 | E5 | · PC: | A | C#7 | F#m | A7 | · C: | D | E7 | A | Amaj7/G# | F#m | E | A Amaj7/G# | F#m7 | E | · V2: | A | E | A7 | D | Dm | A | Esus4 | E5 | · V3: | A | E/G# | A7/G | D/F# | Dm/F | A/E | Esus4 E | Esus4 E | · PC2: | A | C#7 | F#m | A7 | · C2: | D | E7 | A | Amaj7/G# | F#m | E | A Amaj7/G# | F#m7 | E/G# E | · T: | A | E | A7 | D | Dm | · PC3: | A | C#7 | F#m | A7 | · C3: | D | E7 | A | Amaj7/G# | F#m | E | A Amaj7/G# | F#m7 E/G# | · O: | A | E | A7 | D | Dm | A | Esus4 | E5 | A | E | A7 | D | Dm | A | Esus4 | E5 | · O: | A | E | A7 | D | Dm | A | Esus4 | E5 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ People Barbra Streisand · 1964 · Tonart A · ≈ 77 BPM · Harmonie 5/5 · Experte I: | N.C. | Bm7 | E9sus4 | · V: | Amaj9 | E7sus4 | Amaj9 | E7sus4 | Amaj9 | Amaj9 | G#m7b5 | C#7sus4 C#7 | F#mmaj7 | F#mmaj7 | F#mmaj7 | F#mmaj7 | F#m7 B7 | Emaj7 | C#m7 Caug7 | E/B Gdim | F#m7 | B9 | N.C. | N.C. Bm7 E7 | · V2: | Amaj9 | E7sus4 | Amaj9 | E7sus4 | Amaj9 | Amaj9 | Bm7/A | Bm7/A | D6 | D6 | C#m7 | A | Dmaj7 | Dmaj7 | A6/C# | B9 | Amaj7/E F#m7 | Bm7 E7 | Amaj9 | A9 | · CO: | Dmaj7 | Bm7b5 | A | Bm7 E7sus4 | A | A11 | Dmaj7 | Dmaj7 | C#m7 | A13 | Dmaj7 | Dmaj7 | A6/C# | B9 | Amaj7/E F#m7 | Amaj9 | A9 | Dmaj7 | Bm7b5 | A | Bm7 F/C | A | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ Against The Wind Bob Seger · 1980 · Tonart G · ≈ 110 BPM · Harmonie 3/5 · Mittel I: | G | G | G | G | · V: | G | G | Bm | Bm | C | G | D | C | G | G | Bm | Bm | C | G | C | D | D | · C: | Em D | G | Em C | G | Em D | C | C | D | G | Bm | C | G | C Bm | Am C | · T: | G | G | G | G | · V2: | G | G | Bm | Bm | C | G | D | C | G | G | Bm | Bm | C | G | C | D | D | · C2: | Em D | G | Em C | G | Em D | C | C | D | G | Bm | C | G | C Bm | Am C | · T2: | G | G | G | G | · S: | G | G | Bm | Bm | C | G | D | C | G | G | Bm | Bm | C | G | C | D | D | · C3: | Em D | G | Em C | G | Em D | C | C | D | G | Bm | C | G | C Bm | Am C | · T3: | G | G | C Bm | D | D | · O: | C | C | G | G | C | C | G | G | C | C | G | G | C | C | G | G | C | C | G | G | C | C | G | G | C | C | G | G | · O: | C | C | G | G | C | C | G | G | C | C | G | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ Tryin' To Live My Life Without You Bob Seger · 1981 · Tonart D · ≈ 105 BPM · Harmonie 2/5 · Leicht I: | D7 | D7 | G | G | D7 | D7 | G | G | D7 | D7 | G | G | D7 | D7 | G | G | D7 | D7 | G | G | · V: | D7 | D7 | G | G | D7 | D7 | G | G | Bm | Bm | G | A | · C: | D | D | G | G | D | D | G | G | · T: | Bm | Bm A G | Bm | Bm G A | · V2: | D | D | G | G | D | D | G | G | Bm | Bm | G | A | · C2: | D | D | G | G | D | D | G | G | · T2: | Bm | Bm A G | Bm | Bm G A | · C3: | D | D | G | G | D | D | G | G | D | D | G | G | D | D | G | G | · T3: | Bm | Bm A G | Bm | Bm G A | · C4: | D | D | G | G | D | D | G | G | · O: | Bm | Bm A G | Bm | Bm G A | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ Old Days Chicago · 1975 · Tonart C · ≈ 125 BPM · Harmonie 4/5 · Fortgeschritten I: | Em Dm | F Em | G | G/A | Em Dm | F Em | G | G | · V: | C Em7 | F6/9 | C Dm7 | F G7 | C Em7 | F6/9 | C Dm7 | F G7 | Dm7 | G7 | Dm7 | G7 | Dm7 | G7 | Dm7 | E7sus4 E7 | Am | E7/G# | G6 | D7/F# | Am | E7/G# | G6 | D7/F# | · INT: | F | F | Am7 | Am7 | F | F | Am7 | Am7 | Dm7 | Em7 | F | G7sus4 | G6 | · I2: | Em Dm | F Em | G | G/A | Em Dm | F Em | G | G | · V2: | C Em7 | F6/9 | C Dm7 | F G7 | C Em7 | F6/9 | C Dm7 | F G7 | Dm7 | G7 | Dm7 | G7 | Dm7 | G7 | Dm7 | E7sus4 E7 | Am | E7/G# | G6 | D7/F# | Am | E7/G# | G6 | D7/F# | · C: | F Em | G | F Em | G | F Em | G | F Em | G | F Em | G | F Em | G | F Em | G | F Em | G | F Em | G | F Em | G | · O: | F Em | G | F Em | G | F Em | G | F Em | G | F Em | G | F Em | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ All Through The Night Cyndi Lauper · 1984 · Tonart Ab · ≈ 95 BPM · Harmonie 3/5 · Mittel I: | Ab | Ab | · V: | Ab | Eb | Eb | Eb Ab | Ab | Eb | Eb | Eb Ab | · PC: | Fm | Fm | Cm | Cm | Db | Bbm | · C: | Ab | Fm | Db | Bbm Ebsus4 | Ab | Fm | Db | Bbm Ebsus4 | Ab | Fm | Cm | · V2: | Ab | Eb | Eb | Eb Ab | Ab | Eb | Eb | Eb Ab | · PC2: | Fm | Fm | Cm | Cm | Db | Bbm | · C2: | Ab | Fm | Db | Bbm Ebsus4 | Ab | Fm | Db | Bbm Ebsus4 | Ab | Fm | Cm | · S: | Ab | Eb | Eb | Eb Ab | Ab | Eb | Eb | Eb Ab | · PC3: | Fm | Fm | Cm | Cm | Db | Bbm Eb | · C3: | Ab | Fm | Db | Bbm Ebsus4 | Ab | Fm | Db | Bbm Ebsus4 | · C4: | Ab | Fm | Db | Bbm Ebsus4 | Ab | Fm | Db | Bbm Ebsus4 | Ab | Fm | Cm | · O: | Ab | Fm | Db | Bbm Ebsus4 | Ab | Fm | Db | Bbm Ebsus4 | Ab | Fm | Db | Bbm Ebsus4 | · O: | Ab | Fm | Db | Bbm Ebsus4 | Ab | Fm | Db | Bbm Ebsus4 | Ab | Fm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ Sexy Eyes Dr. Hook · 1980 · Tonart C · ≈ 103 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | Fmaj7 | Fmaj7 | Cmaj7 | Am7 | · V: | Dm7 | G11 | G11 Cmaj7 | Am7 | Dm7 | Dm7 G11 | G11 Cmaj7 | Gm7 C7 | · PC: | Fmaj7 | Em7 | Fmaj7 | Fmaj7 G7sus4 | · C: | Fmaj7 | Fmaj7 | Cmaj7 | Am7 | Fmaj7 | Fmaj7 | Cmaj7 | Em9 A7sus4 A7 | · INT: | Fmaj7 | Em7 | Fmaj7 | G7sus4 | · V2: | Dm7 | Dm7 G11 | G11 Cmaj7 | Am7 | Dm7 | Dm7 G11 | G11 Cmaj7 | Gm7 C7 | · PC2: | Fmaj7 | Em7 | Fmaj7 | G7sus4 | · C2: | Fmaj7 | Fmaj7 | Cmaj7 | Am7 | Fmaj7 | Fmaj7 | Cmaj7 | Em9 A7sus4 A7 | · S: | Dm7 | G11 | Cmaj7 | Am7 | Dm7 | G11 | Cmaj7 | Gm7 C7 | · PC3: | Fmaj7 | Em7 | Fmaj7 | G7sus4 | · C3: | Fmaj7 | Fmaj7 | Cmaj7 | Am7 | Fmaj7 | Fmaj7 | Cmaj7 | Em9 A7sus4 A7 | · O: | Fmaj7 | Fmaj7 | Cmaj7 | Am7 | Fmaj7 | Fmaj7 | Cmaj7 | Em9 A7sus4 A7 | Fmaj7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ Little Sister Elvis Presley · 1961 · Tonart E · ≈ 139 BPM · Harmonie 2/5 · Leicht I: | E | E | E | E | · C: | E | E | E | E | E | A | A | E | E | B | C B | E | E | · V: | E | E | E | E | E | E | N.C. | E | N.C. | · C2: | E | E | E | E | A | A | E | E | B | C B | E | E | · V2: | E | E | E | E | E | E | N.C. | E | N.C. | · C3: | E | E | E | E | A | A | E | E | B | C B | E | E | · V3: | E | E | E | E | E | E | N.C. | E | N.C. | · C4: | E | E | E | E | A | A | E | E | B | C B | E | E | · O: | B | C B | E | E | · O: | B | C B | E | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ Baby Workout Jackie Wilson · 1963 · Tonart F · ≈ 127 BPM · Harmonie 2/5 · Leicht I: | Fm | · V: | F7 | F7 | F7 | F7 | Bb7 | Bb7 | F7 | F7 | C7 | Bb7 | C7 | Bb7 | F7 | F7 | F7 | F7 | F7 | F7 | Bb7 | Bb7 | F7 | F7 | C7 | Bb7 | C7 | Bb7 | F7 | F7 | · C: | F7 | F7 | F7 | F7 | Bb7 | Bb7 | F7 | F7 | C7 | Bb7 | F7 | F7 | · V2: | F7 | F7 | F7 | F7 | Bb7 | Bb7 | F7 | F7 | C7 | Bb7 | C7 | Bb7 | F7 | F7 | · S: | F7 | F7 | F7 | F7 | Bb7 | Bb7 | F7 | F7 | C7 | Bb7 | F7 | F7 | F7 | F7 | F7 | F7 | Bb7 | Bb7 | F7 | F7 | C7 | Bb7 | F7 | F7 | · INST: | F7 | F7 | F7 | F7 | Bb7 | Bb7 | F7 | F7 | C7 | Bb7 | F7 | F7 | · C2: | F7 | F7 | F7 | F7 | Bb7 | Bb7 | F7 | F7 | C7 | Bb7 | F7 | F7 | F7 | F7 | F7 | F7 | Bb7 | Bb7 | F7 | F7 | C7 | Bb7 | F7 | F7 | · O: | N.C. | N.C. | F7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ Back Home Again John Denver · 1974 · Tonart E · ≈ 118 BPM · Harmonie 3/5 · Mittel I: | E | E | E | E | · V: | E | E | A | A | B | B7 | E | E | · V2: | E | E7 | A | A | B | B7 | E | E | · V3: | E | E7 | A | A | B | B7 | E | E | · V4: | E | E7 | A | A | B | B7 | E | E | · C: | A | B | E | E | A | B | E | A | B | B7 | E | E | · V5: | E | E7 | A | A | B | B7 | E | E | · V6: | E | E7 | A | A | B | B7 | E | E | · C2: | A | B | E | E | A | B | E | A | B | B7 | E | E7 | · B: | A | B | E | A | F#m | B | E | E7 | A | B | E | A | F#m | A | B | B | · V7: | E | E7 | A | A | B | B7 | E | E | · V8: | E | E | A | A | B | B7 | E | E7 | · C3: | A | B | E | E | A | B | E | A | B | B7 | E | E | · C4: | A | B7 | E | E7 | A | B7 | E | A | B | B7 | E | E | · O: | B | B7 | A | A E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ Lookin' For Love Johnny Lee · 1980 · Tonart D · ≈ 125 BPM · Harmonie 3/5 · Mittel I: | Em | F#m | G | A | Em | F#m | G | A | A | · V: | G | G | D | D | G | D | A | A | G | G | D | D | G | D | A A/G | A/F# A/E | · C: | D | D | F#m | F#m | G | G | Em F# | G A | D | D | F#m | F#m | G | Em A6 | D | D | · V2: | G | G | D | D | G | D | A | A | G | G | D | D | G | D | A A/G | A/F# A/E | · C2: | D | D | F#m | F#m | G | G | Em F# | G A | D | D | F#m | F#m | G | Em A6 | D | D | · B: | G | G | Em F#m | G A | A | A | · C3: | D | D | F#m | F#m | G | G | Em F# | G A | D | D | F#m | F#m | G | Em A6 | · C4: | D | D | F#m | F#m | G | G | Em F# | G A | · O: | D | D | F#m | F#m | G | Em A6 | D | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ Lucille Kenny Rogers · 1977 · Tonart Bb · ≈ 142 BPM · Harmonie 4/5 · Fortgeschritten I: | Bb | Bb | Bb | Bb | Bb | Bb | Bb | Bb | · V: | Bb | Bb | Bb | Bb | Bb | Bb | F7 | F7 | Cm | Cm | F7 | F7 | Cm | F7 | Bb | Bb | Bb | Bb | Bb | Bb | Bb | Bb7 | Eb | Eb | F7 | F7 | F7 | F7 | F7 | F7 | F7 | Bb | Bb | · V2: | Bb | Bb | Bb | Bb | Bb | Bb | F7 | F7 | Cm | Cm | F7 | F7 | Cm | F7 | Bb | Bb | Bb | Bb | Bb | Bb | Bb | Bb7 | Eb | Eb | F7 | F7 | F7 | F7 | F7 | F7 | Bb | Bb | · C: | N.C. | N.C. | Eb | Eb | Eb | Eb | Eb | Bb | Bb | Eb | Eb | Eb | Eb | Eb | Eb | Bb | Bb | F7 | F7 | Bb | Bb | · T: | C | C | · V3: | C | C | C | C | C | C | G7 | G7 | Dm | Dm | G7 | G7 | Dm | G7 | C | C | C | C | C | C | C | C7 | F | F | G7 | G7 | G7 | G7 | G7 | G7 | N.C. | N.C. | · C2: | N.C. | N.C. | F | F | F | F | F | C | C | F | F | F | F | F | F | C | C | G7 | G7 | C | C | · C3: | N.C. | N.C. | F | F | F | F | F | C | C | · O: | F | F | F | F | F | F | C | C | G7 | G7 | C | C | N.C. | N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ Paper Roses Marie Osmond · 1973 · Tonart Ab · ≈ 114 BPM · Harmonie 3/5 · Mittel I: | Db | Db | Ab | Fm | Bbm | Eb7 | Ab | Eb | · V: | Ab | Ab | Eb7 | Eb7 | Eb7 | Eb7 | Ab | Ab | Ab | Ab | Db | Db | Eb7 | Eb7 | Ab | Ab | · C: | Db | Db | Ab | Ab | Bbm | Eb7 | Ab | Ab7 | Db | Db Eb | Ab | Fm | Bbm | Eb7 | Ab | E7 | · V2: | A | A | E7 | E7 | E7 | E7 | A | A | A | A | D | D | E7 | E7 | A | A | · C2: | D | D | A | A | Bm | E7 | A | A7 | D | D E | A | F#m | Bm | Bm | E7 | A | A | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ Wanna Be Startin' Somethin' Michael Jackson · 1983 · Tonart D · ≈ 122 BPM · Harmonie 3/5 · Mittel I: | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D | E/D | D | E/D | D | E/D | D | E/D | · C: | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D | E/D | D | E/D | D | E/D | D | E/D | · V: | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D | E/D | D | E/D | · C2: | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D | E/D | D | E/D | D | E/D | D | E/D | · V2: | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D | E/D | D | E/D | · C3: | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | · INT: | D | E/D | D | E/D | · V3: | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D | E/D | D | E/D | · C4: | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | · S: | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | · INT2: | D | E/D | D | E/D | · V4: | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D | E/D | D | E/D | · C5: | D(no3,no5) | D(no3,no5) | D(no3,no5) | D(no3,no5) | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | D | E/D | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | D | E/D | D | E/D | · O: | D | E/D | D | E/D | D | E/D | D | E/D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ I've Got Love On My Mind Natalie Cole · 1977 · Tonart Db · ≈ 69 BPM · Harmonie 5/5 · Experte I: | Esus4 E | E | Absus4 Ab | Absus2 Ab | Ab(no3,no5) Gb(no3,no5) F(no3,no5) Eb(no3,no5) | · V: | Db Fm7 | Gb Gb/Ab | Db Fm7 | Gb Gb/Ab | Db Fm7 | Gb Gb/Ab | Bbb7 Ab7 | Bbb7 Ab7 | Bbb7 Ab7 | Bbb Ab(no3,no5) Gb(no3,no5) F(no3,no5) Eb(no3,no5) | · V2: | Db Fm7 | Gb Gb/Ab | Db Fm7 | Gb Gb/Ab | Db Fm7 | Gb Gb/Ab | Bbb7 Ab7 | Bbb7 Ab7 | Bbb7 Ab7 | Bbb Ab(no3,no5) Gb(no3,no5) F(no3,no5) Eb(no3,no5) | · V3: | Db Fm7 | Gb Gb/Ab | Db Fm7 | Gb Gb/Ab | Db Fm7 | Gb Gb/Ab | Bbb7 Ab7 | Bbb7 Ab7 | Bbb7 Ab7 | Bbb Ab(no3,no5) Gb(no3,no5) F(no3,no5) Eb(no3,no5) | · B: | Esus4 E | E | F#sus4 F# | F# | Bbsus4 Bb | Bbsus4 Bb | · O: | Eb Gm7 | Ab Ab/Bb | Eb Gm7 | Ab Ab/Bb | Eb Gm7 | Ab Ab/Bb | Eb Gm7 | Ab Ab/Bb | Eb Gm7 | Ab Ab/Bb | Eb Gm7 | Ab Ab/Bb | Eb Gm7 | Ab Ab/Bb | Eb Gm7 | Ab Ab/Bb | Eb Gm7 | Ab Ab/Bb | Eb Gm7 | Ab Ab/Bb | Eb Gm7 | Ab Ab/Bb | Eb Gm7 | Ab Ab/Bb | Eb Gm7 | Ab Ab/Bb | · O: | Eb Gm7 | Ab Ab/Bb | Eb Gm7 | Ab Ab/Bb | Eb Gm7 | Ab Ab/Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ Elvira Oak Ridge Boys · 1981 · Tonart C · ≈ 127 BPM · Harmonie 4/5 · Fortgeschritten I: | C | C | C | C | · C: | C | C | C | C | C | G | C | C | · V: | C7 | C7 | C7 | C7 | C7 | C7 | G7 | G7 | G7 C7 | C7 | F7 | F7 | C7 | C7 G7 | G7 C7 | C7 | · C2: | C | C | C | C | C | G | C | C | · B: | C | C(no3,no5) | C | C(no3,no5) | C | G | C | C | · V2: | C7 | C7 | C7 | C7 | C7 | C7 | G7 | G7 | G7 C7 | C7 | C7 F7 | F7 | C7 | C7 G7 | G7 C7 | C7 | · C3: | C | C | C | C | C | G | C | C | · B2: | C | C(no3,no5) | C | C(no3,no5) | C | G | C | Ab | · C4: | Db | Db | · O: | Db | Db | Db | Ab | Db | Db N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ Love Is A Battlefield Pat Benatar · 1983 · Tonart Dm · ≈ 181 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | · C: | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | · R: | Bbmaj7 | Bbmaj7 | Bbmaj7 | Bbmaj7 | · INT: | Dm | Dm | C/D | C/D | Bb/D | Bb/D | D(no3,no5) | D(no3,no5) | · V: | Dm | Dm | C | C | Bb | Bb | Gm | Gm | Dm | Dm | C | C | Bb | Bb | Gm | Gm | Dm | Dm | C | C | Bb | Bb | Gm | Gm | G9sus4 | G9sus4 | G9sus4 | G9sus4 | · C2: | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | · R2: | Bbmaj7 | Bbmaj7 | Bbmaj7 | Bbmaj7 | · INT2: | Dm | Dm | C/D | C/D | · V2: | Dm | Dm | C | C | Bb | Bb | Gm | Gm | Dm | Dm | C | C | Bb | Bb | Gm | Gm | Dm | Dm | C | C | Bb | Bb | Gm | Gm | G9sus4 | G9sus4 | G9sus4 | G9sus4 | · C3: | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | Dm | Dm C | Am7 Bb | Bb | · R3: | Bbmaj7 | Bbmaj7 | Bbmaj7 | Bbmaj7 | · O: | Dm | Dm | C/D | C/D | Bb/D | Bb/D | D(no3,no5) | D(no3,no5) | Dm | Dm | C/D | C/D | Bb/D | Bb/D | D(no3,no5) | D(no3,no5) | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ Shake Your Groove Thing Peaches & Herb · 1978 · Tonart A · ≈ 132 BPM · Harmonie 5/5 · Experte I: | D | Db | C | B | E7sus4 | E7sus4 | E7sus4 | E7sus4 | · INST: | A | Am7 | Bm/A | Bm/A | A | Am7 | Bm/A | Bm/A | · V: | A | Am7 | Bm/A | Bm/A | A | Am7 | Bm/A | G D G D | G D G D | · V2: | A | Am7 | Bm/A | Bm/A | A | Am7 | Bm/A | Bm/A | · C: | F#m | G | E7sus4 | E7sus4 | F#m | G | E7sus4 | E7sus4 | · V3: | A | Am7 | Bm/A | Bm/A | A | Am7 | Bm/A | Bm/A N.C. | · V4: | A | Am7 | Bm/A | Bm/A | A | Am7 | Bm/A | Bm/A | · C2: | F#m | G | E7sus4 | E7sus4 | F#m | G | E7sus4 | E7sus4 | · V5: | A | Am7 | Bm/A | Bm/A | A | Am7 | Bm/A | Bm/A | · B: | D | Db | C | B | E7sus4 | E7sus4 | E7sus4 | E7sus4 | · INST2: | A | Am7 | Bm/A | Bm/A | A | Am7 | Bm/A | Bm/A | · C3: | F#m | G | E7sus4 | E7sus4 | F#m | G | E7sus4 | E7sus4 | · V6: | A | Am7 | Bm/A | Bm/A | A | Am7 | Bm/A | Bm/A | · V7: | A | Am7 | Bm/A | Bm/A | A | Am7 | Bm/A | Bm/A | · V8: | A | Am7 | Bm/A | Bm/A | A | Am7 | Bm/A | Bm/A N.C. | · V9: | A | Am7 | Bm/A | Bm/A | A | Am7 | Bm/A | G D G D | G D G D | · V10: | A | Am7 | Bm/A | Bm/A | A | Am7 | Bm/A | G D G D | G D G D | · V11: | A | Am7 | Bm/A | Bm/A | A | Am7 | Bm/A | G D G D | G D G D | · V12: | A | Am7 | Bm/A | Bm/A | A | Am7 | Bm/A | G D G D | G D G D | · V13: | A | Am7 | Bm/A | Bm/A | A | Am7 | Bm/A | G D G D | G D G D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #5 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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