80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 19 von 40 Does Anybody Really Know What Time It Is? Chicago · 1970 · Tonart G · ≈ 118 BPM · Harmonie 4/5 · Fortgeschritten I: | Gmaj13 Dm9 | Gmaj13 Ebmaj13 | B9sus4 | Bbmaj13 Ab13 | Fmaj9/Bb Gmaj13 | F#9sus4 | · I2: | F | G | F | G | F | G | Ebadd9 | Ebadd9 | Ebmaj7#11 | Ebmaj7#11 | Ebmaj7#11 | · INST: | Gmaj7 | Cmaj13 | Gmaj7 | Cmaj13 | Gmaj7 | Cmaj13 | Gmaj7 | Cmaj13 | · B: | D Em7 | F6 Em7 | · V: | G | F | Bbmaj7 | Ebmaj13 | Bbmaj7 | Ebmaj13 | Bbmaj7 | Ebmaj13 | Ebmaj13 | Ebmaj13 | · B2: | D Em7 | F6 Em7 | · C: | Em7 Gmaj7 | Cmaj13 | Cmaj13 Gmaj7 | Cmaj13 | Gmaj7 | Cmaj13 | Gmaj7 | Cmaj13 | · V2: | G | F | Bbmaj7 | Ebmaj13 | Bbmaj7 | Ebmaj13 | Bbmaj7 | Ebmaj13 | Ebmaj13 | Ebmaj13 | · B3: | D Em7 | F6 Em7 | · C2: | Em7 Gmaj7 | Cmaj13 | Cmaj13 Gmaj7 | Cmaj13 | Gmaj7 | Cmaj13 | Gmaj7 | Cmaj13 | · V3: | G | F | Bbmaj7 | Ebmaj13 | Bbmaj7 | Ebmaj13 | Bbmaj7 | Ebmaj13 | Ebmaj13 | Ebmaj13 | · B4: | D Em7 | F6 Em7 | · C3: | Em7 Gmaj7 | Cmaj13 | Cmaj13 Gmaj7 | Cmaj13 | Gmaj7 | Cmaj13 | Gmaj7 | Cmaj13 | · B5: | D Em7 | F6 Em7 | · C4: | Em7 Gmaj7 | Cmaj13 | Cmaj13 Gmaj7 | Cmaj13 | Gmaj7 | Cmaj13 | Gmaj7 | Cmaj13 | · O: | F Bbmaj7 | Ebmaj7 F | Gmaj7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #7 Anhören ↗ We Don't Talk Anymore Cliff Richard · 1979 · Tonart C · ≈ 112 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | Cmaj9 | Cmaj9 | Dm7/C | Dm7/C | Cmaj9 | Cmaj9 | Dm7/C | Dm7/C | · V: | C | C | Am | Em | F | Dm | C | F/C C F/C C | · V2: | C | C | Am | Em | F | Dm | C | F/C C F/C C | · PC: | Dm | Am Em/G | F6 F | F6 F | Dm | Am Em/G | F6 F | F6 F | G6 G | G6 G | · C: | Cmaj9 | Cmaj9 | Dm7/C | Dm7/C | Cmaj9 | Cmaj9 | Dm7/C | Dm7/C | · B: | Dm7/C C C11 | F11 F | F G11 G | A11 | Amaj9 | Amaj9 | Bm/A | Bm/A | · INT: | Cmaj9 | Cmaj9 | Dm7/C | Dm7/C | Cmaj9 | Cmaj9 | Dm7/C | Dm7/C | · V3: | C | C | Am | Em | F | Dm | C | F/C C F/C C | · PC2: | Dm | Am Em/G | F6 F | F6 F | Dm | Am Em/G | F6 F | F6 F | G6 G | G6 G | · C2: | Cmaj9 | Cmaj9 | Dm7/C | Dm7/C | Cmaj9 | Cmaj9 | Dm7/C | Dm7/C | · B2: | Dm7/C C C11 | F11 F | F G11 G | A11 | Amaj9 | Amaj9 | Bm/A | Bm/A | · INT2: | Cmaj9 | Cmaj9 | Cmaj9 Dm7/C | Dm7/C | Cmaj9 | Cmaj9 | Dm7/C | Dm7/C | · O: | Cmaj9 C11 | F11 F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #7 Anhören ↗ Who Will You Run To Heart · 1987 · Tonart A · ≈ 116 BPM · Harmonie 2/5 · Leicht I: | A | A | A | A | G | G | · V: | A | A | D | D | A | A | D | D G D | E | F#m | D | D G D | · PC: | E | D | E | D | · C: | A | E/G# | D | G | A | E/G# | D | G | · T: | A | A | A | A | G | G | · V2: | A | A | D | D | A | A | D | D G D | E | F#m | D | D G D | · PC2: | E | D | E | D | · C2: | A | E/G# | D | G | A | E/G# | D | G | · S: | A | A | A | A | G | G | A | A | A | A | G | G | · PC3: | E | D | E | D | D | · C3: | A | E/G# | D | G | A | E/G# | G | G | · T2: | A | A | · O: | A | E/G# | G | G | A | E/G# | G | G | A | E/G# | G | G | A | E/G# | G | G | A | E/G# | G | G | · O: | A | E/G# | G | G | A | E/G# | G | G | A | E/G# | G | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #7 Anhören ↗ Cold Sweat - Part 1 James Brown · 1967 · Tonart Dm · ≈ 112 BPM · Harmonie 4/5 · Fortgeschritten I: | Dm7 | Dm7 | Dm7 | Dm7 | · V: | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | · C: | C7 | F7 | C7 | F7 | C7 | F7 | C7 | F7 | F7 C7 | F7 | N.C. | G7 | N.C. | G9 | · T: | D6 | D6 | D6 | D6 | · V2: | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | · C2: | C7 | F7 | C7 | F7 | C7 | F7 | C7 | F7 | C7 | F7 | N.C. | G7 | N.C. | G9 | · O: | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | · O: | Dm7 | Dm7 | Dm7 | Dm7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #7 Anhören ↗ Talk Back Trembling Lips Johnny Tillotson · 1963 · Tonart A · ≈ 139 BPM · Harmonie 3/5 · Mittel C: | D | D | A | A | E7 | E7 | A | A | D | D | A | A | E7 | E7 | E7 | A | A | · V: | A | D | A | A | A | D | E7 | E7 | A | D | A | A | B7 | B7 | E7 | E7 | · C2: | D | D | A | A | E7 | E7 | A | A | D | D | A | A | E7 | E7 | E7 | A | F | · V2: | Bb | Eb | Bb | Bb | Bb | Eb | F7 | F7 | Bb | Eb | Bb | Bb | C7 | C7 | F7 | F7 | · C3: | Eb | Eb | Bb | Bb | F7 | F7 | Bb | Bb | Eb | Eb | Bb | Bb | F7 | F7 | F7 | Bb | Bb | F7 | F7 | F7 | F7 | Bb | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #7 Anhören ↗ You Decorated My Life Kenny Rogers · 1980 · Tonart G · ≈ 88 BPM · Harmonie 4/5 · Fortgeschritten I: | G | F#dim B7 | C | C | · V: | G | G | C/G | C/G | D/G | D/G | C/G | C/G | G | G | C/G | C/G | D/G | D/G | C/G | D7 C/D D7 | · C: | G | C | G | C B7 | Em | G/D | Am7 | D7 | G | C | G | C B7 | Em | G/D | Am7 | D7 | · INT: | G | F#dim B7 | C | C | · V2: | G | G | C/G | C/G | D/G | D/G | C/G | C/G | G | G | C/G | C/G | D/G | D/G | C/G | D7 C D7 | · C2: | G | C | G | C B7 | Em | G/D | Am7 | D7 | G | C | G | C B7 | Em | G/D | Am7 | D7 | · CO: | G | F#dim B7 | C | C | Gmaj7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #7 Anhören ↗ Something About You Level 42 · 1986 · Tonart E · ≈ 105 BPM · Harmonie 3/5 · Mittel I: | E F#m7 E/G# | C | D | E | E F#m7 E/G# | C | D | · V: | D E | C#m7 | D | Bm | E | C#m7 | D | Bm | E | C#m7 | D | Bm | E | C#m7 | D | Bm | E | E F#m7 E/G# | · C: | C | D | E | E F#m7 E/G# | C | D | E | E F#m7 E/G# | C | D | E | E F#m7 E/G# | C | D | · V2: | E | C#m7 | D | Bm | E | C#m7 | D | Bm | E | C#m7 | D | Bm | E | C#m7 | D | Bm | E | E F#m7 E/G# | · C2: | C | D | E | E F#m7 E/G# | C | D | E | E F#m7 E/G# | C | D | E | E F#m7 E/G# | C | D | E | E F#m7 E/G# | · S: | C | D | E | E F#m7 E/G# | C | D | E | E F#m7 E/G# | C | D | E | E F#m7 E/G# | C | D | E | E F#m7 E/G# | · O: | C | D | E | E F#m7 E/G# | C | D | E | E F#m7 E/G# | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #7 Anhören ↗ Human Nature Michael Jackson · 1983 · Tonart D · ≈ 93 BPM · Harmonie 5/5 · Experte I: | Gadd9 A | Fmaj9 Em7 | Gadd9 A | Fmaj9 Em7 | · V: | Gadd9 A | Gadd9 A | Gadd9 A | Gadd9 A | Gadd9 A | Gadd9 A | Gadd9 F#m7 | Em9 A | Gadd9 A | Gadd9 A | Gadd9 A | Gadd9 A | Gadd9 A | Gadd9 A | Gadd9 F#m7 | Em9 A | · C: | G A | D D/C# D/B D/A | G F#m7 | Em7 Bm | G A | D D/C# D/B D/A | G F#m7 | Em A | · V2: | Gadd9 A | Gadd9 A | Gadd9 A | Gadd9 A | Gadd9 A | Gadd9 A | Gadd9 F#m7 | Em9 A | · C2: | G A | D D/C# D/B D/A | G F#m7 | Em7 Bm | G A | D D/C# D/B D/A | G F#m7 | Em7 Bm | Em Bm | Em Bm | · T: | Em7 | A13sus4 | · INT: | Gadd9 A | Fmaj9 Em7 | Gadd9 A | Fmaj9 Em7 | · V3: | Gadd9 A | Gadd9 A | Gadd9 A | Gadd9 A | Gadd9 A | Gadd9 A | Gadd9 F#m7 | Em9 A | · C3: | G A | D D/C# D/B D/A | G F#m7 | Em7 Bm | G A | D D/C# D/B D/A | G F#m7 | Em7 Dmaj7/A | · C4: | G A | D D/C# D/B D/A | G F#m7 | Em7 Bm | G A | D D/C# D/B D/A | G F#m7 | Em7 Dmaj7/A | · C5: | G A | D D/C# D/B D/A | G F#m7 | Em7 Bm | G A | D D/C# D/B D/A | G F#m7 | Em7 | A13sus4 | · INT2: | Gadd9 A | Fmaj9 Em7 | Gadd9 A | Fmaj9 Em7 | Gadd9 A | Fmaj9 Em7 | · O: | Bb6 | Bb6 | Bb6 | Bb6 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #7 Anhören ↗ We're All Alone Rita Coolidge · 1977 · Tonart G · ≈ 65 BPM · Harmonie 4/5 · Fortgeschritten I: | G Am | Bm Am7 | · V: | G F#m7 B7 | Em G7/D G7 | C G6/B | Bbdim Amadd9 | D7 D7/C | Bm7 Em | Am7 | Gadd9/D | · V2: | G F#m7 B7 | Em G7/D G7 | C G6/B | Bbdim Amadd9 | D7 D7/C | Bm7 Em | Am7 | D9sus4 | · C: | G Am | Bm B7 | Em Dm7 G7 | C G6/B | Bbdim Amadd9 | D9sus4 | · INT: | G Am | Bm Am7 | · V3: | G F#m7 B7 | Em G7/D G7 | C G6/B | Bbdim Amadd9 | D7 D7/C | Bm7 Em | Am7 | D9sus4 | · C2: | G Am | Bm B7 | Em Dm7 G7 | C G6/B | Bbdim Amadd9 | D7 D7/C | Bm7 Em | Am7 | D9sus4 | · C3: | G Am | Bm B7 | Em Dm7 G7 | C G6/B | Bbdim Amadd9 | D7 D7/C | Bm7 Em | Am7 | D9sus4 | · S: | G Am | Bm B7 | Em Dm7 G7 | C G6/B | Bbdim Amadd9 | D7 D7/C | · O: | Bm7 Em | Am7 | D9sus4 | G Am | Bm B7 | Em Dm7 G7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #7 Anhören ↗ All I Ever Need Is You Sonny & Cher · 1971 · Tonart Bb · ≈ 79 BPM · Harmonie 4/5 · Fortgeschritten I: | Bb | Bb | · V: | Bb | D7 | Gm | Bb7 | Eb | Bb Gm | C7 | F7 F7sus4 F7 | Bb | D7 | Gm | Bb7 | Eb | Bb Gm | C7 F7 | Bb | · B: | Eb | F | Eb | Dm7 | Eb | Bb F/A Gm F | Eb Eb/D C7sus4 | F | · V2: | Bb | D7 | Gm | Bb7 | Eb | Bb Gm | C7 | F7 F7sus4 F7 | Bb | D7 | Gm | Bb7 | Eb | Bb Gm | C7 F7 | · T: | Bb | Bb | · O: | Bb | D7 | Gm | Bb7 | Eb | Bb Gm | C7 | F7 F7sus4 F7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #7 Anhören ↗ Walk Right Back The Everly Brothers · 1961 · Tonart Db · ≈ 134 BPM · Harmonie 4/5 · Fortgeschritten I: | Db Db6 | Dbmaj7 Db6 | Db Db6 | Dbmaj7 Db6 | · V: | Db Db6 | Dbmaj7 Db6 | Db Db6 | Dbmaj7 Db6 | Db Db6 | Dbmaj7 Db6 | Ab7 Ab9 | Ab7 Ab9 | Ab7 Ab9 | Ab7 Ab9 | Ab7 Ab9 | Ab7 Ab9 | Ab7 Ab9 | Ab7 Ab9 | Db Db6 | Dbmaj7 Db6 | Db Db6 | Dbmaj7 Db6 | Db Db6 | Dbmaj7 Db6 | Db Db6 | Dbmaj7 Db6 | Gb Db/F | Ebm | Gb6 | Gb6 | Db | Db | Ab7 Ab9 | Ab7 Ab9 | Db Db6 | Dbmaj7 Db6 | Db Db6 | Dbmaj7 Db6 | · V2: | Db Db6 | Dbmaj7 Db6 | Db Db6 | Dbmaj7 Db6 | Db Db6 | Dbmaj7 Db6 | Ab7 Ab9 | Ab7 Ab9 | Ab7 Ab9 | Ab7 Ab9 | Ab7 Ab9 | Ab7 Ab9 | Ab7 Ab9 | Ab7 Ab9 | Db Db6 | Dbmaj7 Db6 | Db Db6 | Dbmaj7 Db6 | Db Db6 | Dbmaj7 Db6 | Db Db6 | Dbmaj7 Db6 | Gb Db/F | Ebm | Gb6 | Gb6 | Db | Db | Ab7 Ab9 | Ab7 Ab9 | Db Db6 | Dbmaj7 Db6 | Ab7 Ab9 | Ab7 Ab9 | · O: | Db Db6 | Dbmaj7 Db6 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #7 Anhören ↗ Tumbling Dice The Rolling Stones · 1972 · Tonart B · ≈ 112 BPM · Harmonie 2/5 · Leicht I: | E | B | B | B | B | · V: | B | B | B | B B/D# B/E | F# B | F# B | E | F# | · V2: | B | B | B | B | F# B | F# B | E | F# | · V3: | B | B | B | B B/D# B/E | F# B | F# B | E | B | B | B | · V4: | B | B | B | B | F# B | F# B | E | F# | · V5: | B | B | B | B | F# B | F# B | E | B | E | B | B | B | · S: | B | B | B | B | F# B | F# B | E | F# | · V6: | B | B | B | B | F# B | F# B | E | B | E | B | · O: | E | B F# | E | B F# | E | B F# | E | B F# | E | B F# | E | B F# | E | B F# | E | B F# | E | B F# | E | B F# | E | B F# | E | B F# | E | B F# | E | B F# | E | B F# | E | B F# | E | B F# | E | B F# | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #7 Anhören ↗ Stoned Love The Supremes · 1970 · Tonart D · ≈ 119 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | N.C. | · C: | D | Bm | Em | D | D | Bm | Em | D | · V: | D | Bm | Em | D | D | Bm | Em | D | D | Bm | Em | D | N.C. | · C2: | D | Bm | Em | D | D | Bm | Em | D | · V2: | D | Bm | Em | D | D | Bm | Em | D | D | Bm | Em | D | D | Bm | Em | N.C. | · C3: | D | Bm | Em | D | D | Bm | Em | D | · B: | F#m | Dmaj7 | Em | Em | F#m | Dmaj7 | Em | Em | N.C. | · C4: | D | Bm | Em | D | D | Bm | Em | D | N.C. | N.C. | N.C. | N.C. | D | Bm | Em | D | · O: | D | Bm | Em | D | D | Bm | Em | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #7 Anhören ↗ Private Dancer Tina Turner · 1985 · Tonart Em · ≈ 116 BPM · Harmonie 5/5 · Experte I: | Em9 | Dmaj7 | Cmaj9 | Dmaj7 | Em9 | Dmaj7 | Cmaj9 | Dmaj7 | Em9 | Dmaj7 | Cmaj9 | Dmaj7 | Em9 | Dmaj7 | Cmaj9 | Dmaj7 | Em9 | Dmaj7 | Cmaj9 | Dmaj7 | Em9 | Dmaj7 | Cmaj9 | Dmaj7 | · V: | Em7 | Bm Cmaj7 | Em7 Bm7 | Am7 D7sus4 | Em7 | Bm Cmaj7 | Em7 Bm7 | Am7 D7sus4 | Em7 | Bm Cmaj7 | Em7 Bm7 | Am7 D7sus4 | Em7 | Bm Cmaj7 | Em7 Bm7 | Am7 D7sus4 | · C: | Gsus4add9 G | Gadd9 | Gadd9 Em7 | Dsus4 D | D | Fmaj9 | F#m7b5 | A7/G C9 | Em7 | · V2: | Em7 | Bm Cmaj7 | Em7 Bm7 | Am7 D7sus4 | Em7 | Bm Cmaj7 | Em7 Bm7 | Am7 D7sus4 | Em7 | Bm Cmaj7 | Em7 Bm7 | Am7 D7sus4 | Em7 | Bm Cmaj7 | Em7 Bm7 | Am7 D7sus4 | · C2: | Gsus4add9 G | Gadd9 | Gadd9 Em7 | Dsus4 D | D | Fmaj9 | F#m7b5 B7 | Em7 D9sus4 | · C3: | Gsus4add9 G | Gadd9 | Gadd9 Em7 | Dsus4 D | D | Fmaj9 | F#m7b5 | A7/G C9 | Em7 | · B: | A9 | A9 | A9 | A9 | A9 | A9 | C#dim C7 | B7#5 | · S: | Em9 | Dmaj7/E | Cmaj9/E | Dmaj7 | Em9 | Dmaj7/E | Cmaj9/E | Dmaj7 | Em9 | Dmaj7/E | Cmaj9/E | Dmaj7 | Em9 | Dmaj7/E | Cmaj9/E | Dmaj7 | · S2: | Em9 | Dmaj7/E | Cmaj9/E | Dmaj7 | Em9 | Dmaj7/E | Cmaj9/E | Dmaj7 | Em9 | Dmaj7/E | Cmaj9/E | Dmaj7 | Em9 | Dmaj7/E | Cmaj9/E | Dmaj7 | · S3: | Em9 | Dmaj7/E | Cmaj9/E | Dmaj7 | Em9 | Dmaj7/E | Cmaj9/E | Dmaj7 | Em9 | Dmaj7/E | Cmaj9/E | Dmaj7 | Em9 | Dmaj7/E | Cmaj9/E | D7sus4 D | · C4: | Gsus4add9 G | Gadd9 | Gadd9 Em7 | Dsus4 D | D | Fmaj9 | F#m7b5 | A7/G C9 | Em7 | · V3: | Em7 | Bm Cmaj7 | Em7 Bm7 | Am7 D7sus4 | Em7 | Bm Cmaj7 | Em7 Bm7 | Am7 D7sus4 | Em7 | Bm Cmaj7 | Em7 Bm7 | Am7 D7sus4 | Em7 | Bm Cmaj7 | Em7 Bm7 | Am7 D7sus4 | · C5: | Gsus4add9 G | Gadd9 | Gadd9 Em7 | Dsus4 D | D | Fmaj9 | F#m7b5 B7 | Em7 D9sus4 | · C6: | Gsus4add9 G | Gadd9 | Gadd9 Em7 | Dsus4 D | D | Fmaj9 | F#m7b5 B7 | Em7 D9sus4 | · C7: | Gsus4add9 G | Gadd9 | Gadd9 Em7 | Dsus4 D | D | Fmaj9 | F#m7b5 B7 | Em7 D9sus4 | · C8: | Gsus4add9 G | Gadd9 | Gadd9 Em7 | Dsus4 D | D | Fmaj9 | F#m7b5 B7 | Em7 D9sus4 | · O: | Gsus4add9 G | Gadd9 | Gadd9 Em7 | Dsus4 D | D | Fmaj9 | F#m7b5 B7 | Em7 D9sus4 | Gsus4add9 G | Gadd9 | Gadd9 Em7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #7 Anhören ↗ Bust A Move Young MC · 1990 · Tonart E · ≈ 118 BPM · Harmonie 3/5 · Mittel I: | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | · V: | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | · V2: | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | · C: | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | · V3: | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | · V4: | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | · C2: | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | · V5: | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | · V6: | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | E(no3,no5) | N.C. | · C3: | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | · INT: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · C4: | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | · V7: | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | E(no3,no5) | A(no3,no5) | · V8: | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | · C5: | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) G(no3,no5) | A(no3,no5) | E(no3,no5) | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #7 Anhören ↗ Sweet Love Anita Baker · 1986 · Tonart Bb · ≈ 88 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | Bbmaj7 | Gbmaj7 | Ebm9 | Ab11 F7 | Bbmaj7 | Gbmaj7 | Ebm9 | Ab11 F7 | · V: | Bbmaj7 | Ebm9 | Gbmaj7 | Fm7 Ab11 F7 | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 | · C: | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 | · V2: | Bbmaj7 | Ebm9 | Gbmaj7 | Fm7 Ab11 F7 | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 | · C2: | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 | · B: | Ebm7 | Bb7sus4 Bb7 | Ebm7 | Bb7sus4 Bb7 | Ebm7 | Bb7sus4 Bb7 | Cbmaj7 Bbm7 | F11 | · V3: | Bbmaj7 | Ebm9 | Gbmaj7 | Fm7 Ab11 F7 | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 | · C3: | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 | · S: | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 | · O: | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 | Bbmaj7 | Ebm9 | Gbmaj7 | Ab11 F7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ If I Were A Carpenter Bobby Darin · 1966 · Tonart D · ≈ 122 BPM · Harmonie 1/5 · Einsteiger I: | D | D | D | D | D | D | · V: | D | C | G | D | D | C | G | D | D | · V2: | D | C | G | D | D | C | G | D | D | C G | D | · C: | C | D | C | D | D | C | G | D | D | C G | D | · V3: | D | C | G | D | D | C | G | D | D | · V4: | D | C | G | D | D | C | G | D | D | C G | D | · S: | C | G | D | D | C | G | D | · V5: | D | C | G | D | D | C | G | D | D | D | D | D | C | G | D | D | C G | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ Just Like Jesse James Cher · 1989 · Tonart Ab · ≈ 70 BPM · Harmonie 3/5 · Mittel I: | Ab Eb | Db | Ab Eb | Db | · V: | Ab Eb | Db Eb | Ab Eb | Db Eb | Ab Eb | Db Eb | Ab Eb | Db Eb | · PC: | Fm Ab | Bbm Db | Eb | Db Eb | · C: | Ab Eb | Db Eb | Ab Eb | Db Eb | Ab Eb | Fm Db | Ab Eb | Db | · T: | Ab Eb | Db Eb | · V2: | Ab Eb | Db Eb | Ab Eb | Db Eb | Ab Eb | Db Eb | Ab Eb | Db Eb | · PC2: | Fm Ab | Bbm Db | Eb | Db Eb | · C2: | Ab Eb | Db Eb | Ab Eb | Db Eb | Ab Eb | Fm Db | Ab Eb | Db Eb | · T2: | Ab Eb | Db Eb | Ab Eb | Db Eb | · PC3: | Fm Ab | Bbm Db | Eb | Db | Db | · C3: | Ab Eb | Db Eb | Ab Eb | Db Eb | Ab Eb | Fm Db | Ab Eb | Db | Ab Eb | Db Eb | Ab Eb | Db Eb | Ab Eb/Ab | Db/Ab Eb/Ab | Ab N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ Lady (You Bring Me Up) Commodores · 1981 · Tonart Cm · ≈ 121 BPM · Harmonie 5/5 · Experte I: | Cm7 Bb Abmaj7 | Gm7 Fm7 | Cm7 Bb Abmaj7 | Gm7 Fm7 G7 | Cm7 Bb Abmaj7 | Gm7 Fm7 | Abmaj7 Gm7 Fm7 | F/G Fm7 | Fm7 | · C: | Cm7 Bb Abmaj7 | Gm7 Fm7 | Cm7 Bb Abmaj7 | Gm7 Fm7 G7/B | Cm7 Bb Abmaj7 | Gm7 Fm7 | Abmaj7 Gm7 Fm7 | F/G Fm7 | Fm7 | · V: | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Bb Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 Eb F | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 | Abmaj7 Gm7 Fm7 | F/G Fm7 | Fm7 | · INT: | Abmaj7 Gm7 Fm7 | F/G Fm7 | Fm7 | · C2: | Cm7 Bb Abmaj7 | Gm7 Fm7 | Cm7 Bb Abmaj7 | Gm7 Fm7 G7/B | Cm7 Bb Abmaj7 | Gm7 Fm7 | Abmaj7 Gm7 Fm7 | F/G Fm7 | Fm7 | · V2: | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 Eb F | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 | Abmaj7 Gm7 Fm7 | F/G Fm7 | · C3: | Cm7 Bb Abmaj7 | Gm7 Fm7 | Cm7 Bb Abmaj7 | Gm7 Fm7 G7/B | Cm7 Bb Abmaj7 | Gm7 Fm7 | Abmaj7 Gm7 Fm7 | F/G Fm7 | · B: | Abmaj7 | Abmaj7 Bb/Ab | Abm7b5 | Abm7b5 Cm7 | Abmaj7 | Abmaj7 Bb/Ab | Abm7b5 | Abm7b5 Cm7 | Abmaj7 | Abmaj7 Bb/Ab | Abm7b5 | Abm7b5 Cm7 | Fm7 | Bb/Ab | · C4: | Cm7 Bb Abmaj7 | Gm7 Fm7 | Cm7 Bb Abmaj7 | Gm7 Fm7 G7/B | Cm7 Bb Abmaj7 | Gm7 Fm7 | Cm7 Bb Abmaj7 | Gm7 Fm7 G7/B | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 | · O: | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 Eb F | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 Eb F | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 | · O: | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 Eb F | Cm7 Bb | Fm7 Gm7 | Cm7 Bb | Fm7 Gm7 Eb F N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ Blue Jean David Bowie · 1984 · Tonart D · ≈ 126 BPM · Harmonie 3/5 · Mittel I: | C G | · V: | D | D | D | D | D | G | G | G | G | G | G | D | D | C | D | C G | A | A | · C: | F#m | F#m11 | A | A | F#m | F#m11 | A | A | F#m | F#m11 | A | A | F#m | F#m11 | · T: | C G | · V2: | D | D | D | D | D | G | G | G | G | G | G | D | D | C | D | C G | A | A | · C2: | F#m | F#m11 | A | A | F#m | F#m11 | A | A | F#m | F#m11 | A | A | F#m | F#m11 | · T2: | C G | · INT: | D | D | D | D | · C3: | F#m | F#m11 | A | A | F#m | F#m11 | A | A | F#m | F#m11 | A | A | F#m | F#m11 | A | A | F#m | F#m11 | A | A | F#m | F#m11 | · O: | C G | C G | E5 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ September Earth, Wind & Fire · 1979 · Tonart A · ≈ 126 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | Dmaj7 C#m7 Bm7/A | C#m7 F#m7 | Dmaj7 C#m7 Bm7/A | C#m7 F#m7 | Dmaj7 C#m7 Bm7/A | C#7 F#m7 | A11 | A11 | A11 | A11 | · V: | Dmaj7 C#m7 Bm7/A | C#m7 F#m7 | Dmaj7 C#m7 Bm7/A | C#m7 F#m7 | Dmaj7 C#m7 Bm7/A | C#7 F#m7 | A11 | A11 | Dmaj7 C#m7 Bm7/A | C#m7 F#m7 | Dmaj7 C#m7 Bm7/A | C#m7 F#m7 | Dmaj7 C#m7 Bm7/A | C#7 F#m7 | A11 | A11 | · C: | Bm7 E9 | C#m7 F#m7 | Bm7 E9 | Amaj9/C# F#m7 | Bm7 E9 | C#m7 F#m7 | A9sus4 | A9sus4 | · V2: | Dmaj7 C#m7 A6 | C#m7 F#m11 | Dmaj7 C#m7 A6 | C#m7 F#m11 | Bm7 E9 | C#m7 F#m7 | A11 | A11 | Dmaj7 C#m7 Bm7/A | C#m7 F#m7 | Dmaj7 C#m7 Bm7/A | C#m7 F#m7 | Dmaj7 C#m7 Bm7/A | C#7 F#m7 | A11 | A11 | Dmaj7 C#m7 Bm7/A | C#m7 F#m7 | Dmaj7 C#m7 Bm7/A | C#m7 F#m7 | Dmaj7 C#m7 Bm7/A | C#7 F#m7 | A11 | A11 | · C2: | Bm7 E9 | C#m7 F#m7 | Bm7 E9 | Amaj9/C# F#m7 | Bm7 E9 | C#m7 F#m7 | A11 | A11 | Bm7 E9 | C#m7 F#m7 | Bm7 E9 | Amaj9/C# F#m7 | Bm7 E9 | C#m7 F#m7 | A11 | A11 | · B: | Bm7 E9 | C#m7 F#m7 | Bm7 E9 | Amaj9/C# F#m7 | Bm7 E9 | C#m7 F#m7 | A11 | A11 | · C3: | Bm7 E9 | C#m7 F#m7 | Bm7 E9 | Amaj9/C# F#m7 | Bm7 E9 | C#m7 F#m7 | A11 | A11 | Bm7 E9 | C#m7 F#m7 | Bm7 E9 | Amaj9/C# F#m7 | Bm7 E9 | C#m7 F#m7 | A11 | A11 | Bm7 E9 | C#m7 F#m7 | Bm7 E9 | Amaj9/C# F#m7 | Bm7 E9 | C#m7 F#m7 | A11 | A11 | Bm7 E9 | C#m7 F#m7 | Bm7 E9 | Amaj9/C# F#m7 | Bm7 E9 | C#m7 F#m7 | A11 | A11 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ After The Lovin' Engelbert Humperdinck · 1977 · Tonart C · ≈ 117 BPM · Harmonie 5/5 · Experte I: | Am | Eaug | Am | D7 | Dm7 | Em7 | F Am7 | Dmaj9 | Dmaj9 | G11 | G11 | · V: | C | Cmaj7 | C6 | Cmaj7 | Dm | Dmmaj7 | Dm7 | G | Dm7 | Bb/D | G/D | G | C | C | G11 | G | · V2: | C | Cmaj7 | C6 | Cmaj7 | Dm | Dmmaj7 | Dm7 | G | Dm7 | Bb/D | G/D | G | C | C | C11 | C7 | · T: | Fmaj7 | Fmaj7 | Cmaj7 | Cmaj7 | G11 | G11 | C | Cmaj7 | Am | Eaug | Am | F#m7b5/A | Dm7 | G7 | Dm7 | G7 | · V3: | C | Cmaj7 | C6 | Cmaj7 | Dm | Dmmaj7 | Dm7 | G | Dm7 | Bb/D | G/D | G | A7 | A7 | A7 | A7 | · C: | F | F | E7 | E7/G# | Am | Ammaj7 | D7#11 | D7 | Dm7 | Em7 | Dm7 | G11 | C | C | Ab7 | Ab7 | · V4: | Db | Dbmaj7 | Db6 | Dbmaj7 | Ebm | Ebmmaj7 | Ebm7 | Ab | Ebm7 | Cb/Fbb | Ab | Ab | Bb11 | Bb11 | Abdim7/Bb | Abdim7/Bb | · C2: | Gbmaj7 | Gbmaj7 | F7 | F7 | Bbm | Bbmmaj7 | Eb9 | Eb9 | Ebm7 | Fm7 | Ebm7 | Ab11 | Db | Db | Bb7sus4 | Bb7 | · O: | Ebm7 | Fm7 | Ebm7 | Ab11 | Db | Db | Bbm7 | Bb7 | Ebm7 | Fm7 | Ebm7 | Ab11 | Db | Faug | Bbm7 | Eb7 | Ebm7 | Fm7 | Db/F Ab/Bb | Ebm7 Ab11 | Dbmaj7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ Be My Guest Fats Domino · 1959 · Tonart Bb · ≈ 147 BPM · Harmonie 2/5 · Leicht V: | Bb | Eb | Bb | F7 | Bb | Eb | Bb F7 | Bb | · V2: | Bb | Eb | Bb | F7 | Bb | Eb | Bb | F7 Bb | · C: | Eb | Bb | F7 | Bb | Eb | Bb | F7 | Bb | · V3: | Bb | Eb | Bb | F7 | Bb | Eb | Bb F7 | Bb | · INST: | Bb | Eb | F7 | Bb | Bb | Eb | F7 | Bb | Bb | Eb | F7 | Bb | Bb | Eb | F7 | Bb | · C2: | Eb | Bb | F7 | Bb | Eb | Bb | F7 | Bb | · V4: | Bb | Eb | Bb | F7 | Bb | Eb | Bb F7 | Bb | · INST2: | Bb | Eb | F7 | Bb | Bb | Eb | F7 | Bb | Bb | Eb | F7 | Bb | · O: | Bb | Eb | F7 | Bb | Bb | Eb | F7 | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ I Want To Walk You Home Fats Domino · 1959 · Tonart Db · ≈ 135 BPM · Harmonie 2/5 · Leicht I: | Ab7 | · C: | Db | Db | Db | Db | Gb | Gb | Db | Db | Ab7 | Gb | Db | Db | · V: | Db | Db | Db | Db | Gb | Gb | Db | Db | Ab7 | Gb | Db | Db | · V2: | Db | Db | Db | Db | Gb | Gb | Db | Db | Ab7 | Gb | Db | Db | · C2: | Db | Db | Db | Db | Gb | Gb | Db | Db | Ab7 | Gb | Db | Db | · O: | Db | Db | Db | Db N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ Count On Me Jefferson Starship · 1978 · Tonart A · ≈ 112 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. E F#m E/G# | A | E | D | F#7 | Bm7 | E | · V: | A | E | D | F#7 | Bm7 | E | A | E | D | F#7 | Bm7 | E | · C: | A D | E | A D | E | A D | E | A D | E | D | D | · V2: | A | E | D | F#7 | Bm7 | E | A | E | D | F#7 | Bm7 | E | · C2: | A D | E | A D | E | A D | E | A D | E | D | D | C# | C# | · B: | F#m | F#m | Bm7 | E | · S: | A | E | D | F#7 | Bm7 | E | · V3: | A | E | D | F#7 | Bm7 | E | A | E | D | F#7 | Bm7 | E | · C3: | A D | E | A D | E | A D | E | A D | E | · O: | A D | E | A D | E | A D | E | A D | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. Diese Ränge sind keine Streamzahlen und zwischen Quellen nicht direkt vergleichbar.
Vom Chart zum eigenen Sound
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