80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
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1.000 Songs Seite 20 von 40 Sweet Home Alabama Lynyrd Skynyrd · 1974 · Tonart G · ≈ 98 BPM · Harmonie 4/5 · Fortgeschritten I: | D Cadd9 | G | D Cadd9 | G | D Cadd9 | G | D Cadd9 | G | · V: | D Cadd9 | G | D Cadd9 | G | D Cadd9 | G | D Cadd9 | G | · S: | D C | G | D C | G | · V2: | D Cadd9 | G | D Cadd9 | G | D Cadd9 | G | D Cadd9 | G | · C: | D Cadd9 | G C5 | D Cadd9 | G C5 | D Cadd9 | G C5 | D Cadd9 | G F C/E | · S2: | D Cadd9 | G | D Cadd9 | G | · V3: | D Cadd9 | G F C | D Cadd9 | G | D Cadd9 | G | D Cadd9 | G | · C2: | D Cadd9 | G C5 | D Cadd9 | G C5 | D Cadd9 | G C5 | D Cadd9 | G | · S3: | D C | G | D C | G | D C | G | D C | G | D C | G | D C | G | D C | G | D C | G | D C | G | D C | G | · V4: | D Cadd9 | G | D Cadd9 | G | D Cadd9 | G | D Cadd9 | G | · C3: | D Cadd9 | G C5 | D Cadd9 | G C5 | D Cadd9 | G C5 | D Cadd9 | G F C/E | · C4: | D Cadd9 | G C5 | D Cadd9 | G C5 | D Cadd9 | G C5 | D Cadd9 | G | · O: | D C | G | D C | G | D C | G | D C | G | D C | G | D C | G | D C | G | D C | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ Nowhere To Run Martha & The Vandellas · 1965 · Tonart Ab · ≈ 129 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | Ab(no3,no5) | Ab(no3,no5) | · C: | Ab | Gb/Db Db | Ab | Gb/Db Db | Ab | Gb/Db Db | Ab | Gb/Db Db | · V: | Ab | Gb/Db Db | Ab | Gb/Db Db | Ab | Gb/Db Db | Ab | Gb/Db Db | · PC: | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | Ab(no3,no5) | · C2: | Ab | Gb/Db Db | Ab | Gb/Db Db | Ab | Gb/Db Db | Ab | Gb/Db Db | · B: | Bb7 | Bb7 | Eb7 | Eb7 | · V2: | Ab | Gb/Db Db | Ab | Gb/Db Db | Ab | Gb/Db Db | Ab | Gb/Db Db | · PC2: | Ab | Gb/Db Db | Ab | Gb/Db Db | · C3: | Ab | Gb/Db Db | Ab | Gb/Db Db | Ab | Gb/Db Db | Ab | Gb/Db Db | · B2: | Bb7 | Bb7 | Eb7 | Eb7 | · V3: | Ab | Gb/Db Db | Ab | Gb/Db Db | Ab | Gb/Db Db | Ab | Gb/Db Db | · PC3: | Ab | Gb/Db Db | Ab | Gb/Db Db | · C4: | Ab | Gb/Db Db | Ab | Gb/Db Db | Ab | Gb/Db Db | Ab | Gb/Db Db | · B3: | Bb7 | Bb7 | Eb7 | Eb7 | · C5: | Ab | Gb/Db Db | Ab | Gb/Db Db | Ab | Gb/Db Db | Ab | Gb/Db Db | · O: | Ab | Gb/Db Db | Ab | Gb/Db Db N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ Always Something There To Remind Me Naked Eyes · 1983 · Tonart D · ≈ 149 BPM · Harmonie 3/5 · Mittel I: | D | D/C | D/B | D/A | D | D/C | D/B | D/A | · V: | D | A/C# | C | G/B | Bb | D | A/C# | C | G/B | G/B | G/D | G/D D | Em | · C: | D | G/D | D | D | D | G/D | D | D | · V2: | D | A/C# | C | G/B | Bb | D | A/C# | C | G/B | G/B | G/D | G/D D | Em | · C2: | D | G/D | D | D | D | G/D | D | D | · B: | F#m | Bm | Bm | Bm G | A | A D | D | D G/D | D | F#m | Bm | Bm | G | A | · INT: | D | D/C | D/B | D/A | D | D/C | D/B | D/A | · V3: | D | A/C# | C | G/B | Bb | D | A/C# | C | B | B | G/D | G/D D | Em | · C3: | D | G/D | D | D | D | G/D | D | D | · B2: | F#m | Bm | Bm | Bm G | A | A D | D | · O: | D | G/D | D | D | D | G/D | D | D | D | G/D | D | D | D | G/D | D | D | D | G/D | D | D | D | G/D | D | D | D | G/D | D | D | D | G/D | D | D | D | G/D | D | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ Kisses On The Wind Neneh Cherry · 1989 · Tonart Dm · ≈ 118 BPM · Harmonie 5/5 · Experte I: | N.C. | N.C. | N.C. | · INST: | D6 | C6 | D6 | Bb6 | D6 | C6 | D6 | Bb6 | · V: | D6 | C6 | D6 | Bb6 | D6 | C6 | D6 | Bb6 | · PC: | Gm7 | Ebmaj7 | Gm9 | Am | Am | · C: | D | F/C C | D | F/C C | D | F5 | C | F C G | · T: | N.C. | N.C. | · V2: | Bm7/D | C6 | Bm7/D | Bbmaj7 | Bm7/D | C6 | Bm7/D | Bb6 | · PC2: | Gm9 | Ebmaj9 | Gm9 | Am7 | A(no3,no5) | · C2: | D | Csus4add9 C | D | Csus4add9 C | D | F | C | F C G | · T2: | N.C. | N.C. | · B: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | Em Em/F# | Em9/G Em9/A | Dm Dm/E | Dm7/F Dm7 | Em Em/F# | Em9/G Em9/A | Dm7 | Dm7 | · PC3: | Gm7 | Ebmaj7 | Gm9 | Am | Am | · C3: | D | F/C C | D | F/C C | D | F | C | F C G | · C4: | D | F/C C | D | F/C C | D | F | C | F C G | · C5: | D | F/C C | D | F/C C | D | F | C | F C G | · O: | D | F/C C | D | F/C C | D | F | C | F C G | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ Fever Peggy Lee · 1958 · Tonart Am · ≈ 137 BPM · Harmonie 2/5 · Leicht I: | Am | Am | E7 | Am | Am | Am | E7 | Am | · V: | Am | Am | Am | Am | Am | Am | E7 | Am | · C: | Am | Am | Am | Am | Am | Am | E7 | Am | · V2: | Am | Am | Am | Am | Am | Am | E7 | Am | · C2: | Am | Am | Am | Am | Am | Am | E7 | Am | · B: | Am | Am | Am | Am | Am | Am | E7 | Am | · INT: | Bbm | Bbm | F7 | Bbm | · V3: | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | F7 | Bbm | · C3: | Bbm | Bbm | Bbm | Bbm | Bbm | Bbm | F7 | Bbm | · INT2: | Bm | Bm | Bm F#7 | Bm | · V4: | Bm | Bm | Bm | Bm | Bm | Bm | F#7 | Bm | · C4: | Bm | Bm | Bm | Bm | Bm | Bm | F#7 | Bm | · V5: | Bm | Bm | Bm | Bm | Bm | Bm | F#7 | Bm | · C5: | Bm | Bm | Bm | Bm | Bm | Bm | F#7 | Bm | F#7 | Bm | Bm F#7 | Bm | F#7 | Bm | F#7 | Bm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ Let The Music Play Shannon · 1984 · Tonart Cm · ≈ 117 BPM · Harmonie 3/5 · Mittel I: | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | · V: | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | · PC: | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | · PC2: | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | · C: | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | · INT: | Cm | Ab Bb | · V2: | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | · PC3: | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | · PC4: | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | · C2: | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | · INT2: | Cm | Ab Bb | · O: | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb | Cm | Ab Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ Tainted Love Soft Cell · 1982 · Tonart Gm · ≈ 145 BPM · Harmonie 4/5 · Fortgeschritten I: | G(no3,no5) | G(no3,no5) | G(no3,no5) | G(no3,no5) | · T: | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | · V: | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) | Gm/Bb | G(no3,no5) | Gm/Bb | G(no3,no5) | Gm/Bb | G(no3,no5) | Gm/Bb | G(no3,no5) | Bb(no3,no5) | · C: | G(no3,no5) | G(no3,no5) | Bb(no3,no5) | Bb(no3,no5) | Eb(no3,no5) | Eb(no3,no5) | Cm | Cm | Cm | Cm | · T2: | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | · V2: | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) | Gm/Bb | G(no3,no5) | Gm/Bb | G(no3,no5) | Gm/Bb | G(no3,no5) | Gm/Bb | G(no3,no5) | Bb(no3,no5) | · C2: | G(no3,no5) | G(no3,no5) | Bb(no3,no5) | Bb(no3,no5) | Eb(no3,no5) | Eb(no3,no5) | Cm | Cm | Cm | Cm | · T3: | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | · V3: | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) | Gm/Bb | · T4: | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | · O: | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) | G(no3,no5) Bb(no3,no5) | Eb(no3,no5) C(no3,no5) N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ A Cowboys Work Is Never Done Sonny & Cher · 1972 · Tonart Cm · ≈ 68 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | N.C. | N.C. | Cm | · V: | Cm | Cm | G | G | Cm | Cm | G | G | Cm | · INT: | C#m | C#m | C#m | C#m | Cm | · V2: | Cm | Cm | G | G | Cm | Cm | G | G | Cm | · B: | Ab Bb | Cm | G7sus4 G7 | Cm | Ab Bb | Cm Cm/Bb | F6 | G7sus4 G7 | · INT2: | Cm | C#m | C#m | C#m | C#m | C#m | Cm | · V3: | Cm | Cm | G7 | G7 | Cm | Cm | G7sus4 G7 N.C. | · O: | Cm | Cm | G7 | G7 | Cm | Cm | G7 | G7 Cm | Cm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ Baby Don't Go Sonny & Cher · 1965 · Tonart C · ≈ 123 BPM · Harmonie 2/5 · Leicht I: | C F/C C | C F/C C | C F/C C | C F/C C | · C: | Dm7 | Dm7 | Dm7 | Dm7 | C F/C C | C F/C C | · V: | C F/C C | C F/C C | C F/C C | C F/C C | C F/C C | C F/C C | C F/C C | C F/C C | Dm7 | Dm7 | Dm7 | Dm7 | C F/C C | C F/C C | C F/C C | C F/C C | · C2: | Dm7 | Dm7 | Dm7 | Dm7 | C F/C C | C F/C C | C F/C C | · C3: | Dm7 | Dm7 | Dm7 | Dm7 | C F/C C | C F/C C | · V2: | C F/C C | C F/C C | C F/C C | C F/C C | C F/C C | C F/C C | C F/C C | C F/C C | Dm7 | Dm7 | Dm7 | Dm7 | C F/C C | C F/C C | C F/C C | C F/C C | · C4: | Dm7 | Dm7 | Dm7 | Dm7 | C F/C C | C F/C C | C F/C C | · C5: | Dm7 | Dm7 | Dm7 | Dm7 | C F/C C | C F/C C | · V3: | C F/C C | C F/C C | C F/C C | C F/C C | C F/C C | C F/C C | C F/C C | C F/C C | Dm7 | Dm7 | Dm7 | Dm7 | C F/C C | C F/C C | C F/C C | C F/C C | · C6: | Dm7 | Dm7 | Dm7 | Dm7 | C F/C C | C F/C C | C F/C C | · C7: | Dm7 | Dm7 | Dm7 | Dm7 | C F/C C | C F/C C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ If You Really Love Me Stevie Wonder · 1971 · Tonart F · ≈ 123 BPM · Harmonie 5/5 · Experte I: | Am7 Dm7 | Gm7 C7 | Am7 Dm7 | Gm7 C7 | Am7 Dm7 | Gm7 Gm F | Eb | C7 | · C: | Am7 Dm7 | Gm7 C7 | Am7 Dm7 | Gm7 C7 | Am7 Dm7 | Gm7 C7 | Am7 Dm7 | Gm7 C7 | Bbmaj7 Am7 Gm7 | Fmaj7 | Em7b5/G | A7b9 | · V: | Dmaj7 | A7b9 | Dmaj7 | A7b9 | Dm | Dm/C | Bdim | Bbm9 Eb9 | Fmaj7 | Fmaj7 | Am7 | D7b9 | G13 G7#5 | G9 | C(no3,no5) | C(no3,no5) | · C2: | Am7 Dm7 | Gm7 C7 | Am7 Dm7 | Gm7 C7 | Am7 Dm7 | Gm7 C7 | Am7 Dm7 | Gm7 C7 | Bbmaj7 Am7 Gm7 | Fmaj7 | Em7b5/G | A7b9 | · V2: | Dmaj7 | A7b9 | Dmaj7 | A7b9 | Dm | Dm/C | Bdim | Bbm9 Eb9 | Fmaj7 | Fmaj7 | Am7 | D7b9 | G13 G7#5 | G9 | C(no3,no5) | C(no3,no5) Db(no3,no5) | · C3: | Bbm7 Ebm7 | Abm7 Db7 | Bbm7 Ebm7 | Abm7 Db7 | Bbm7 Ebm7 | Abm7 Db7 | Bbm7 Ebm7 | Abm7 Db7 | Cbmaj7 Bbm7 Abm7 | Db7sus4 | · C4: | Bbm7 Ebm7 | Abm7 Db7 | Bbm7 Ebm7 | Abm7 Db7 | Bbm7 Ebm7 | Abm7 Db7 | Bbm7 Ebm7 | Abm7 Db7 | · O: | Bbm7 Ebm7 | Abm7 Db7 | Bbm7 Ebm7 | Abm7 Db7 | Bbm7 Ebm7 | Abm7 Db7 | Bbm7 Ebm7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ (Last Night) I Didn't Get To Sleep At All The 5th Dimension · 1972 · Tonart Ab · ≈ 106 BPM · Harmonie 5/5 · Experte I: | Ab | Fm7 | Cm7 | Gb6/9 | · V: | Abmaj7 | Fm7 | Cm7 | Cm7 | Fm | Cm | Dbmaj7 | Eb | Ebsus4 Eb | Abmaj7 | Fm7 | Cm7 | Cm7 | Fm | Cm | Dbmaj7 | Eb | Ebsus4 Eb | Fm Fm/Eb | Dbmaj7 Eb7sus4 | Ab Db/Ab | Abmaj7 | · B: | Cm7 | Fm7 | Db Eb | Ab | Cm7 | Fm7 | Gbmaj7 | Eb9sus4 | Eb7 | · V2: | Abmaj7 | Fm7 | Cm7 | Cm7 | Fm | Cm | Dbmaj7 | Eb | Fm Fm/Eb | Dbmaj7 | Dbmaj7 | Bbm7 Eb7sus4 | Ab | Ab | · B2: | Cm7 | Fm7 | Db Eb | Ab | Cm7 | Fm7 | Gbmaj7 | Eb9sus4 | Eb7 | · V3: | Abmaj7 | Fm7 | Cm7 | Cm7 | Fm | Cm | Dbmaj7 | Eb | Fm Fm/Eb | Dbmaj7 | Dbmaj7 | Bbm7 Eb7sus4 | · O: | Ab | Fm7 | Cm7 | Eb Eb7sus4 | Ab | Fm7 | Cm7 | Eb Eb7sus4 | · O: | Ab | Fm7 | Cm7 | Eb Eb7sus4 | Ab | Fm7 | Cm7 | Eb Eb7sus4 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ The Long Run The Eagles · 1980 · Tonart C · ≈ 100 BPM · Harmonie 3/5 · Mittel I: | N.C. | C | C | F | F | C | C | F | F | · V: | C | C | F | F | C | C | F | F | Am7 | Am7 | F | F | C | C | F | F | C | C | F | F | Am7 | Am7 | F | F | · C: | C | F | C | G | · V2: | C | C | F | F | C | C | F | F | Am7 | Am7 | F | F | C | C | F | F | C | C | F | F | Am7 | Am7 | F | F | · C2: | C | F | C | G | C | F | C | G | · O: | C | C | F | F | C | C | F | F | C | C | F | F | C | C | F | F | · O: | C | C | F | F | C | C | F | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ Ebony Eyes The Everly Brothers · 1961 · Tonart E · ≈ 100 BPM · Harmonie 3/5 · Mittel I: | A/B | Emaj7/B | B9 | E | E | · V: | E | E/B | E | E/B | B7 | B7 | B7 | B7 | E | E | A | A | E | B7 | E | E7 | A | A | E | E/B | A | A | E | B7 | B7 | E | E/B | A | A | E | B7 | E | E | · V2: | E | E/B | E | E/B | B7 | B7 | B7 | B7 | E | E/B | A | A | E | B7 | E | E | E | E | B7 | B7 | E | E | A | A | E | E | A | A | E | B7 | · V3: | E | E/B | E | E/B | B7 | B7 | B7 | B7 | E | E7 | A | A | E | B7 | E | E7 | A | A | E | E | A | A | E | E7 | A | A | E | E | B7 | B7 | E Esus4add9 | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ Baby, Baby Don't Cry The Miracles · 1969 · Tonart F · ≈ 95 BPM · Harmonie 5/5 · Experte I: | F(no3,no5) | F(no3,no5) | Fadd9 | Gm7 | Fadd9 | Gm7 | Fadd9 | Gm7 | Fadd9 | Gm | · V: | F | Gm | F | Gm | F | Gm | F | Gm | F | Gm Bb | · PC: | F | Eb | Bb Bb6 | Bb7 Bb6 | F | Eb | Bb Bb6 | Bb7 C | · C: | F | Gm7 | F | Am7 Bbmaj7 | Bb Dm7 | Am7 Bbmaj7 | Bb Dm7 | Am7 Bbmaj7 | Bbmaj7 | · V2: | Fmaj7 | Gm | Fmaj7 | Gm | Fmaj7 | Gm | Fmaj7 | Gm Csus4add9 | Fmaj7 | Gm Bb | · PC2: | F | Eb | Bb Bb6 | Bb7 Bb6 | F | Eb | Bb Bb6 | Bb7 C | · C2: | F | Gm7 | F | Am7 Bbmaj7 | Bb Dm7 | Am7 Bbmaj7 | Bb Dm7 | Am7 Bbmaj7 | Bbmaj7/D | · B: | Dm6 | Dm7 | Dm6 | Dm | Dm6 | Dm7 | Dm6 | Dm | Dm6 | Dm7 | Dm6 | Gm | Abm | · C3: | Gbmaj7 | Abm7 | Gbmaj7 | Abm7 | Gb | Bbm7 Cbmaj7 | Cb Ebm7 | Bbm7 Cbmaj7 | Cb Ebm7 | Bbm7 Cbmaj7 | Cb/Gb Abm | · O: | Gbmaj7 | Abm7 | Gbmaj7 | Abm7 | Gb | Bbm7 Cbmaj7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #8 Anhören ↗ I Never Loved A Man (The Way I Love You) Aretha Franklin · 1967 · Tonart F · ≈ 91 BPM · Harmonie 4/5 · Fortgeschritten I: | F7 Bb | F7 Bb | F7 Bb | F7 Bb | · V: | F7 Bb | F7 Bb | F7 Bb | F7 Bb | F7 Bb | F7 Bb | C7 | C7 | F7 Bb | F7 Bb | F7 Bb | F7 Bb | F7 Bb | F7 Bb | C7 | C7 | · C: | C7 | C7 | C7 | C7 | F7 Bb | F7 Bb | F7 Bb | C7 | N.C. | N.C. | F7 Bb | F7 Bb | · V2: | F7 Bb | F7 Bb | F7 Bb | F7 Bb | F7 Bb | F7 Bb | C7 | C7 | F7 Bb | F7 Bb | F7 Bb | F7 Bb | F7 Bb | F7 Bb | C7 | C7 | · C2: | C7 | C7 | C7 | C7 | F7 Bb | F7 Bb | F7 Bb | C7 | N.C. | N.C. | F7 Bb | F7 Bb | · B: | Bb | Bb | Bb | Bb | F7 | F7 | C7 | C7 | C7 | C7 | Bb | Ab | F7 Bb | F7 Bb | · O: | F7 Bb | F7 Bb | F7 Bb | F7 Bb | · O: | F7 Bb | F7 Bb | F7 Bb | F7 Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ Just A Friend Biz Markie · 1990 · Tonart C · ≈ 85 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · V: | N.C. | C | F | Dm/F | Dm/F G7 | C | F | Dm/F | Dm/F G7 | C | F | Dm/F | Dm/F G7 | C | F | Dm/F | Dm/F G7 | C | F | Dm/F | Dm/F G7 | · C: | C | F | Dm/F | Dm/F G7 | C | F | Dm/F | Dm/F G7 | C | F | Dm/F | Dm/F G7 | · V2: | C | F | Dm/F | Dm/F G7 | C | F | Dm/F | Dm/F G7 | C | F | Dm/F | Dm/F G7 | C | F | Dm/F | Dm/F G7 | C | F | Dm/F | Dm/F G7 | · C2: | C | F | Dm/F | Dm/F G7 | C | F | Dm/F | Dm/F G7 | C | F | Dm/F | Dm/F G7 | · V3: | C | F | Dm/F | Dm/F G7 | C | F | Dm/F | Dm/F G7 | C | F | Dm/F | Dm/F G7 | C | F | Dm/F | Dm/F G7 | C | F | Dm/F | Dm/F G7 | · O: | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ I'm Goin' Down Bruce Springsteen · 1985 · Tonart A · ≈ 133 BPM · Harmonie 3/5 · Mittel I: | A | E | F#m | D | A | E | F#m | D | · V: | A | E | F#m | D | A | E | F#m | D | A | E | F#m | D | · C: | A | E | F#m | D | A | E | F#m | D | · V2: | A | E | F#m | D | A | E | F#m | D | A | E | F#m | D | · C2: | A | E | F#m | D | A | E | F#m | D | · S: | A | E | F#m | D | A | E | F#m | D | · V3: | A5 | E5 | F#5 | D5 | A5 | E5 | F#5 | D5 | A5 | E5 | F#5 | D5 | A5 | E5 | F#5 | D5 | · C3: | A | E | F#m | D | A | E | F#m | D | · C4: | A5 | E5 | F#5 | D5 | A5 | E5 | F#5 | D5 | · C5: | A | E | F#m | D | A | E | F#m | D | · S2: | A | E | F#m | D | A | E | F#m | D | · O: | A | E | F#m | D | A | E | F#m | D | A | E | F#m | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ Make Me Smile Chicago · 1970 · Tonart Eb · ≈ 126 BPM · Harmonie 5/5 · Experte I: | Abmaj7 | Abmaj7 | Cb/Gb | Cb/Gb | Abmaj7 | Abmaj7 | Cb/Gb | Cb/Gb | · B: | Csus2/G | Csus2/G | Bb7sus4 | Bb7sus4 | Bb7sus4 | Bb7sus4 | Bb7sus4 | Bb7sus4 | · T: | Emaj7 | Emaj7 | Gmaj7 | Gmaj7 | Absus4 | Absus4 | · V: | Cm | Ab | Eb | Bb G7 | Cm | Ab | Eb | Bb G7 | · PC: | Cm Bb/D | Eb Fm | G7sus4 | G7 | · C: | Ebsus4 Eb | Db Ab | Ebsus4 Eb | Db Ab | Ebsus4 Eb | Db Ab | Ebsus4 Eb | Db Ab | · R: | Eb Cm | Bbsus4 Bb | Absus4 | Ab | · V2: | Cm | Ab | Eb | Bb G7 | Cm | Ab | Eb | Bb G7 | · PC2: | Cm Bb/D | Eb Fm | G7sus4 | G7 | · C2: | Ebsus4 Eb | Db Ab | Ebsus4 Eb | Db Ab | Ebsus4 Eb | Db Ab | Ebsus4 Eb | Db Ab | · R2: | Eb Cm | Bbsus4 Bb | Ab | B | · INST: | Em7 | A7 | Em7 | A7 | Em7 | A7 | Em7 | A7 | Em7 | A7 | Em7 | A7 | Em7 | A7 | Em7 | A7 | · S: | Em7 | A7 | Em7 | A7 | Em7 | A7 | Em7 | A7 | Em7 | A7 | Em7 | A7 | Em7 | A7 | Em7 | A7 | · B2: | Csus2/G | Csus2/G | Bb7sus4 | Bb7sus4 | · C3: | Ebsus4 Eb | Db Ab | Ebsus4 Eb | Db Ab | Ebsus4 Eb | Db Ab | Ebsus4 Eb | Db Ab | · R3: | Eb Cm | Bbsus4 Bb | Absus4 | Absus4 | · INT: | N.C. | N.C. | N.C. | N.C. | · O: | C F Bb | Ebsus4 Eb G | C F Bb | Ebsus4 Eb G | C F Bb | Ebsus4 Eb G | C F Bb | Ebsus4 Eb G | C | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ I'll Tumble 4 Ya Culture Club · 1983 · Tonart C · ≈ 113 BPM · Harmonie 3/5 · Mittel V: | Em Dm C/E | C | Em Dm C/E | C | · PC: | Dm | Dm | Dm | G | · C: | C | C | C | C | C | C | C | · V2: | Em Dm C/E | C | Em Dm C/E | C | · PC2: | Dm | Dm | Dm | G | · C2: | C | C | C | C | C | C | C | · INT: | Am | Am | · B: | Am | Am | Am | Am | Am | Am | · PC3: | Dm | Dm | Dm | G | · C3: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · V3: | Em Dm C/E | C | Em Dm C/E | C | · PC4: | Dm | Dm | Dm | G | · C4: | C | C | C | C | C | C | C | · O: | C Bb | C Eb Bb/D | C Bb | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ Right Place Wrong Time Dr. John · 1973 · Tonart Eb · ≈ 92 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | Ebm7 | · INST: | Ebm7 | Ab7/Eb | Ebm7 | Ab7/Eb | Ebm7 | Ab7/Eb | Ebm7 | Ab7/Eb | · C: | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 Gb7 F7 E7 | · V: | Ebm7 | Ebm7 Ab7/Gb | Ebm7 | Ebm7 | Ebm7 | Ebm7 Ab7/Gb | Ebm7 | Ebm7 | · C2: | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 Gb7 F7 E7 | · T: | Ebm7 | Ebm7 | Ebm7 | Ebm7 | F7 | Bb | · S: | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 Gb7 F7 E7 | · V2: | Ebm7 | Ebm7 Ab7/Gb | Ebm7 | Ebm7 | Ebm7 | Ebm7 Ab7/Gb | Ebm7 | Ebm7 | · C3: | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | · C4: | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 | Ebm7 | Ab7 Gb7 F7 E7 | · CO: | Ebm7 | Ebm7 Ab7/Gb | Ebm7 | Ebm7 | Ebm7 | Ebm7 Ab7/Gb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ Promises Eric Clapton · 1978 · Tonart G · ≈ 155 BPM · Harmonie 2/5 · Leicht I: | G | G D/G | G | G D/G | · V: | G | G D | C | C | G | G C/G | D D/F# | G | G | · V2: | G | G | C | C | G | G | D D/F# | G | G | · C: | C | Bm | D | D | C | Bm | D D/F# | G | G | · V3: | G | G | C | C | G | G | D D/F# | G | G | · B: | C | C | G/B | G/B | Am7 | Am7 | G | G | C | C | G/B | G/B | Am7 | Am7 | G | G | · C2: | C | Bm | D | D | C | Bm | D D/F# | G | G | · V4: | G | G | C | C | G | G | D D/F# | G | G | · B2: | C | C | G/B | G/B | Am7 | Am7 | G | G | C | C | G/B | G/B | Am7 | Am7 | G | G | · C3: | C | Bm | D | D | C | Bm | D | D | · C4: | C | Bm | D | D | · O: | C | Bm | D | D | C | Bm | D | D | C | Bm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ Hocus Pocus Focus · 1973 · Tonart Am · ≈ 185 BPM · Harmonie 5/5 · Experte V: | A5 | A5 | E Fmaj7 C | C Bb Am7/E | A5 | A5 | E F D | D B E | A5 | A5 | E Fmaj7 C | C Bb Am7/E | A5 | A5 | E F D | D B E | · V2: | A5 | A5 | E Fmaj7 C | C Bb Am7/E | A5 | A5 | E F D | D B E | A5 | A5 | E Fmaj7 C | C Bb Am7/E | A5 | A5 | E F D | D B E | · PC: | Am C D | D | Dm F G | G | Em7 | N.C. | N.C. | N.C. | · C: | Am7 Em7 | F C | Dm Am7 | B E | Am7 Em7 | F C | Dm Am7 | B E | A | Bb/A | C/A | Dm/A | Em/A | F/A G/A | A | A | · V3: | A5 | A5 | E Fmaj7 C | C Bb Am7/E | A5 | A5 | E F D | D B E | A5 | A5 | E Fmaj7 C | C Bb Am7/E | A5 | A5 | E F D | D B E | · PC2: | Am C D | D | Dm F G | G | Em7 | N.C. | N.C. | N.C. | · S: | Am | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · V4: | A5 | A5 | E Fmaj7 C | C Bb Am7/E | A5 | A5 | E F D | D B E | A5 | A5 | E Fmaj7 C | C Bb Am7/E | A5 | A5 | E F D | D B E | · PC3: | Am C D | D | Dm F G | G | Em7 | N.C. | N.C. | N.C. | · C2: | Am7 Em7 | F C | Dm Am7 | B E | Am7 Em7 | F C | Dm Am7 | B E | A | Bb/A | C/A | Dm/A | Em/A | F/A G/A | A | A | · V5: | A5 | A5 | E Fmaj7 C | C Bb Am7/E | A5 | A5 | E F D | D B E | A5 | A5 | E Fmaj7 C | C Bb Am7/E | A5 | A5 | E F D | D B E | · PC4: | Am C D | D | Dm F G | G | Em7 | N.C. | N.C. | N.C. | Am | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ If I Were Your Woman Gladys Knight & The Pips · 1971 · Tonart F# · ≈ 149 BPM · Harmonie 4/5 · Fortgeschritten I: | F# | F# | Bm/F# | Bm/F# | F# | F# | Bm/F# | Bm/F# | · V: | D#m | D#m | Cdim | Cdim | F#/C# | F#/C# | D#7 | D#7 | G#m | G#m | D#m | D#m | G#m | G#m | D#m | D#m | B | B | D#m | D#m | · T: | F# | F# | Bm/F# | Bm/F# | · B: | D#m | D#m | Cdim | Cdim | F#/C# | F#/C# | D#7 | D#7 | G#m | G#m | D#m | D#m | G#m | G#m | D | D | · C: | F# | F# | Bm/F# | Bm/F# | F#/C# | F#/C# | D#7 | D#7 | Bm | Bm | · T2: | F# | F# | Bm/F# | Bm/F# | F# | F# | Bm/F# | Bm/F# | · B2: | D#m | D#m | Cdim | Cdim | F#/C# | F#/C# | D#7sus4 | D#7 | G#m | G#m | D#m | D#m | G#m | G#m | D#m | D#m | · C2: | F# | F# | Bm/F# | Bm/F# | F#/C# | F#/C# | D#7 | D#7 | Bm | Bm | F# | F# | Bm/F# | Bm/F# | F#/C# | F#/C# | D#7 | D#7 | Bm | Bm | · O: | F# | F# | Bm/F# | Bm/F# | F# | F# | Bm/F# | Bm/F# | · O: | F# | F# | Bm/F# | Bm/F# | F# | F# | Bm/F# | Bm/F# | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ Never Can Say Goodbye Gloria Gaynor · 1975 · Tonart C · ≈ 127 BPM · Harmonie 4/5 · Fortgeschritten I: | Fmaj7 | Fmaj7 | Dm7 | G7sus4 | C | C | · V: | Fmaj7 | Fmaj7 | G7sus4 | G7sus4 | Fmaj7 | Fmaj7 | G7sus4 | G7 | Cmaj7 | Cmaj7 | Cm7 | Cm7 | Cmaj7 | Cmaj7 | Cm7 | Cm7 | Cmaj7 | Cmaj7 | Cm7 | C7 | Fmaj7 | Fmaj7 | Dm7 | G7sus4 | · C: | C | C | Cm7 | Cm7 | D/C | Dbmaj7/C | C | C | · V2: | Fmaj7 | Fmaj7 | G7sus4 | G7sus4 | Fmaj7 | Fmaj7 | G7sus4 | G7 | Cmaj7 | Cmaj7 | Cm7 | Cm7 | Cmaj7 | Cmaj7 | Cm7 | Cm7 | Cmaj7 | Cmaj7 | Cm7 | C7 | Fmaj7 | Fmaj7 | Dm7 | G7sus4 | · C2: | C | C | Cm7 | Cm7 | D/C | Dbmaj7/C | C | C | · C3: | C | C | Cm7 | Cm7 | D/C | Dbmaj7/C | C | C | · INT: | Fmaj7 | Fmaj7 | Dm7 | G7sus4 | · C4: | C | C | Cm7 | Cm7 | · O: | D/C | Dbmaj7/C | C | C | C | C | Cm7 | Cm7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ Magic Man Heart · 1976 · Tonart G · ≈ 103 BPM · Harmonie 4/5 · Fortgeschritten I: | G5 | G5 | G5 | G5 | · V: | G5 | G5 | F | F | G5 | G5 | F | F | · T: | G5 | G5 | · C: | Bb F | G5 | Bb F | G5 | F | G | Bb | C | · T2: | G5 | G5 | · V2: | G5 | G5 | F | F | G5 | G5 | F | F | · T3: | G5 | G5 | · C2: | Bb F | G5 | Bb F | G5 | F | G | Bb | C | · INT: | G5 | G5 | G5 | G5 | G5 | G5 | G5 | G5 | · C3: | Bb F | G5 | Bb F | G5 | F | G | Eb | Em | F | G | Bb | C | · S: | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | · S2: | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | N.C. | F5 F#5 | G5 | G5 | · S3: | G5 | N.C. F5 F#5 | G5 | N.C. | G5 | N.C. F5 F#5 | G5 | N.C. | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | G5 F5 | G5 | F | F | F | F | · C4: | Bb F | G5 | Bb F | G5 | F | G | Bb | C | Bb F | Bb F | Bb F | Gm N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #9 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. Diese Ränge sind keine Streamzahlen und zwischen Quellen nicht direkt vergleichbar.
Vom Chart zum eigenen Sound
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