80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 22 von 40 Tuff Enuff The Fabulous Thunderbirds · 1986 · Tonart B · ≈ 117 BPM · Harmonie 2/5 · Leicht I: | D E | B | B D E | B | B D E | B | B | B | B | · V: | B | B | B | B | B | B | B | B | · C: | B | B D E | B | B D E | B | B D E | B | B D A | · V2: | B | B | B | B | B | B | B | B | · C2: | B | B D E | B | B D E | B | B D E | B | B | · S: | D | D E | B | B | D | D E | B | B | · V3: | B | B | B | B | B | B | B | B | · C3: | B | B D E | B | B D E | B | B D E | B | B D A | · V4: | B | B | B | B | B | B | B | B | · S2: | D | D E | B | B | · C4: | B | B D E | B | B D E | B | B D E | B | B | · O: | D | D | D | D | · O: | D | D | D | D | D | D | D | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #10 Anhören ↗ Don't Stand So Close To Me The Police · 1981 · Tonart Eb · ≈ 141 BPM · Harmonie 3/5 · Mittel I: | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Gm | Gm | Eb | Eb | Gm | Gm | · V: | Eb | Eb | Gm | Gm | Eb | Eb | Gm | Gm | Eb | Eb | Gm | Gm | Eb | Eb | Gm | Gm | · C: | D A | D A | Bm7 Bm7/A | D/A A | D A | D A | Bm7 Bm7/A | D/A A | D/A A | · V2: | Eb | Eb | Gm | Gm | Eb | Eb | Gm | Gm | Eb | Eb | Gm | Gm | Eb | Eb | Gm | Gm | · C2: | D A | D A | Bm7 Bm7/A | D/A A | D A | D A | Bm7 Bm7/A | D/A A | D/A A | · V3: | Eb | Eb | Gm | Gm | Eb | Eb | Gm | Gm | Eb | Eb | Gm | Gm | Eb | Eb | Gm | Gm | · C3: | D A | D A | Bm7 Bm7/A | D/A A | D A | D A | Bm7 Bm7/A | D/A A | D/A A | D/A A | D/A A | · INST: | Eb | Eb | Gm | Gm | Eb | Eb | Gm | Gm | Eb | Eb | Gm | Gm | Eb | Eb | Gm | Gm | · C4: | D A | D A | Bm7 Bm7/A | D/A A | D A | D A | Bm7 Bm7/A | D/A A | D A | D A | Bm7 Bm7/A | D/A A | · O: | D A | D A | Bm7 Bm7/A | D/A A | D A | D A | Bm7 Bm7/A | D/A A | D A | D A | Bm7 Bm7/A | D/A A | D A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #10 Anhören ↗ Heaven Must Have Sent You Bonnie Pointer · 1979 · Tonart C · ≈ 128 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | C | C | Am | Am | Fmaj7 | Fmaj7 | G | Em G | · C: | Bb Am | Ab G | F Em7 | Dm7 Dm7/G | Bb Am | Ab G | F Em7 | Dm7 Dm7/G | · V: | C | C | Am | Am | Fmaj7 | Fmaj7 | G | Em G | C | C | Am | Am | Fmaj7 | Fmaj7 | G | Em G | · V2: | C | C | Am | Am | Fmaj7 | Fmaj7 | G | Em G | C | C | Am | Am | Fmaj7 | Fmaj7 | G | Em G | · C2: | Bb Am | Ab G | F Em7 | Dm7 Dm7/G | Bb Am | Ab G | F Em7 | Dm7 Dm7/G | · INST: | C | C | Am | Am | Fmaj7 | Fmaj7 | G | Em G | C | C | Am | Am | Fmaj7 | Fmaj7 | G | Em G | · V3: | C | C | Am | Am | Fmaj7 | Fmaj7 | G | Em G | C | C | Am | Am | Fmaj7 | Fmaj7 | G | Em G | · C3: | Bb Am | Ab G | F Em7 | Dm7 Dm7/G | Bb Am | Ab G | F Em7 | Dm7 Dm7/G | · INST2: | C | C | Am | Am | Fmaj7 | Fmaj7 | G | Em G | · O: | C | C | Am | Am | Fmaj7 | Fmaj7 | G | Em G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #11 Anhören ↗ Coming On Strong Brenda Lee · 1966 · Tonart C · ≈ 150 BPM · Harmonie 4/5 · Fortgeschritten I: | C | C | G7sus4 | G7sus4 | C | C | G7sus4 | G7sus4 | · C: | C | C | Am | Am | F/C C | C | G7 | G7 | F | F | C | Am | F | G7 | C | C | · V: | G C | G C | G C | G C | G C | G C | G C | G | D G | D G | D G | D G | D G | D G | D G | D | E A | E A | E A | E A | E A | E A | G | G | · C2: | C | C | Am | Am | F/C C | C | G7 | G7 | F | F | C | Am | F | G7 | C | F | · O: | C | F | C | F | · O: | C | F | C | F | C | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #11 Anhören ↗ A Very Special Love Song Charlie Rich · 1974 · Tonart C · ≈ 76 BPM · Harmonie 4/5 · Fortgeschritten I: | C/E G/D Am/C G/B | F/A C/G G7 | · V: | C | Fm/C | C | D7 | Dm G | Em Am | D7 | C/G G F/G Em | Dm/G C/G G7 | · INT: | C | Fm/C | · V2: | C | Fm/C | C | D7 | Dm G | Em Am | D7 | C/G G F/G Em | Dm/G C/G G7 | · INT2: | C C7 | C | · B: | Eb F | Bb | Eb F | Bb | D | Gm | Eb | Cm/G G7 | C/G G | · V3: | C | Fm/C | C | D7 | Dm G | Em Am | D7 | C/G G F/G Em | Dm/G C/G G7 | · O: | C | Fm/C | C | D7 | Dm G | Em Am | D7 | C/G G F/G Em | Dm/G C/G G7 | C | Fm/C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #11 Anhören ↗ The Humpty Dance Digital Underground · 1990 · Tonart Eb · ≈ 52 BPM · Harmonie 2/5 · Leicht I: | Eb | Eb | · V: | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | · C: | Eb | Eb | Eb | Eb | Eb | · V2: | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | · C2: | Eb | Eb | Eb | Eb | Eb | · INT: | Eb | Eb N.C. | · V3: | Eb | Eb | Eb | Eb | Eb | Eb | Eb | · C3: | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | · C4: | Eb | Eb | Eb | Eb | Eb | Eb | Eb | · INT2: | Eb | Eb | Eb | Eb | Eb | · O: | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb | · O2: | Eb | · O3: | Eb | Eb | Eb | Eb | Eb | Eb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #11 Anhören ↗ Running On Empty Jackson Browne · 1978 · Tonart A · ≈ 137 BPM · Harmonie 3/5 · Mittel I: | D/A | D/A A | D/A | D/A A | D/A | D/A A | F#m | F#m | D | A/C# | E | E | · V: | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D | A/C# | E | E | · C: | D/A | D/A A | D/A | D/A A | D/A | D/A A | F#m | F#m | · V2: | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D | A/C# | E | E | · C2: | D/A | D/A A | D/A | D/A A | D/A | D/A A | F#m | F#m | · S: | D/A | D/A A | D/A | D/A A | D/A | D/A A | F#m | F#m | D | A/C# | E | E | · B: | F#m | D | E | A | F#m | E | D | A | F#m | D | E | A | · B2: | D | E | D A/C# Bm | Bm A F#m F#m/E | · V3: | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D | A/C# | E | E | · C3: | D/A | D/A A | D/A | D/A A | D/A | D/A A | F#m | F#m | · V4: | D/A | A | D/A | A | · O: | D | E | D A/C# Bm | Bm A F#m F#m/E | D | E | D A/C# Bm | Bm A F#m F#m/E | D | E | D A/C# Bm | A | A | · O2: | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D/A | D/A A | D | E | D A/C# Bm | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #11 Anhören ↗ Living In The Past Jethro Tull · 1972 · Tonart Cm · ≈ 152 BPM · Harmonie 5/5 · Experte I: | C(no3,no5) F(no3,no5) | C(no3,no5) F(no3,no5) | Cm Fsus4 | Cm Fsus4 | Cm Fsus4 | Cm Fsus4 | F Eb Bbsus4 | Cm7 | F Eb Bbsus4 | Cm7 | C5 | F | G G7sus4 | G G7sus4 | G G7sus4 | G | D G | D G | D G | D | · V: | C Bb | C Bb | C Bb | C Bb | C Bb | C Bb | C Bb | C | F Eb Bbsus4 | F Eb Bbsus4 | F Eb Bbsus4 | F Eb Bbsus4 | C Bb | C Bb | C Bb | C | · INT: | Cm Fsus4 | Cm Fsus4 | Cm Fsus4 | Cm Fsus4 | F Eb Bbsus4 | Cm7 | F Eb Bbsus4 | Cm7 | C5 | F | G G7sus4 | G G7sus4 | G G7sus4 | G | D G | D G | D G | D | · V2: | C Bb | C Bb | C Bb | C Bb | C Bb | C Bb | C Bb | C | F Eb Bbsus4 | F Eb Bbsus4 | F Eb Bbsus4 | F Eb Bbsus4 | C Bb | C Bb | C Bb | C | · INT2: | Cm Fsus4 | Cm Fsus4 | Cm Fsus4 | Cm Fsus4 | F Eb Bbsus4 | Cm7 | F Eb Bbsus4 | Cm7 | C5 | · C: | C7 Bb | C7 Bb | C7 Bb | C7 Bb | C7 Bb | C7 Bb | C7 Bb | C7 Bb | · O: | C7 Bb | C7 Bb | C7 Bb | C7 Bb F/A | C7 Bb F/A | C7 Bb F | C7 Bb F | C7 Bb F | · O: | C7 Bb F | C7 Bb F | C7 Bb F | C7 Bb F | C7 Bb F | C7 Bb F | C7 Bb F | C7 Bb F N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #11 Anhören ↗ Break It To Me Gently Juice Newton · 1982 · Tonart E · ≈ 89 BPM · Harmonie 5/5 · Experte I: | E Eaug | A | Am6 | E | B A G#m F#m | · V: | E Eaug | Amaj7 Am6 | E G#7 | C#7b9 | F#7 | F#7 | F#m7 | B A G#m F#m | · V2: | E Eaug | Amaj7 Am6 | E G#7 | C#7b9 | F#7 | F#7 | F#m7 | B A G#m F#m | · B: | A | G#m | F#m7 B | Emaj7 E7 | A | G#m7 C#7 | F#7 | B A G#m F#m | · V3: | E Eaug | Amaj7 Am6 | E G#7 | C#7b9 | F#7 | F#7 | F#m7 B7 | E Eaug7 | · B2: | A | G#m | F#m7 B | E E7 | A | G#m | F#7 | B7 C7 | · V4: | F Faug | Bbmaj7 Bbm | F A7 | D7b9 | G7 | G7 | Gm7 C7 | F F7/Eb D7 | G7 | C7 N.C. | F | Bb Bbm6 | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #11 Anhören ↗ The Other Guy Little River Band · 1983 · Tonart F · ≈ 109 BPM · Harmonie 3/5 · Mittel I: | F Dm | F Dm | F Dm | F Dm | · V: | F Dm | F Dm | F Dm | F Dm | Bb | Bb | F Dm | F Dm | C | Bb | F Dm | F Dm | · C: | Bb | Bb | F | F | Bb | Bb | C | C | · V2: | F Dm | F Dm | F Dm | F Dm | Bb | Bb | F Dm | F Dm | C | Bb | F Dm | F Dm | · C2: | Bb | Bb | F | F | Bb | Bb | C | C | · B: | Bb | Bb | F | F | G7 | G7 | C7 | C7 | · C3: | Bb | Bb | F | F | Bb | Bb | C | C | · C4: | Bb | Bb | F | F | Bb | Bb | C | C | · O: | Bb | Bb | F | F | Bb | Bb | C | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #11 Anhören ↗ Is That All There Is Peggy Lee · 1969 · Tonart C · ≈ 111 BPM · Harmonie 4/5 · Fortgeschritten V: | G13 | G13 | C | C | G13 | G13 | C | C | F | C | G | C | F | C | G/Bb | Bb | N.C. | · C: | G13 | G13 | G13 | G13 | G13 Gdim | G7sus4 G13 G9 | Cm9 | Cm7 F9 | Cm9 | Ebm9 | Bbmaj7 Bb6 | Bbaug Bb | A7 | A7b5/Eb | D7 | D7 | · V2: | Cm7 | Ebm9 | Cm7 | Eb | Cm7 | Ebm9 | Bb | Bb | Cm7 | Ebm9 | Cm7 | Eb | Cm7 | Ebm9 | Bb | Bb | · C2: | G13 | G13 | G13 | G13 | G13 Gdim | G7sus4 G13 G9 | Cm9 | Cm7 F9 | Cm9 | Ebm9 | Bbmaj7 Bb6 | Bbaug Bb | A7 | A7b5/Eb | D7 | D7 | · V3: | Cm7 | Ebm9 | Cm7 | Ebm9 | Cm7 | Ebm9 | Bb | Bb | Cm7 | Ebm9 | Cm7 | Ebm9 | Cm7 | Ebm9 | Bbmaj7 | Bbmaj7 | · C3: | G13 | G13 | G13 | G13 | G13 Gdim | G7sus4 G13 G9 | · V4: | Cm7 | Ebm9 | Cm7 | Ebm9 | Cm7 | Ebm9 | Bb | Bb | Cm7 | Ebm9 | Cm7 | Ebm9 | Cm7 | Ebm9 | Bbmaj7 | Bbmaj7 | · C4: | G13 | G13 | G13 | G13 | G13 Gdim | G7sus4 G13 G9 | Cm9 | Cm7 F9 | Cm9 | Ebm9 | Bbmaj7 Bb6 | Bbaug Bb | A7 | A7b5/Eb D7 | Gm | Gm | Gm | Gm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #11 Anhören ↗ For The Good Times Ray Price · 1970 · Tonart Eb · ≈ 84 BPM · Harmonie 5/5 · Experte I: | N.C. Ab Gm7 | Bb13sus4 | Ab7b9 | Eb6 | Eb6 | · V: | Fm7 | Bb7 | Eb Eb6 | Ebmaj7 Eb6 | Fm7 | Bb7 | Eb Eb6 | Ebmaj7 | Eb | Ab | Bb7 | Eb | Eb | Ab | Fm7 | Bb7 | Bb9sus4 | · C: | Ebmaj7 | Ebmaj7 | Bb | Bb7 | Bb7 | Bb7 | Eb | Fm7 Bb7 | Eb Ebmaj9 | Fm7 Eb7 | Abmaj9 Ab6 | Abmadd9 Abm | Bb7 | F9sus4 | Bb7 | Bb7b9 | · T: | Ebmaj7 | Bb9sus4 | Eb | Eb | · V2: | Fm7 | Bb7 | Eb Ebmaj7 | Eb6 Eb | Fm7 | Bb7sus4 Bb7 | Eb Ebmaj7 | Eb6 Eb | Ab | Bb7 | Eb Ebmaj7 | Eb6 Eb | Ab | Fm7 | Bb7 | Bb9sus4 | · C2: | Ebmaj7 | Ebmaj7 | Bb | Bb7 | Bb7 | Bb7 | Eb | Fm7 Bb7 | Eb Ebmaj9 | Fm7 Eb7 | Abmaj9 Ab6 | Abmadd9 Abm | Bb7 | F9sus4 | Bb7 | Bb7b9 | · O: | Ebmaj7 | Bb9sus4 | Eb | Bb9sus4 | Eb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #11 Anhören ↗ I Had Too Much To Dream (Last Night) The Electric Prunes · 1967 · Tonart Dm · ≈ 147 BPM · Harmonie 4/5 · Fortgeschritten I: | D5 | D5 | Dm | Dm | · V: | Dm | Dm | C | C | Dm | Dm | C | C | Gm | Gm | Dm | Dm | Gm | Gm | Dm | G | G | G | · PC: | Dm | Dm | Dbm | Dbm | G F Eb | Eb | N.C. | · C: | Dm | G | Dm | G | Dm | G | Dm | A | · T: | Dm C | Bb C | Dm C | Bb C | · V2: | Dm | Dm | C | C | Dm | Dm | C | C | Gm | Gm | Dm | Dm | Gm | Gm | Dm | G | G | · PC2: | Dm | Dm | Dbm | Dbm | G F Eb | Eb | N.C. | · C2: | Dm | G | Dm | G | Dm | G | Dm | A | · T2: | Dm C | Bb C | Dm C | Bb C | · C3: | Dm | G | Dm | G | Dm | G | Dm | A | · O: | Dm C | Bb C | Dm C | Bb C | Dm C | Bb C | Dm C | Bb C | Dm C | Bb C | Dm C | Bb C | · O: | Dm C | Bb C | Dm C | Bb C | Dm C | Bb C | Dm C | Bb C N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #11 Anhören ↗ Spirits In The Material World The Police · 1982 · Tonart Am · ≈ 141 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | · V: | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | · C: | D | D G C | D | D G C | D | D G C | D | D G C | · V2: | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | · C2: | D | D G C | D | D G C | D | D G C | D | D G C | · T: | Dm7 | Fadd9 | Am7 | F Dm | · S: | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | · V3: | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | Amadd9 Am/C | G Em | · C3: | D | D G C | D | D G C | D | D G C | D | D G C | D | D G C | D | D G C | · O: | D | D G C | D | D G C | D | D G C | D | D G C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #11 Anhören ↗ Disco Inferno The Trammps · 1977 · Tonart C · ≈ 129 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | · V: | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | · C: | F | Bb Gm | C | C | F | Bb Gm | C | C Gm/Bb Fmaj7/A | · V2: | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | · C2: | F | Bb Gm | C | C | F | Bb Gm | C | C Gm/Bb Fmaj7/A | · V3: | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | · C3: | F | Bb Gm | C | C | F | Bb Gm | C | C Gm/Bb Fmaj7/A | · B: | Bbmaj7 | Bbmaj7 | C | C | Bbmaj7 | Bbmaj7 | C | Gm | Gm | · V4: | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | · C4: | F | Bb Gm | C | C | F | Bb Gm | C | C | · C5: | F | Bb Gm | C | C | F | Bb Gm | C | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #11 Anhören ↗ Shapes Of Things The Yardbirds · 1966 · Tonart G · ≈ 133 BPM · Harmonie 2/5 · Leicht I: | F | F | · V: | G | Dm7 | G | Dm7 | G | Dm7 | F | F | · V2: | G | Dm7 | G | Dm7 | G | Dm7 | F | F | · C: | C | Bb | C | Bb | C | Bb | Bb | D | D | · V3: | G | Dm7 | G | Dm7 | G | Dm7 | F | F | · V4: | G | Dm7 | G | Dm7 | G | Dm7 | F | F | · C2: | C | Bb | C | Bb | C | Bb | Bb | D | D | · S: | G | F | G | F | G | F | G | F | G | F | G | F | G | F | Bb | D | D | · V5: | G | Dm7 | G | Dm7 | G | Dm7 | F | F | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #11 Anhören ↗ Daydream Believer Anne Murray · 1980 · Tonart Bb · ≈ 127 BPM · Harmonie 4/5 · Fortgeschritten I: | Bb | F7sus4 | Bb | F7sus4 | · V: | Bb | Cm7 | Bb/D | Eb | Bb | Gm7 | C7 | F | Bb | Cm7 | Bb/D | Eb | Bb Gm7 | C7 F | Bb F/A Bb | Cm Bb F/A Gm7 | · C: | Eb F | Dm | Eb F | Gm Eb | Bb | Eb | Bb | C7 | F7 | · V2: | Bb | Cm7 | Bb/D | Eb | Bb | Gm7 | C7 | F | Bb | Cm7 | Bb/D | Eb | Bb Gm7 | C7 F | Bb F/A Bb | Cm Bb F/A Gm7 | · C2: | Eb F | Dm | Eb F | Gm Eb | Bb | Eb | Bb | C7 | F7 | · INT: | Bb | F7sus4 | Bb | F7sus4 | · C3: | Eb F | Dm | Eb F | Gm Eb | Bb | Eb | Bb | C7 | F7 | · O: | Eb F | Dm | Eb F | Gm Eb | Bb | Eb | Bb | C7 | F7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #12 Anhören ↗ Love Song Anne Murray · 1974 · Tonart G · ≈ 138 BPM · Harmonie 3/5 · Mittel SON: | N.C. | · V: | G | G | G | G | Am | D/F# | Am | D/F# | G | G | G | G | Am | D/F# | Am | D/F# | · C: | G | G | Am | D | Am | D | G | G | G | G/B | Am | D | Am | D | G | G | · V2: | G | G | G | G | Am | D | Am | D | G | G | G | G | Am | D | Am | D | C | D | · C2: | G | G | Am | D | Am | D | G | G | G | G/B | Am | D | Am | D | G | G | · INT: | Em | Em | C | D | Bm | E | · C3: | A | A | Bm | E | Bm | E | A | A | A | A/C# | Bm | E | Bm | E | A | A | Bm | E | D | D | A N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #12 Anhören ↗ White Christmas Bing Crosby · 1962 · Tonart A · ≈ 97 BPM · Harmonie 5/5 · Experte SON: | N.C. | · I: | A/E | C#m7/E Cdim | Aadd9/E A/E | C#m7/E Cdim Bm7/E | · B: | A | D/A A G#/A A | Bm | D#dim/E E7 | Bm7 | Bm7/D E7 | A E7 | G#/A A Bm7 E7 | A | A9 A7b9 | Dmaj7 | D6 | F#m | F#m7 B7 | E7sus4 | E7 | · B2: | A7 | D/A A G#/A A | Bm | D#dim/E E7 | Bm7 | Bm7/D E7 | A G#/A | A Bm7 E7 | A | A9 A7b9 | Dmaj7 | Dm | A A7 | D E7b9 | A C#m7 | F#m7 E7/B Bb | · B3: | A | D/A A G#/A A | Bm7 | D#dim/E E7 | Bm7 | D E7 | A | G#/A A | A A7 | A7 | D | D6 | A | Asus4 A B7 | E7 | E7 | · B4: | A | D/A A G#/A A | Bm7 | D#dim/E E7 | Bm7 | D E7 | A | G#/A A | A A7 | A7 | D | Dm6 | A | E7 | A6 | A6 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #12 Anhören ↗ Even Now Bob Seger · 1983 · Tonart E · ≈ 152 BPM · Harmonie 5/5 · Experte I: | E/G# | A | F#/A# | F#/A# | E/G# | A | F#/A# | F#/A# | E/G# | A | F#/A# | F#/A# | E/B | E/B | B7sus4 | B7 | E | Emaj7 E6 | E | E | · V: | E | A/E | B/E | E | E | A/E | B/E | E | E | A/E | B/E | E | E | A/E | B/E | E | · PC: | A | E/G# | B A | E | A | E/G# | Bsus4 | B | · C: | E | E | Aadd9 | Aadd9 | E | E | Aadd9 | Aadd9 | E | E | Aadd9 | Aadd9 | E | E | Aadd9 | Aadd9 | A | A | B | B | · T: | E | Emaj7 E6 | E | E | · V2: | E | A/E | B/E | E | E | A/E | B/E | E | E | A/E | B/E | E | E | A/E | B/E | E | · PC2: | A | E/G# | B A | E | A | E/G# | Bsus4 | B | · C2: | E | E | Aadd9 | Aadd9 | E | E | Aadd9 | Aadd9 | E | E | Aadd9 | Aadd9 | E | E | Aadd9 | Aadd9 | A | A | B | B | · T2: | E | E | E | E | · O: | E | A/E | B/E | E | E | A/E | B/E | E | E | A/E | B/E | E | E | A/E | B/E | E | E | A/E | B/E | E | E | A/E | B/E | E | E | A/E | B/E | E | E | A/E | B/E | E | A | A | B | B | A | A | B | B | E N.C. | B/E A/E N.C. | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #12 Anhören ↗ Like A Rock Bob Seger · 1986 · Tonart Ab · ≈ 82 BPM · Harmonie 3/5 · Mittel I: | Ab Db/Ab | Ab | Ab Db/Ab | Ab | · V: | Ab | Ab | Db/Ab | Db/Ab | Gb/Ab | Db/Ab | Ab Db/Ab | Ab | · V2: | Ab | Ab | Db | Db | Gbsus2 | Db | Ab Db/Ab | Ab | · V3: | Ab | Ab | Db | Db | Gb | Db | Ab Db/Ab | Ab | · C: | Ab | Ab | Db | Db | Gb | Db | Ab Db/Ab | Ab | · B: | Fm | Fm | Ab | Ab | Db | Db | Bbm | Eb | · S: | Ab | Ab | Db | Db | Gb | Db | Ab Db/Ab | Ab | Ab | Ab | Db | Db | Gb | Db | Ab Db/Ab | Ab | · INT: | Ab Db/Ab | Ab | Ab Db/Ab | Ab | · V4: | Ab | Ab | Db | Db | Gb | Db | Ab Db/Ab | Ab | · V5: | Ab | Ab | Db | Db | Gb | Db | Ab Db/Ab | Ab | · C2: | Ab | Ab | Db | Db | Gb | Db | Ab Db/Ab | Ab | · C3: | Ab | Ab | Db | Db | Gb | Db | Ab Db/Ab | Ab | · O: | Ab | Ab | Db | Db | Gb | Db | Ab Db/Ab | Ab | Ab | Ab | Db | Db | Gb | Db | Ab Db/Ab | Ab | Ab | Ab | Db | Db | Gb | Db | Ab Db/Ab N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #12 Anhören ↗ As Usual Brenda Lee · 1964 · Tonart Db · ≈ 85 BPM · Harmonie 4/5 · Fortgeschritten I: | Db | Ab7 | Db | Ab7 | · V: | Db | Db | Ab7 | Ab7 | Ab7 | Ab7 | Db | Db | Db | Db | Db7 | Gb | Ebm7 Ab7 | Ebm7 Ab7 | Cdim Db | A7 | · V2: | D | D | A7 | A7 | A7 | A7 | D | D | D | D | D7 | G | Em7 A7 | Em7 A7 | C#dim D | Bb7 | · V3: | Eb | Eb | Bb7 | Bb7 | Bb7 | Bb7 | Eb | Eb | Eb | Eb | Eb7 | Ab | Bb7 | Bb7 | Ddim Eb | Eb | · CO: | Eb | Eb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #12 Anhören ↗ Getaway Earth, Wind & Fire · 1976 · Tonart Fm · ≈ 113 BPM · Harmonie 5/5 · Experte I: | Fm | Fm | Fm | Fm | · C: | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | Dbmaj7 | Fm | · V: | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | · B: | Bbm7 Ab | Dbmaj9 C7#9 | Bbm7 | Bbm7 Cm7 Dm7 | Cm7 Dm7 Em7 | · C2: | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | Dbmaj7 | Fm | · V2: | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | · B2: | Bbm7 Ab | Dbmaj9 C7#9 | Bbm7 Cm7 | Fm7 | Fm7 | · V3: | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | F7#9 | · B3: | Bbm7 Ab | Dbmaj9 C7#9 | Bbm7 | Bbm7 Cm7 Dm7 | Cm7 Dm7 Em7 | Fm7 | Fm7 | · C3: | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | · O: | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | · O: | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm | F7#9 | F7#9 Bbm Cm N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #12 Anhören ↗ Ask Me Elvis Presley · 1964 · Tonart D · ≈ 118 BPM · Harmonie 4/5 · Fortgeschritten I: | A | · V: | D D/C# | C B7 | Em Emmaj7/B | Em7 A7 | Em Emmaj7/B | Em7 A7 | D | D | · PC: | Bm | F#m | D#dim | Em | Gm7 C7 | F Em7 A7 | · C: | D D/C# | C B7 | Em Emmaj7/B | Em7 A7 | · INT: | D D/C# | C B7 | Em Emmaj7/B | Em7 A7 | Em Emmaj7/B | Em7 A7 | D | D | · PC2: | Bm | F#m | D#dim | Em | Gm7 C7 | F Em7 A7 | · C2: | D D/C# | C B7 | Em Emmaj7/B | Em7 A7 | D Dmaj7 | Em7 A7 | D D/A | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #12 Anhören ↗ If I Can Dream Elvis Presley · 1968 · Tonart C · ≈ 93 BPM · Harmonie 4/5 · Fortgeschritten I: | C Am | C Am | C Am | C Am | · V: | C Am | F C/G G | C Am | F G | C Bb/C C7 | F E7 Am | C/G Am | F F/D C/E Am | Dm7 G7 | G11 G7 | · V2: | C Am | F C/G G | C Am | F G | C Bb/C C7 | F E7 Am | C/G Am | F F/D C/E G | C F | C C7 | · B: | F F#dim | C C7 | F F#dim | C C7 | F F#dim | G E7 Am | C/D D7 | F/G G7 | A7 | · V3: | D Bm | G Asus4 | D Bm | G A | D D7 | G G#dim | D/A Bm | D/A Bm | G | Em | A11 | A11 | D D/A Bm | D D/A Bm | D G | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #12 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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