80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
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1.000 Songs Seite 11 von 40 The Night Chicago Died Paper Lace · 1974 · Tonart C · ≈ 110 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | N.C. | N.C. | C | C | C | C | C(no3,no5) | C(no3,no5) | C(no3,no5) | C(no3,no5) | N.C. | · V: | Dm | G | C | C | Dm | G | C | D(no3,no5) G(no3,no5) | C(no3,no5) | D(no3,no5) G(no3,no5) | C(no3,no5) | · C: | C | C | Dm | Dm | G | G | C | C | C | C | Dm | Dm | G | G | C | C | · V2: | Dm | G | C | C | Dm | G | C | Dm G | C | Dm G | C | · C2: | C | C | Dm | Dm | G | G | C | C | C | C | Dm | Dm | G | G | C | C | · V3: | Dm | G | C | N.C. | Dm G | C | Dm G | C | · C3: | C | C | Dm | Dm | G | G | C | C | C | C | Dm | Dm | G | G | C | C | · C4: | C | C | Dm | Dm | · O: | G | G | C | C | C | C | Dm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ With A Little Luck Paul McCartney · 1978 · Tonart E · ≈ 112 BPM · Harmonie 4/5 · Fortgeschritten I: | A/B | A/B | E | E | A/B | A/B | Dmaj9 C#m7 | A/B | · C: | E | E/G# | A | A/B | E | E/G# | A | A/B | C#m7 | C#m7 | · V: | F#m | C#7 | F#m | C#7 | F#m | C#7 | F#m/C# | C#7 | F#m | C#7 | Dmaj7#11 | Dmaj7#11 | A/B | A/B | A/B | A/B | · C2: | E | E/G# | A | A/B | E | E/G# | A | A/B | C#m7 | C#m7 | · V2: | F#m | C#7 | F#m | C#7 | F#m | C#7 | F#m/C# | C#7 | F#m | C#7 | Dmaj7#11 | Dmaj7#11 | A/B | A/B | · C3: | E | E/G# | A | A/B | E | E/G# | A | A/B | C#m7 | C#m7 | · INT: | E | E/G# | A | A/B | E | E/G# | A | A/B | E | E/G# | A | A/B | E | E/G# | A | A/B | E | E/G# | A | · INT2: | A/B | A/B | E | E | A/B | A/B Dmaj7 | C#m7 A/B | E Dmaj7 | C#m7 A/B | E Dmaj7 | C#m7 A/B | E Dmaj7 | C#m7 | A/B | A/B | · T: | E | E | E | E | E | E | E | E | E | E | A/B | A/B | · INST: | E | E/G# | A | A/B | E | E/G# | A | A/B | C#m7 | C#m7 | · INST2: | F#m | C#7 | F#m | C#7 | F#m | C#7 | F#m/C# | C#7 | F#m | C#7 | Dmaj7#11 | Dmaj7#11 | A/B | A/B | · O: | E | E/G# | A | A/B | E | E/G# | A | A/B | E | E/G# | A | A/B | E | E/G# | A | Dmaj7 C#m7 | A/B E | Dmaj7 C#m7 | C#m7 A/B | A/B | A/B | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ My Love Paul McCartney & Wings · 1973 · Tonart F · ≈ 60 BPM · Harmonie 4/5 · Fortgeschritten I: | A(no3,no5) | · V: | Bbmaj7 | Bbmaj7 | Am7 | D9 | Gm7 | Am7 Bbmaj7 | Bm7b5 | · C: | F | Gm7 | Bbmaj7 | F | · V2: | Bbmaj7 | Bbmaj7 | Am7 | D9 | Gm7 | Am7 Bbmaj7 | Bm7b5 | · C2: | F | Gm7 | Bbmaj7 | F | · B: | Gm7 C7/E C7 | F Aaug | Bbmaj7 C7 | F Aaug | Gm7 C7/E C7 | F Aaug | Bbmaj7 C7 | F | · S: | Bbmaj7 | Bbmaj7 | Am7 | D9 | Gm7 | Am7 Bbmaj7 | G9/B | · C3: | F | Gm7 | Bbmaj7 | F | · V3: | Bbmaj7 | Bbmaj7 | Am7 | D9 | Gm7 | Am7 Bbmaj7 | Bm7b5 | · C4: | F | Gm7 | Bbmaj7 | F | · CO: | Gm7 C7/E C7 | F Aaug | Bbmaj7 C7 | N.C. | F Aaug | Bbmaj7 C13 | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ 50 Ways To Leave Your Lover Paul Simon · 1976 · Tonart Em · ≈ 102 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | N.C. | N.C. | · V: | Em/G Bm | Cmaj7 B7b9 | Em B7/D# | B7/F# B7b9 | Em Bm/D | Cmaj7 B7b9 | Em Am7 | Em | Em/G Bm/D | Cmaj7 B7b9 | Em B7/D# | B7/F# B7b9 | Em Bm/D | Cmaj7 B7b9 | Em Am7 | Em | Em Am7 | Em | · C: | G | Bb6 | C | G | G | Bb6 | C | G | G | Bb6 | C | G | G | Bb6 | C | · T: | G | G | · V2: | Em/G Bm | Cmaj7 B7b9 | Em B7/D# | B7/F# B7b9 | Em Bm/D | Cmaj7 B7b9 | Em Am7 | Em | Em/G Bm/D | Cmaj7 B7b9 | Em B7/D# | B7/F# B7b9 | Em Bm/D | Cmaj7 B7b9 | Em Am7 | Em | Em Am7 | Em | · C2: | G | Bb6 | C | G | G | Bb6 | C | G | G | Bb6 | C | G | G | Bb6 | C | · O: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Two Hearts Phil Collins · 1989 · Tonart G · ≈ 156 BPM · Harmonie 4/5 · Fortgeschritten I: | C | C | D | G | C | C | D | G | · INT: | G | A/G | G | A/G | G | A/G | G | A/G | · V: | G | A/G | G | A/G | G | A/G | G | A/G | Am | Bm7 | Am/C | D7sus2 | Am | Bm7 | Am/C | D7sus2 | · C: | C | C | D | G | C | C | D | G | · INT2: | G | A/G | G | A/G | G | A/G | G | A/G | · V2: | G | A/G | G | A/G | G | A/G | G | A/G | Am | Bm7 | Am/C | D7sus2 | Am | Bm7 | Am/C | D7sus2 | · C2: | C | C | D | G | C | C | D | G | · C3: | C | C | D | G | C | C | D | G | · T: | Eb/G Ab | F/A Bb | · B: | Cbmaj7 | Abm7 | Bbm7 | Db/Eb | Abm7 | Abm7 | Bbm7 | Bb7sus4 | Cbmaj7 | Abm7 | Bbm7 | Db/Eb | Abm7 | Abm7 | Am7 | D7sus2 | · C4: | C | C | D | G | C | C | D | G | · C5: | C | C | D | G | C | C | D | G | · C6: | C | C | D | G | C | C | D | G | · O: | C | C | D | G | C | C | D | G | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Another Brick In The Wall (Part II) Pink Floyd · 1980 · Tonart Dm · ≈ 104 BPM · Harmonie 3/5 · Mittel V: | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | G | G | G | G | Dm | Dm | · C: | F | C | Dm | Dm | F | C | Dm | N.C. | · V2: | N.C. | N.C. | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | G | G | G | G | Dm | Dm | · C2: | F | C | Dm | Dm | F | C | Dm | Dm | · S: | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | C/D | C/D | Dm | Dm | C/D | C/D | Dm | Dm | G7/D | G7/D | Dm | Dm | G7/D | G7/D | Dm | Dm | D9sus4 | D9sus4 | Bb/D | Bb/D | D9sus4 | D9sus4 | · O: | D(no3,no5) | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Baby Come Back Player · 1978 · Tonart Eb · ≈ 78 BPM · Harmonie 5/5 · Experte I: | Bb(no3,no5) | G(no3,no5) | Ab/Bb | Gm7 | Ab/Bb | Gm7 | Ab/Bb | Gm7 Cm N.C. | · V: | Ab/Bb | Gm7 | Ab/Bb | Gm7 | Ab/Bb | Gm7 | Ab/Bb | C7sus4 C7 | · C: | Abmaj7 | Gm7 Cm | Fm7 Gm7 | Cm | Abmaj7 | Gm7 Cm | Fm7 Gm7 | Cm Dbmaj7 | · INT: | Ab/Bb | Gm7 | · V2: | Ab/Bb | Gm7 | Ab/Bb | Gm7 | Ab/Bb | Gm7 | Ab/Bb | C7sus4 C7 | · C2: | Abmaj7 | Gm7 Cm | Fm7 Gm7 | Cm | Abmaj7 | Gm7 Cm | Fm7 Gm7 | Cm Dbmaj7 | Bb7sus4 Bb7 | · B: | Gbmaj7 | Dbmaj7 | Gbmaj7 | Dbmaj7 | Gbmaj7 | Fm7 Bbm | Bb7sus4 | Bb7sus4 N.C. | · C3: | Abmaj7 | Gm7 Cm | Fm7 Gm7 | Cm | Abmaj7 | Gm7 Cm | Fm7 Gm7 | Cm | · O: | Fm7 Gm7 | Cm | Abmaj7 | Gm7 Cm | Fm7 Gm7 | Cm | Abmaj7 | Gm7 Cm | Fm7 Gm7 | Cm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Ghostbusters Ray Parker Jr. · 1984 · Tonart Bm · ≈ 116 BPM · Harmonie 4/5 · Fortgeschritten I: | B(no3,no5) G(no3,no5) | F#(no3,no5) F(no3,no5) | E(no3,no5) D(no3,no5) | A#(no3,no5) | A#(no3,no5) | · INST: | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | · V: | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | · C: | Bm Bm/A | Bm/A | Bm/G# Bm/E | Bm/E | Bm Bm/A | Bm/A | Bm/G# Bm/E | Bm/E | · INST2: | B A E | B A E | B A E | B A E | · V2: | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | · C2: | Bm Bm/A | Bm/A | Bm/G# Bm/E | Bm/E | Bm Bm/A | Bm/A | Bm/G# Bm/E | Bm/E | · V3: | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | · B: | Bm A | A Bm | Bm A | A Bm | Bm A | A Bm | Bm A | A Bm | · V4: | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | · INST3: | F#m | F#m | F#m | F#m | F#m | F#m | F#m | F#m | · C3: | Bm Bm/A | Bm/A | Bm/G# Bm/E | Bm/E | Bm Bm/A | Bm/A | Bm/G# Bm/E | Bm/E | · V5: | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | · O: | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | B A E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Jessie's Girl Rick Springfield · 1981 · Tonart D · ≈ 132 BPM · Harmonie 4/5 · Fortgeschritten I: | D5 A5 B5 | G5 A5 D5 | D5 A5 B5 | G5 A5 D5 | · V: | D5 A5 B5 | G5 A5 D5 | D5 A5 B5 | G5 A5 D5 | D5 A5 B5 | G5 A5 D5 | D5 A5 B5 | G5 A5 D5 | D5 A5 B5 | G5 A5 D5 | D5 A5 B5 | G5 A5 D5 | D5 A5 B5 | G5 A5 D5 | A | · C: | D/A D | Bm | D/A D | Bm | G A D | Bm A | N.C. | · V2: | D5 A5 B5 | G5 A5 D5 | D5 A5 B5 | G5 A5 D5 | D5 A5 B5 | G5 A5 D5 | D5 A5 B5 | G5 A5 D5 | D5 A5 B5 | G5 A5 D5 | D5 A5 B5 | G5 A5 D5 | D5 A5 B5 | G5 A5 D5 | A | · C2: | D/A D | Bm | D/A D | Bm | G A D | Bm A | D/A D | Bm | D/A D | Bm A/B Bm A/B | G A D | G A D | G A D | Bm A | · B: | G5 | G5 | G5 | G5 | G5 | G5 | G5 | G5 | G5 | G5 | G5 | A | · INT: | B/F# B | G#m F#/G# G#m F#/G# | B/F# B | G#m F#/G# G#m F#/G# | B/F# B | G#m F#/G# G#m F#/G# | B/F# B | G#m F#/G# G#m F#/G# | G A D | Bm A | · S: | D5 A5 B5 | G5 A5 D5 | D5 A5 B5 | G5 A5 D5 | D5 A5 B5 | G5 A5 D5 | D5 A5 B5 | G5 A5 D5 | A | · C3: | D/A D | Bm | D/A D | Bm | D/A D | Bm | D/A D | Bm | G A D | Bm A | D/A D | Bm A/B Bm A/B | D/A D | Bm A/B Bm A/B | D/A D | Bm A/B Bm A/B | · CO: | D/A D | D/A D G D | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Sad Eyes Robert John · 1979 · Tonart C · ≈ 72 BPM · Harmonie 5/5 · Experte I: | C Csus2 | Dmadd9 Dm | Fmaj7 F6 | C | C | Dmadd9 Dm | Fmaj7 F6 | F/G | C | Dmadd9 Dm | Fmaj7 F6 | C/G F/G | · V: | C | Dm/C | F/C | C F/G | C | Dm/C | F/C | G7sus4 G7 | · PC: | Dm | F | · C: | C Cmaj7 | Dm7 | Fmaj7 F6 | C F/G | C Cmaj7 | Dm7 | Fmaj7 F6 | C F/G | · V2: | C | Dm/C | F/C | C F/G | C | Dm/C | F/C | G7sus4 G7 | · PC2: | Dm | F | · C2: | C Cmaj7 | Dm7 | Fmaj7 F6 | C F/G | C Cmaj7 | Dm7 | Fmaj7 F6 | C F/G | · S: | C Cmaj7 | Dm7 | Fmaj7 F6 | C F/G | C Cmaj7 | Dm7 | Fmaj7 F6 | C F/G | · C3: | C Cmaj7 | Dm7 | Fmaj7 F6 | C F/G | C Cmaj7 | Dm7 | Fmaj7 F6 | C F/G | · C4: | D Dmaj7 | Em7 | Gmaj7 G6 | D G/A | · O: | D Dmaj7 | Em7 | Gmaj7 G6 | D G/A | D Dmaj7 | Em7 | Gmaj7 G6 | D G/A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Addicted To Love Robert Palmer · 1986 · Tonart A · ≈ 112 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · INST: | A | A | G | G | D/A | D/A | A | A | A | A | G | G | D | D | A | A | · V: | A | A | G | G | D/A | D/A | A | A | A | A | G | G | D | D | A | A | · C: | F#m11 | D | A | A | F#m11 | D | D | D D7sus4 | · V2: | A | A | G | G | D/A | D/A | A | A | A | A | G | G | D/A | D/A | A | A | · C2: | F#m11 | D | A | A | F#m11 | D | D | D D7sus4 | · INT: | A | A | G | G | D/A | D/A | A | A | N.C. | N.C. | · S: | A | A | G | G | D/A | D/A | A | A | · V3: | A | A | G | G | D/A | D/A | A | A | · C3: | F#m11 | D | A | A | F#m11 | D | D | D D7sus4 | · INT2: | A | A | G | G | D/A | D/A | A | A | · O: | A | A | G | G | D/A | D/A | A | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Feel Like Makin' Love Roberta Flack · 1974 · Tonart Eb · ≈ 94 BPM · Harmonie 4/5 · Fortgeschritten V: | Fm9 | Bb9sus4 | Ebmaj7 | Db7 C7 | Fm9 | Bb9sus4 | Ebmaj7 | A7#11 | · C: | Abmaj7 | Gm7 | Fm7 | Cm | Abmaj7 | Gm7 | Db7#11 | Cm | F7 | · V2: | Fm9 | Bb9sus4 | Ebmaj7 | Db7 C7 | Fm9 | Bb9sus4 | Ebmaj7 | A7#11 | · C2: | Abmaj7 | Gm7 | Fm7 | Cm | Abmaj7 | Gm7 | Db7#11 | Cm | F7 | · V3: | Fm9 | Bb9sus4 | Ebmaj7 | Db7 C7 | Fm9 | Bb9sus4 | Ebmaj7 | A7#11 | · C3: | Abmaj7 | Gm7 | Fm7 | Cm | Abmaj7 | Gm7 | Db7#11 | Cm | F7 | · V4: | Fm9 | Bb9sus4 | Ebmaj7 | Db7 C7 | · O: | Fm9 | Bb9sus4 | Ebmaj7 | A7#11 | · C4: | Abmaj7 | Gm7 | Fm7 | Cm | Abmaj7 | Gm7 | Db7#11 | Cm | F7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ The Look Roxette · 1989 · Tonart A · ≈ 95 BPM · Harmonie 4/5 · Fortgeschritten I: | A | A | A5 | A5 | A5 | A5 | A5 | A5 | · V: | A5 | G(no3,no5) | D(no3,no5) | A(no3,no5) | A(no3,no5) | G(no3,no5) | D(no3,no5) | A(no3,no5) | · C: | A5 | A5 | C G | A | C G | A | F G | · INT: | A | A | · V2: | A5 | G(no3,no5) | D(no3,no5) | A(no3,no5) | A(no3,no5) | G(no3,no5) | D(no3,no5) | A(no3,no5) | · C2: | A5 | A5 | C G | A | C G | A | F G | · INT2: | A | A | · B: | E5 | A5 | E5 | A5 | E5 | A5 | E5 | A5 | G5 D5 | A5 | G5 D5 | A5 | A5 | · V3: | A5 | G5 D5 | A5 | G5 D5 | A5 | G5 | D5 | A5 | · C3: | A5 | A5 | C G | A | C G | A | F G | A5 | C G | A5 | C G | A5 | F G | N.C. | A5 | G5 | D5 | A5 | A5 | G5 | D5 | A5 | · O: | A5 | G5 | D5 | A5 | A5 | G5 | D5 | A5 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Sleep Walk Santo & Johnny · 1959 · Tonart Db · ≈ 95 BPM · Harmonie 4/5 · Fortgeschritten I: | Db | Bbm | Gbm | Ab | Db | Bbm | Gb | Ab | · V: | Db | Bbm | Gbm | Ab | Db | Bbm | Gbm | Ab | Db | Bbm | Gbm | Ab | Db | Bbm | Gb | Ab | · V2: | Db | Bbm | Gbm | Ab | Db | Bbm | Gbm | Ab | Db | Bbm | Gbm/Bb | Ab | Db | Gb | Db | Db | · B: | Gb | Gb | Gbm | Gbm | Db | Db | Db7 | Db7 | Gb | Gb | Gbm | Gbm | Ab7 | Ab7 | Ab7#9 | Ab7#9 | · V3: | Db | Bbm | Gbm | Ab | Db | Bbm | Gbm | Ab | Db | Bbm | Gbm | Ab6 Ab7 N.C. | · O: | Dbmaj7 | Ab7b9 | Dbmaj13 | Dbmaj13 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Mrs. Robinson Simon & Garfunkel · 1968 · Tonart F#m · ≈ 183 BPM · Harmonie 3/5 · Mittel I: | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | · V: | F#5 | F#5 | F#5 | F#5 | F#5 | B7 | B7 | B7 | B7 | E | A | D D/C# | Bm | Bm | F#7 | F#7 | E7 | E7 | · C: | A | F#m | A | F#m | D | D | E | E | A | F#m | A | F#m | D | D | Bm | Bm | · T: | F#5 | F#5 | F#5 | F#5 | · V2: | F#5 | F#5 | F#5 | F#5 | F#5 | B7 | B7 | B7 | B7 | E | A | D D/C# | Bm | Bm | F#7 | F#7 | E7 | E7 | · C2: | A | F#m | A | F#m | D | D | E | E | A | F#m | A | F#m | D | D | Bm | Bm | · T2: | F#5 | F#5 | F#5 | F#5 | · V3: | F#5 | F#5 | F#5 | F#5 | F#5 | B7 | B7 | B7 | B7 | E | A | D D/C# | Bm | Bm | F#7 | F#7 | E7 | E7 | · C3: | A | F#m | A | F#m | D | D | E | E | A | F#m | A | F#m | D | D | Bm | Bm | · T3: | F#5 | F#5 | F#5 | F#5 | · V4: | F#5 | F#5 | F#5 | F#5 | F#5 | B7 | B7 | B7 | B7 | E | A | D D/C# | Bm | Bm | F#7 | F#7 | E7 | E7 | · C4: | A | F#m | A | F#m | D | D | E | E | A | F#m | A | F#m | D | D | Bm | Bm | · O: | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | · O: | C#7/F# | C#7/F# | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | F#5 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Rock'n Me Steve Miller Band · 1976 · Tonart B · ≈ 122 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. A5 | B E5 | B | E | B A5 | B E5 | B | E | B A5 | B E5 | B | E | B(no3,no5) | B(no3,no5) | · V: | B | B | A | A | E | E | B | B | · V2: | B | B | A | A | E | E | B | B | · C: | B | B B7 | A | A A7 | E | E E7 | B | B B7 | · V3: | B | B | A | A | E | E | B | B | · C2: | B | B B7 | A | A A7 | E | E E7 | B | B B7 | · INT: | B E5 | B | E | B A5 | B E5 | B | E | B(no3,no5) | B(no3,no5) | · V4: | B | B | A | A | E | E | B | B | · V5: | B | B | A | A | E | E | B | B | · C3: | B | B | A | A | E | E | B | B | · C4: | B | B | A | A | E | E | B | B | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ The Joker Steve Miller Band · 1973 · Tonart F · ≈ 166 BPM · Harmonie 3/5 · Mittel V: | F | Bb | C | Bb | F | Bb | C | Bb | F | Bb | C | Bb | F | Bb | C | Bb | · V2: | F | Bb | C | Bb | F | Bb | C | Bb | F | Bb | C | Bb | F | Bb | C | Bb | · C: | F | Bb | F | Bb | F | Bb | C | Bb | F | Bb | F | Bb | F | Bb | C | Csus4 | Csus4 | Csus4 | · S: | F | Bb | C | Bb | F | Bb | C | Bb | F | Bb | C | Bb | F | Bb | C | Bb | · V3: | F | Bb | C | Bb | F | Bb | C | Bb | F | Bb | C | Bb | F | Bb | C | Bb | · C2: | F | Bb | F | Bb | F | Bb | C | Bb | F | Bb | F | Bb | F | Bb | C | Bb | · S2: | F | Bb | F | Bb | F | Bb | C | Bb | F | Bb | F | Bb | F | Bb | C | Csus4 | Csus4 | Csus4 | · V4: | F | Bb | C | Bb | F | Bb | C | Bb | F | Bb | C | Bb | F | Bb | C | Bb | · O: | F | Bb | C | Bb | F | Bb | C | Bb | F | Bb | C | Bb | F | Bb | C | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Because I Love You (The Postman Song) Stevie B · 1991 · Tonart Bbm · ≈ 64 BPM · Harmonie 5/5 · Experte I: | Gb F | Bbm Ab/C Ab7/Db Dbmaj7 | Gb F | Bbm Ab/C | Gb F | Bbm Ab/C Dbmaj7 | Gb F | Bb | · V: | Gb F | F Bbm Ab/C Ab7/Db Dbmaj7 | Gb F | Bbm Ab/C | Gb F | F Bbm Ab/C Dbmaj7 | Gb F | Bb | · C: | Ebm7 Ab | Db | Ebm7 Ab | Ab Bbm Ab | Ebm7 Ab | Db | Ebm7 Ab7 | Bb | · V2: | Gb F | Bbm Ab/C Ab7/Db Dbmaj7 | Gb F | Bbm Ab/C | Gb F | Bbm Ab/C Dbmaj7 | Gb F | Bb | · C2: | Ebm7 Ab | Db | Ebm7 Ab | Ab Bbm Ab | Ebm7 Ab | Db | Ebm7 Ab7 | Bb | · S: | Gb F | Bbm Ab/C Ab7/Db Dbmaj7 | Gb F | Bbm Ab/C | Gb F | Bbm Ab/C Dbmaj7 | Gb F | Bb | · V3: | Gb F | F Bbm Ab/C Ab7/Db Dbmaj7 | Gb F | Bbm Ab/C | Gb F | Bbm Ab/C Dbmaj7 | Gb F | Bb | · C3: | Ebm7 Ab | Db | Ebm7 Ab | Ab Bbm Ab | Ebm7 Ab | Db | Ebm7 Ab7 | Bb | · O: | Ebm7 Ab | Db | Ebm7 Ab | Bbm Ab | Ebm N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Kokomo (from the film Cocktail) The Beach Boys · 1988 · Tonart C · ≈ 116 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · V: | C | Cmaj7 | Gm7 | F | Fm | C | D7 | G7 | C | Cmaj7 | Gm7 | F | Fm | C | D7 | G7 | · C: | C | C | F | F | C | C | F | Fm | C | Am | Dm | G | · INT: | C | N.C. | · V2: | C | Cmaj7 | Gm7 | F | Fm | C | D7 | G7 | C | Cmaj7 | Gm7 | F | Fm | C | D7 | G7 | · C2: | C | C | F | F | C | C | F | Fm | C | Am | Dm | G | · INT2: | C | N.C. | · S: | C | Cmaj7 | Gm7 | F | Fm | C | D7 | G7 | · V3: | C | Cmaj7 | Gm7 | F | Fm | C | D7 | G7 | · C3: | C | C | F | F | C | C | F | Fm | C | Am | Dm | G | · C4: | C | C | F | F | C | C | F | Fm N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Come Together The Beatles · 1969 · Tonart Dm · ≈ 83 BPM · Harmonie 3/5 · Mittel I: | Dm | Dm | Dm | Dm | · V: | Dm | Dm | Dm | Dm | Am | Am | G(no3,no5) | G(no3,no5) | · INT: | Dm | Dm | Dm | Dm | · V2: | Dm | Dm | Dm | Dm | Am | Am | G(no3,no5) | N.C. | · C: | B5 A5 | G5 A5 | · INT2: | Dm | Dm | Dm | Dm | · V3: | Dm | Dm | Dm | Dm | Am | Am | G(no3,no5) | G(no3,no5) | · C2: | B5 A5 | G5 A5 | · INT3: | Dm7 | Dm7 | · S: | Dm | Dm | Dm | Dm | Am | Am | Am | Am | · INT4: | Dm7 | Dm7 | · V4: | Dm | Dm | Dm | Dm | Am | Am | G(no3,no5) | G(no3,no5) | · C3: | B5 A5 | G5 A5 | · INT5: | Dm | Dm | Dm | Dm | · O: | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | · O: | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | Dm13 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Eight Days A Week The Beatles · 1965 · Tonart D · ≈ 138 BPM · Harmonie 3/5 · Mittel I: | Dadd9 | E/D | G/D | Dadd9 | · V: | D | E | G | D | D | E | G | D | · PC: | Bm | G | Bm | E | · C: | D | E | G | D | · V2: | D | E | G | D | D | E | G | D | · PC2: | Bm | G | Bm | E | · C2: | D | E | G | D | · B: | A | A | Bm | Bm | E | E | G | A | · V3: | D | E | G | D | D | E | G | D | · PC3: | Bm | G | Bm | E | · C3: | D | E | G | D | · B2: | A | A | Bm | Bm | E | E | G | A | · V4: | D | E | G | D | D | E | G | D | · PC4: | Bm | G | Bm | E | · C4: | D | E | G | D | G | D | G | D | · O: | Dadd9 | E/D | G/D | Dadd9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Love Me Do The Beatles · 1964 · Tonart G · ≈ 147 BPM · Harmonie 2/5 · Leicht I: | G | C | G | C | G | C | G | G | · V: | G | C | G | C | G | C | C | C | C | · INT: | G | C | G | C | · V2: | G | C | G | C | G | C | C | C | C | · INT2: | G | C | G | G | · B: | D | D | C | G | D | D | C | G | · V3: | G | C | G | C | G | C | C | C | C | · INT3: | G | C | G | G | · S: | D | D | C | G | D | D | C | G | · T: | G | G | G | G D | · V4: | G | C | G | C | G | C | C | C | C | · O: | G | C | G | C | · O: | G | C | G | C | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Kind Of A Drag The Buckinghams · 1967 · Tonart G · ≈ 140 BPM · Harmonie 5/5 · Experte I: | G | Gaug | G6 | D7 | · V: | Am D | Am D | G | G | Am D | Am D | G | G | · C: | C | Caug | C6 | C7 | F | F | Fm | Fm | C | Bb | C | Bb | C | C G | · V2: | Am D | Am D | G | G | Am D | Am D | G | G | · C2: | C | Caug | C6 | C7 | F | F | Fm | Fm | C | Bb | C | Bb | C | C G | · S: | Am D | Am D | G | G | Am D | Am D | G | G | · C3: | C | Caug | C6 | C7 | F | F | Fm | Fm | C | Bb | C | Bb | · O: | C | Bb | C | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ He's So Fine The Chiffons · 1963 · Tonart G · ≈ 145 BPM · Harmonie 2/5 · Leicht I: | Am7 | D | Am7 | D | · V: | Am7 | D | Am7 | D | Am7 | D | Am7 | D | G | G | G | G | G | G | G | G | · V2: | Am7 | D | Am7 | D | Am7 | D | Am7 | D | G | G | G | G | G | G | G | G | · B: | C | C | C | C | G | G | G | G | C | C | C | C | D7 | D7 | D7 | D7 | · V3: | Am7 | D | Am7 | D | Am7 | D | Am7 | D | · O: | G | Em | G | Em | G | Em | G | Em | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ He's A Rebel The Crystals · 1962 · Tonart F · ≈ 120 BPM · Harmonie 4/5 · Fortgeschritten I: | F | F | F | F | · V: | F | F | F | F | Dm | Bb | C | C | F | F | F | F | Dm | Bb | G | C Db | · C: | Gb | Ebm | Gb | Db7 | B | Bb | Ebm | B Ab | Gb | Ebm | B | Db7 | Gb | Db | · INT: | Gb | Ebm | Gb | Ebm | B | Db | B | Db | · B: | Ebm | B | Ab | Db7 | · C2: | Gb | Ebm | Gb | Db7 | B | Bb | Ebm | B Ab | Gb | Ebm | B | Db7 | Gb | Ebm | Gb | Ebm | · O: | Gb | Ebm | Gb | Ebm | Gb | Ebm | Gb | Ebm | · O: | Gb | Ebm | Gb | Ebm | Gb | Ebm | Gb | Ebm N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #1 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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