80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
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1.000 Songs Seite 32 von 40 Straight From The Heart The Allman Brothers Band · 1981 · Tonart A · ≈ 132 BPM · Harmonie 4/5 · Fortgeschritten I: | A E/A A | D/A | A E/A A | D/A | A E/A A | D/A | A E/A A | D/A | · V: | A | Dm/A | A | Dm/A | A | Dm/A | A N.C. | A | Dm/A | A | Dm/A | A | Dm/A | Bm7 | E | · C: | A E/A A | D/A | A E/A A | D/A | C#m7 | F#m7 | Bm7 | E | C#m7 | F#m7 | Bm7 | D E | · T: | A E/A A | D/A | A E/A A | D/A | · V2: | A | Dm/A | A | Dm6/A | A N.C. | A | Dm/A | A | Dm/A | A | Dm/A | Bm7 | E | · C2: | A E/A A | D/A | A E/A A | D/A | C#m7 | F#m7 | Bm7 | E | C#m7 | F#m7 | Bm7 | D E | · S: | A | Dm/A | A | Dm/A | A | Dm/A | A N.C. | A | Dm/A | A | Dm/A | A | Dm/A | Bm7 | E | · B: | C#m7 | D | C#m7 | D | C#m7 | D | Bm7 | E | · C3: | A E/A A | D/A | A E/A A | D/A | A E/A A | D/A | A E/A A | D/A | · O: | A A/C# | D E | A A/C# | D E | A A/C# | D E | A A/C# | D E | A A/C# | D E | A A/C# | D E | A A/C# | D E | A A/C# | D E | · O: | A A/C# | D E | A A/C# | D E | A A/C# | D E | A A/C# | D E | A A/C# | D E | A A/C# | D E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #39 Anhören ↗ I Don't Want To Spoil The Party The Beatles · 1965 · Tonart G · ≈ 191 BPM · Harmonie 4/5 · Fortgeschritten I: | G | G7 G6 | D7sus4 | Dm7 D7sus2 | D | D/E D7/F# | G | G | · V: | G | G | G | G | G | G | D7#9 | D7#9 | Em | B | Am | D | G | F | G | G | · V2: | G | G | G | G | G | G | D7#9 | D7#9 | Em | B | Am | D | G | F | G | G | · C: | G | G | Em | A | C | D | G | G | Em | A | C | D | · V3: | G | G | G | G | G | G | D7#9 | D7#9 | Em | B | Am | D | G | F | G | G | · S: | G | G | G | G | G | G | D7#9 | D7#9 | Em | B | Am | D | G | F | G | G | · C2: | G | G | Em | A | C | D | G | G | Em | A | C | D | · V4: | G | G | G | G | G | G | D7#9 | D7#9 | Em | B | Am | D | G | F | G | G | · O: | G | G7 G6 | D7sus4 | Dm7 D7sus2 | D | D/E D7/F# | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #39 Anhören ↗ Looking For A Love The J. Geils Band · 1972 · Tonart C · ≈ 151 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | C | C | F C | C | C | C | F C | C | C | C | C | F C | · C: | C | F | C | F | C E/B | Am G | F | F | C | C | · V: | C | C | F | F C | C | C | F | F C | C | C | F | F C | C | C | F | F C | · C2: | C | F | C | F | C E/B | Am G | F | F | C | C | · V2: | C | C | F | F C | C | C | F | F C | C | C | F | F C | C | C | F | F C | · C3: | C | F | C | F | C E/B | Am G | F | F | C | C | · S: | C | C | F | F C | C | C | F | F C | C | C | F | F C | C | C | F | F C | · S2: | C | C | F | F C | C | C | F | F C | · O: | C | C | F | F | C | C | F | F | C | C | F | F | C | C | F | F | C | C | F | F | C | C | F | F | C | C | F | F | · O: | C | C | F | F | C | C | F | F | C | C | F | F | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #39 Anhören ↗ I'm In Love Evelyn Champagne King · 1981 · Tonart Cm · ≈ 115 BPM · Harmonie 4/5 · Fortgeschritten I: | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | · V: | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | · PC: | Ab | Bb | Gm | C | Ab | Bb | Gm | Bb7sus4 | · C: | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | · INT: | Fm | Cm | Fm Gm | Gm Cm | · V2: | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | · PC2: | Ab | Bb | Gm | C | Ab | Bb | Gm | Bb7sus4 | · C2: | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | · INT2: | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | · C3: | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | · C4: | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Gm Cm | · C5: | Fm | Cm | Fm Gm | Gm Cm | · O: | Fm | Cm | Fm Gm | Gm Cm | Fm | Cm | Fm Gm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #40 Anhören ↗ Give It To Me Baby Rick James · 1981 · Tonart G · ≈ 123 BPM · Harmonie 3/5 · Mittel I: | N.C. | N.C. | N.C. | N.C. | · INST: | F | F | G | G | F | F | G | G | · V: | F | F | G | G | F | F | G | G | F | F | G | G | F | F | G | G | · C: | F | F | G | G | F | F | G | G | F | F | G | G | F | F | G | G | · B: | G F | N.C. | G A(no3,no5) | N.C. | G F G F | G F G F | G F G F | G | · INST2: | F | F | G | G | F | F | G | G | · V2: | F | F | G | G | F | F | G | G | F | F | G | G | F | F | G | G | · C2: | F | F | G | G | F | F | G | G | F | F | G | G | F | F | G | G | · B2: | G F | N.C. | G A(no3,no5) | N.C. | G F G F | G F G F | G F G F | G | · INST3: | F | F | G | G | · V3: | F | F | G | G | · O: | F | F | G | G | F | F | G | G | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #40 Anhören ↗ You Can't Roller Skate In A Buffalo Herd Roger Miller · 1966 · Tonart G · ≈ 178 BPM · Harmonie 3/5 · Mittel I: | G | G | · V: | G | G | D7 | D7 | G | G | D7 | N.C. | G | G | D7 | D7 | G | G | D7 | N.C. | · C: | C | G | A7 | D7 | · V2: | G | G | D7 | D7 | G | G | D7 | N.C. | · S: | G | C | D7 | D7 | G | C | D7 | D7 | G | G | · V3: | G | G | D7 | D7 | G | G | D7 | N.C. | G | G | D7 | D7 | G | G | D7 | N.C. | · C2: | C | G | A7 | D7 | · V4: | G | G | D7 | D7 | G | G | D7 | N.C. | G | G | D7 | D7 | G | G | D7 | N.C. | G | G | D7 | D7 | G | G | D7 | G N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #40 Anhören ↗ I'd Love To Change The World Ten Years After · 1971 · Tonart Em · ≈ 118 BPM · Harmonie 3/5 · Mittel I: | Em | G | Am | C B7 | Em | G | Am | C B7 | · V: | Em | G | Am | C B | Em | G | Am | C B | Em | G | Am | C B | Em | G | Am | C B | · C: | Em | G | Am | C B7 | Em | G | Am | C B7 | Em | G | Am | C B7 | · V2: | Em | G | Am | C B | Em | G | Am | C B | Em | G | Am | C B | Em | G | Am | C B | · C2: | Em | G | Am | C B7 | Em | G | Am | C B7 | Em | G | Am | C B7 | · S: | Em | G | Am | C B7 | Em | G | Am | C B7 | Em | G | Am | C B7 | Em | G | Am | C B7 | Em | G | Am | C B7 | Em | G | Am | C B7 | · INT: | Em | G | Am | C B7 | Em | G | Am | C B7 | · C3: | Em | G | Am | C B7 | Em | G | Am | C B7 | Em | G | Am | C B7 | Em | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #40 Anhören ↗ Just Like Heaven The Cure · 1988 · Tonart A · ≈ 151 BPM · Harmonie 4/5 · Fortgeschritten I: | A(no3,no5) E(no3,no5) | B(no3,no5) D(no3,no5) | A(no3,no5) E(no3,no5) | B(no3,no5) D(no3,no5) | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | · V: | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | · INT: | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | · V2: | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | · C: | F#m | G | F#m | G | F#m | G | D | D | D | D | · INT2: | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | · V3: | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | A E | Bm D | · C2: | F#m | G | F#m | G | F#m | G | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #40 Anhören ↗ Rock And Roll Never Forgets Bob Seger · 1977 · Tonart E · ≈ 159 BPM · Harmonie 4/5 · Fortgeschritten I: | E | E | A | N.C. Em/G E | E | E | A | N.C. Em/G E | · V: | F#7 | F#7 | E | E | F#7 | F#7 | E | E | A | E | A | E | A | E | B7 | B7 | F#7 | F#7 | F# | B | E | E | · V2: | F#7 | F#7 | E | E | F#7 | F#7 | E | E | A | E | A | E | A | E | B7 | B7 | F#7 | F#7 | F# | B | E | E | · C: | A | E | A | E | A | E | B7 | B7 | B7 | B7 | · S: | F#7 | F#7 | E | E | F#7 | F#7 | E | E | A | E | A | E | A | E | B7 | B7 | F#7 | F#7 | F# | B | E | E | F# | B | E | E | F# | B | E | E | · INT: | E | E | A | N.C. Em/G E | E | E | A | N.C. Em/G E | · C2: | E | E | A | E | E | E | A | E | · S2: | E | E | A | E | E | E | A | E | E | E | A | E | E | E | A | E | E | E | A | E | E | E | A | A E | E | E | E | E | · O: | C N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #41 Anhören ↗ Superman Donna Fargo · 1973 · Tonart B · ≈ 99 BPM · Harmonie 2/5 · Leicht C: | F#7 | E7 | B | B | · V: | B | E | B | F#7 | B | E | F#7 | E B | · C2: | F#7 | E7 | B | · B: | E | B | F#7 | E B | E | B | F#7 | E B | · C3: | F#7 | E7 | B | · S: | F#7 | E7 | B | B | · V2: | B | E | B | F#7 | B | E | F#7 | E B | · C4: | F#7 | E7 | B | · B2: | E | B | F#7 | E B | E | B | F#7 | E B | · C5: | F#7 | E7 | B | · B3: | E | B | · O: | F#7 | E B | E | B | F#7 | E B | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #41 Anhören ↗ For Ol' Times Sake Elvis Presley · 1973 · Tonart Bb · ≈ 69 BPM · Harmonie 4/5 · Fortgeschritten I: | Bb | Bb | · V: | Bb | Bbmaj7/A | F9sus4 Bb7 | Eb | Bb | Bbmaj7/A | F9sus4 Bb7 | Eb | Eb F7sus4 | Bb | Cm7 F7 | Bb | · V2: | Bb | Bbmaj7/A | F9sus4 Bb7 | Eb | Bb | Bbmaj7/A | F9sus4 Bb7 | Eb | Eb F7sus4 | Bb | Cm7 F7 | Bb | · B: | Eb F7 | Bb | Eb F7 | Bb | Eb F | Bb | F/A Gm7 | Eb | F7sus4 | F F7 | · S: | Bb | Bbmaj7/A | F9sus4 Bb7 | Eb | · V3: | Bb | Bbmaj7/A | F9sus4 Bb7 | Eb | Bb | Bbmaj7/A | F9sus4 Bb7 | Eb | Eb F7sus4 | Bb F/A | Cm7 F7 | · S2: | Bb | Bbmaj7/A | F9sus4 Bb7 | Eb | Eb F7sus4 | Bb F/A | Cm7 F7 | · S3: | Bb | Bbmaj7/A | Bb | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #41 Anhören ↗ Kozmic Blues Janis Joplin · 1969 · Tonart Am · ≈ 88 BPM · Harmonie 4/5 · Fortgeschritten I: | Amadd9 | Amadd9/G | Amadd9/F# | Am/F | Amadd9 | Amadd9/G | Amadd9/F# | Am/F | · V: | Am | Am | Dm | Dm | Am | Am/G | Am/F# | Am/F | · PC: | F | G | F | G | Am | Am | E7 | E7 | · INT: | Am | Am/G | Am/F# | Am/F | · V2: | Am | Am | Dm | Dm | Am | Am/G | Am/F# | Am/F | · PC2: | F | G | F | G | Am | Am | E7 | E7 | · C: | A | Bm | D | A | A | Bm | D | D | D | D | · INT2: | Am | Am/G | Am/F# | Am/F | · V3: | Am | Am | Dm | Dm | Am | Am/G | Am/F# | Am/F | · PC3: | F | G | F | G | Am | Am | · C2: | A | Bm | D | A | A | Bm | D | D | D | D | · C3: | A | Bm | D | A | A | Bm | D | D | D | D | · C4: | A | Bm | D | A | A | Bm | D | A | · C5: | A | Bm | D | A | A | Bm | D | A | · C6: | A | Bm | D | A | A | Bm | D | A | · C7: | A | Bm | D | A | A | Bm | D | A | · O: | A | Bm | D | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #41 Anhören ↗ Pretty In Pink Psychedelic Furs · 1986 · Tonart D · ≈ 132 BPM · Harmonie 2/5 · Leicht I: | D | D | G | A | D | D | G | A | D | D | G | A | D | D | G | A | · V: | D | D/C | Em | A | D | D/C | Em | A | D | D/C | Em | A | D | D/C | Em | A | · C: | Em | F#m | G | F#m | Em | F#m | G | F#m | · V2: | D | D/C | Em | A | D | D/C | Em | A | D | D/C | Em | A | D | D/C | Em | A | · C2: | Em | F#m | G | F#m | Em | F#m | G | F#m | · INT: | D | D | G | A | D | D | G | A | D | D | G | A | D | D | G | A | · V3: | D | D/C | Em | A | D | D/C | Em | A | D | D/C | Em | A | D | D/C | Em | A | · C3: | Em | F#m | G | F#m | Em | F#m | G | F#m | · S: | D | D | G | A | D | D | G | A | D | D | G | A | D | D | G | A | · O: | D | D | G | A | D | D | G | A | D | D | G | A | D | D | G | A | D | D | G | A | D | D | G | A | D | D | G | A | · O: | D | D | G | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #41 Anhören ↗ Lonely Eyes Robert John · 1980 · Tonart F · ≈ 95 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | · INST: | F | Am | Bb | Bb/C | · V: | F | C/F | Bb | Gm Bb/C | · B: | Dm | Am | Bb | Bb/C | · C: | F | Am | Bb | Bb/C | F | Am | Bb Bbm | F Bb/C | · V2: | F | C/F | Bb | Gm Bb/C | F | C/F | Bb | Gm Bb/C | · B2: | Dm | Am | Bb | C7 | · C2: | F | Am | Bb | Bb/C | F | Am | Bb Bbm | F D | · V3: | G | D/G | C | Am C/D | · B3: | Em | Bm | C | D7 | C/D | · C3: | G | Bm | C | C/D | G | Bm | C Cm | G C/D | · O: | G | Bm | C | C/D | G | Bm | C | C/D | · O: | G | Bm | C | C/D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #41 Anhören ↗ I Don't Love You Anymore Teddy Pendergrass · 1977 · Tonart G · ≈ 119 BPM · Harmonie 5/5 · Experte I: | N.C. | N.C. | N.C. | N.C. | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | · C: | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | · V: | D6 | C6 | D6 | C6 | D6 | B7/D# | Em | Cm7/Eb | · PC: | Am Bm | Am Bm | Am Bm | Am Bm | Am Bm | Am Bm | D7sus4 | D7 | · C2: | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | · V2: | D6 | C6 | D6 | C6 | D6 | B7/D# | Em | Cm7/Eb | · PC2: | Am Bm | Am Bm | Am Bm | Am Bm | Am Bm | Am Bm | D7sus4 | D7 | · C3: | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | · O: | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | G Am Am/D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #41 Anhören ↗ La Grange ZZ Top · 1974 · Tonart Am · ≈ 161 BPM · Harmonie 3/5 · Mittel I: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · V: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · S: | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | Cm7 | · INT: | A/G | A/F# | F | A5 | A/G | A/F# | F | A5 | · T: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · V2: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | · V3: | Am7 | Am7 | Am7 | Am7 | · O: | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Am7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #41 Anhören ↗ (I was) Born To Cry Dion · 1962 · Tonart Am · ≈ 120 BPM · Harmonie 2/5 · Leicht I: | Am | Dm | Am | E7 | · V: | Am | Am | Dm | Dm | Am | Am | N.C. | N.C. | · V2: | Am | Am | Dm | Dm | Am | Am | N.C. | N.C. | · C: | Am | Dm | Am | Dm | Am | Dm | E7 | E7 | · V3: | Am | Am | Dm | Dm | Am | Am | N.C. | N.C. | · V4: | Am | Am | Dm | Dm | Am | Am | N.C. | N.C. | · C2: | Am | Dm | Am | Dm | Am | Dm | E7 | E7 | · S: | Am | Am | Dm | Dm | Am | Am | N.C. | N.C. | · O: | Am | Am | Dm | Dm | Am | Am | N.C. | N.C. | N.C. | Am | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #42 Anhören ↗ Black Cars Gino Vannelli · 1985 · Tonart E · ≈ 129 BPM · Harmonie 4/5 · Fortgeschritten I: | E5 | A/E | E5 | A/E | · PC: | E | A/E Asus4/E A/E | E | A/E Asus4/E A/E | · V: | E | A/E | D/E A/E | E | E | A/E | C | D | Cmaj7 | D | · PC2: | E | A/E Asus4/E A/E | E | A/E Asus4/E A/E | · V2: | E | A/E | D/E A/E | E | E | A/E | C | D | Cmaj7 | D | · T: | N.C. | N.C. | · C: | A7 | G B | · PC3: | E | A/E Asus4/E A/E | E | A/E Asus4/E A/E | · B: | G | G | A | A F#m | G | G | C | G/B | · PC4: | A | D/A Dsus4 D | A | D/A Dsus4 D | A | D/A Dsus4 D | A | D/A Dsus4 D | · V3: | E | A/E | D/E A/E | E | E | A/E | C | D | Cmaj7 | D | · T2: | N.C. | N.C. | · C2: | A7 | G B | · PC5: | E | A/E Asus4/E A/E | E | A/E Asus4/E A/E | · C3: | A7 | G B | · T3: | E5 | A/E | E5 | A/E | · PC6: | E | A/E Asus4/E A/E | E | A/E Asus4/E A/E | · C4: | C | D | · PC7: | E | A/E Asus4/E A/E | E | A/E Asus4/E A/E | · C5: | C | D | · PC8: | E | A/E Asus4/E A/E | E | A/E Asus4/E A/E | · C6: | C | D | · O: | E | A/E Asus4/E A/E | E | A/E Asus4/E A/E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #42 Anhören ↗ The Year That Clayton Delaney Died Tom T. Hall · 1971 · Tonart Db · ≈ 133 BPM · Harmonie 2/5 · Leicht I: | Db | Ab7/Eb | Db | Ab7 | · V: | Db | Ab7 | Db | Db7 | Gb | Gb | Db | Db7 | Gb | Gb | Gb | Db | Db | Ab7 | Db | Db | · V2: | Db | Ab7 | Db | Db7 | Gb | Gb | Db | Db7 | Gb | Gb | Gb | Db | Db | Ab7 | Db | Db | · V3: | Db | Ab7 | Db | Db7 | Gb | Gb | Db | Db7 | Gb | Gb | Gb | Db | Db | Ab7 | Db | Db | · V4: | Db | Ab7 | Db | Db7 | Gb | Gb | Db | Db7 | Gb | Gb | Gb | Db | Db | Ab7 | Db | Db | · V5: | Db | Ab7 | Db | Db7 | Gb | Gb | Db | Db7 | Gb | Gb | Gb | Db | Db | Ab7 | Db | Db | Db | Ab | Db | Db N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #42 Anhören ↗ I Found A True Love Wilson Pickett · 1968 · Tonart C · ≈ 146 BPM · Harmonie 3/5 · Mittel I: | C | F/C | C | · V: | C | C7 | C | C7 | F7 | F7 | C | C7 | C | C7 | C7 | C7 | Am | G | C | C | · V2: | C | C7 | C | C7 | F7 | F7 | C | C7 | C | C7 | C | C7 | Am | G | C | C7 | · S: | C | F7 | C | C | C | F7 | C | C | C | F7 | C | C | C | F7 | C | C | · C: | C | F7 | C | C | C | F7 | C | C | C | F7 | C | C | C | F7 | C | C | · O: | C | G | F7 | C/G G | C | G | F7 | C/G G | C | G | F7 | C/G G | · O: | C | G | F7 | C/G G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #42 Anhören ↗ I Got Stripes Johnny Cash · 1959 · Tonart Db · ≈ 207 BPM · Harmonie 2/5 · Leicht I: | Cb | Db | Db | · V: | Db | Db | Ab | Ab | Ab | Ab | Db | Db | Db | Db | Ab | Ab | Ab | Ab | Ab | Db | · C: | Db | Db | Ab | Ab | Ab | Ab | Db | Db | Db | Db | Ab | Ab | Ab | Ab | Ab | Db | · V2: | Db | Db | Ab | Ab | Ab | Ab | Db | Db | Db | Db | Ab | Ab | Ab | Ab | Ab | Db | · C2: | Db | Db | Ab | Ab | Ab | Ab | Db | Db | Db | Db | Ab | Ab | Ab | Ab | Ab | Db | · D: | Eb | Eb | · V3: | Eb | Eb | Bb | Bb | Bb | Bb | Eb | Eb | Eb | Eb | Bb | Bb | Bb | Bb | Bb | Eb | · C3: | Eb | Eb | Bb | Bb | Bb | Bb | Eb | Eb | Eb | Eb | Bb | Bb | Bb | Bb | Bb | Eb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #43 Anhören ↗ Hey You! Get Off My Mountain The Dramatics · 1973 · Tonart D · ≈ 79 BPM · Harmonie 3/5 · Mittel I: | A11 | F#m/A | A11 | F#m/A | · C: | A11 | F#m/A | A11 | F#m/A | A11 | F#m/A | A11 | A11 | A | · V: | Dmaj9 | Dmaj9 | A11 | A11 | Dmaj9 | Dmaj9 | A11 | A11 | · PC: | A11 | F#m7 B7 | A11 | F#m7 B7 | A11 | F#m7 | Gmaj7 | A11 | · C2: | A11 | F#m/A | A11 | F#m/A | A11 | F#m/A | A11 | A11 | A11 | A11 | A(no3,no5) | · V2: | Dmaj9 | Dmaj9 | A11 | A11 | Dmaj9 | Dmaj9 | A11 | A11 | · PC2: | A11 | F#m7 B7 | A11 | F#m7 B7 | A11 | F#m7 | Gmaj7 | A11 | · C3: | A11 | F#m/A | A11 | F#m/A | A11 | F#m/A | A11 | F#m/A | A11 | F#m/A | A11 | F#m/A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #43 Anhören ↗ Funny Girl Barbra Streisand · 1964 · Tonart Eb · ≈ 70 BPM · Harmonie 5/5 · Experte I: | Ebmaj7 | Fm7 | · V: | Ebmaj7 Edim | Fm7 F#dim | Gm7 G7 | Cm7 | F9 | Abmaj7 Am7b5 | · V2: | Bb7sus4 Bb7 | F7#11 Gm/Bb Edim | Fm7 Edim | Fm6 Fm Bb7 Bb6/Ab | Gm | F#dim | Fm11 F7sus4/Eb F7/Eb | F7 B7 Bbaug | · V3: | Ebmaj7 | Ebmaj7 | Abmaj7 | Abmaj7 Adim | Ebmaj7/Bb | Ebmaj7 | Gbmaj7 | C7 | · O: | Fm7 | Ab7 | Ebmaj7/Bb | F7#11 N.C. | Bbdim Bbmaj7 Bdim | Cm N.C. | Cm | Eb7 | Abmaj7 | F9 N.C. | Eb/G C9 | Fm | Bb9sus4 | Ebmaj7#11 | Ebmaj7#11 | Dbmaj7 | Dbmaj7 | Ebmaj7#11 | Ebmaj7#11 | Ebmaj7#11 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #44 Anhören ↗ Sweet Music Man Kenny Rogers · 1978 · Tonart D · ≈ 78 BPM · Harmonie 3/5 · Mittel I: | D | D | Em | Asus4 A | D | D D/F# | G | Asus4 A7 | D | D | · V: | D | D | D | D D7 | G | D | D | A7 | A7 | D | D | · V2: | D | D | D | D | G | D | D | A7 | A7 | D | D | · C: | G A7 | D | G A7 | D | G A7 | D A/C# Bm Gm/Bb | D/A A7 | D | D | · V3: | D | D | D | D D7 | G | D | D | A7 | A7 | D | D | · V4: | D | D | D | D D7 | G | D | D | A7 | A7 | D | D | · C2: | G A7 | D | G A7 | D | G A7 | D A/C# Bm Gm/Bb | D/A A7 | D | D | · V5: | D | D | D | A7 | A7 | · O: | D | C6 | G/B A7 | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #44 Anhören ↗ Dance Away Roxy Music · 1979 · Tonart Eb · ≈ 123 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | N.C. | N.C. | N.C. | Bb | Bb/Ab | Gm | F | · V: | Eb | Eb | C | C | Ab | Bb | Ab | Bb | Eb | Eb | C | C | Ab | Bb | Ab | Bb | Ab | Bb | · C: | F | Dm | Bb | C | F | Dm | Bb | C | Bb | Bb | · V2: | Eb | Eb | C | C | Ab | Bb | Ab | Bb | Eb | Eb | C | C | Ab | Bb | Ab | Bb | Ab | Bb | · C2: | F | Dm | Bb | C | F | Dm | Bb | C | · B: | F | Db | F | Db | Gb | Gbsus4/Fb | Gbsus4/Fb | Gbsus4/Fb | N.C. | N.C. | N.C. | N.C. | · V3: | Eb | Eb | C | C | Ab | Bb | Ab | Bb | Eb | Eb | C | C | Ab | Bb | Ab | Bb | Ab | Bb | · C3: | F | Dm | Bb | C | F | Dm | Bb | C | · C4: | F | Dm | Bb | C | F | Dm | Bb | C | · O: | F | Dm | Bb | C | F | Dm | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #44 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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