80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 30 von 40 Let's Go Get Stoned Ray Charles · 1966 · Tonart Db · ≈ 62 BPM · Harmonie 5/5 · Experte I: | Ab7sus4 | · C: | Db F7 | Bb7 Gb6 Db7 | Gb Ab9sus4 | Db Ab7 | Db F7 | Bb7 Gb6 Db7 | Gb Ab9sus4 | Db Ab7 | · V: | Db7 | Gb7 | Db7 | Gb7 | Db7 F7 | Bbm7 Db7/Ab Gb Eb7b9/G | Ab7sus4 Ab9sus4 | Db7 Ab7 | · V2: | Db7 | Gb7 | Db7 | Gb7 | Db7 F7 | Bbm7 Db7/Ab Gb Eb7b9/G | Ab7sus4 Ab9sus4 | Db7 Ab7 | · B: | Gb7 | Bbm7 | Gb7 | Db7 | Gb7 | Bbm7 | Gb7 | Eb7 Ab7 | · C2: | Db F7 | Bb7 Gb6 Db7 | Gb Ab9sus4 | Db Ab7 | · O: | Db F7 | Bb7 Gb6 Db7 | Gb Ab9sus4 | Db Ab7 | Db F7 | Bb7 Gb6 Db7 | Gb Ab9sus4 | Db Ab7 | Db F7 | Bb7 Gb6 Db7 | Gb Ab9sus4 | Db Ab7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #31 Anhören ↗ 20-75 Willie Mitchell · 1964 · Tonart C · ≈ 128 BPM · Harmonie 2/5 · Leicht V: | F7 | F7 | C7 | C7 | D7 | D7 | G7 | G7 | · C: | C7 | C7 | C7 | C7 | F7 | F7 | C7 | C7 | G7 | F7 | C7 | C7 | · C2: | C7 | C7 | C7 | C7 | F7 | F7 | C7 | C7 | G7 | F7 | C7 | C7 | · V2: | F7 | F7 | C7 | C7 | D7 | D7 | G7 | G7 | · S: | C7 | C7 | C7 | C7 | F7 | F7 | C7 | C7 | G7 | F7 | C7 | C7 | · V3: | F7 | F7 | C7 | C7 | D7 | D7 | G7 | G7 | · C3: | C7 | C7 | C7 | C7 | F7 | F7 | C7 | C7 | · O: | G7 | F7 | C7 | C7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #31 Anhören ↗ Another Rainy Day In New York City Chicago · 1976 · Tonart A · ≈ 155 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | A | A | Esus4add9 | Esus4add9 | A | A | Esus4add9 | Esus4add9 | · V: | A | A | Esus4add9 | Esus4add9 | Esus4add9 | Esus4add9 | C#m7 | F#9 | Bm7 | Bm7 | A | A | Esus4add9 | Esus4add9 | Esus4add9 | Esus4add9 | C#m7 | F#9 | Bm7 | Bm7 | · T: | Fmaj7 | Fmaj7 | Cmaj7 | Cmaj7 | · C: | Fmaj7 | Fmaj7 | Cmaj7 | Cmaj7 | Bm7 | E7 | A | E7 | · INT: | A | A | Esus4 | Esus4 | Esus4 | Esus4 | A | A | A | A | Esus4 | Esus4 | Esus4 | Esus4 | A | E7 | · V2: | A | A | Esus4add9 | Esus4add9 | Esus4add9 | Esus4add9 | C#m7 | F#9 | Bm7 | Bm7 | A | A | Esus4add9 | Esus4add9 | Esus4add9 | Esus4add9 | C#m7 | F#9 | Bm7 | Bm7 | · T2: | Fmaj7 | Fmaj7 | Cmaj7 | Cmaj7 | · C2: | Fmaj7 | Fmaj7 | Cmaj7 | Cmaj7 | Bm7 | E7 | A | E7 | · O: | A | A | Esus4 | Esus4 | A | A | E | E | A | A | E | E | A | A | E | E | A | A | E | E | A | A | E | E | A | A | E | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #32 Anhören ↗ Almost Grown Chuck Berry · 1959 · Tonart G · ≈ 152 BPM · Harmonie 2/5 · Leicht I: | D7 | N.C. | N.C. | N.C. | · V: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · V2: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · S: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · V3: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · S2: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · V4: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · S3: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #32 Anhören ↗ Six Days On The Road Dave Dudley · 1963 · Tonart G · ≈ 175 BPM · Harmonie 2/5 · Leicht I: | G6 | G6 | G6 | G6 | · V: | G | D7 | G | G | G | G | D7 | D7 | C | D7 | G | C | G | D7 | G | G | · V2: | G | D7 | G | G | G | G | D7 | D7 | C | D7 | G | C | G | D7 | G | G | · V3: | G | D7 | G | G | G | G | D7 | D7 | C | D7 | G | C | G | D7 | G | G | · S: | G | D7 | G | G | · V4: | G | D7 | G | G | G | G | D7 | D7 | C | D7 | G | C | G | D7 | G | G | · V5: | G | D7 | G | G | G | G | D7 | D7 | C | D7 | G | C | G | D7 | G | G | G | D7 | G | G | G | D7 | G | G | · O: | G | G | G | G | G | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #32 Anhören ↗ Almost Like Being In Love Michael Johnson · 1978 · Tonart Eb · ≈ 87 BPM · Harmonie 5/5 · Experte I: | Ebm11 | Ebm11 | Ebm11 | Ebm11 B Db | Ebm11 | Ebm11 | Ebm11 | Ebm11 B Db | · V: | Ebm7 | Ebm7 | Ebm7 | Ebm7 Bmaj7 Bbm7 | Abm7 Bbm7 | Bmaj7 B Db | Ebm11 | Ebm11 | · V2: | Ebm7 | Ebm7 | Ebm7 | Ebm7 Bmaj7 Bbm7 | Abm7 Bbm7 | Bmaj7 Db | Ebm11 | Ebm11 | · C: | Fm7b5 | Bb7sus4 Bb7 | Ebmaj9 | Ebsus4 Eb | Ebm7 | B9 | Fm7b5 | Bb7 B Db | · V3: | Ebm7 | Ebm7 | Ebm7 | Ebm7 Bmaj7 Bbm7 | Abm7 Bbm7 | Bmaj7 B Db | · INT: | Ebm11 | Ebm11 | Ebm11 | Ebm11 B Db | Ebm9 | Ebm9 | Ebm9 | Ebm9 Bmaj7 Bbm7 | Abm7 | Db | Ebm11 | Ebm11 | · C2: | Fm7b5 | Bb7sus4 Bb7 | Ebmaj9 | Eb | Ebm7 | B9 | Fm7b5 | Bb7 Abm7 Db | · V4: | Ebm9 | Ebm9 | Ebm9 | Ebm9 B Bbm | Abm7 Bbm7 | Bmaj7 B Db | Ebm11 | Ebm11 | · O: | Ebm11 | Ebm11 | Ebm11 | Ebm11 B Db | Ebm11 | Ebm11 | Ebm11 | Ebm11 B Db | Ebm11 | Ebm11 | Ebm11 | Ebm11 B Db | Ebm11 | Ebm11 | Ebm11 | Ebm11 B Db N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #32 Anhören ↗ Already Gone The Eagles · 1974 · Tonart G · ≈ 147 BPM · Harmonie 3/5 · Mittel I: | G | D | C | C | G | D | C | C | · V: | C G | D | C | C7 | G | D | C | C | G | D | C | C7 | C7 G | D | C | C | · C: | G | D | C | C | G | D | C | C | G | D | C | C | G | D | C | C | · V2: | C G | D | C | C7 | G | G D | C | C | C G | D | C | C | C G | D | C | C | · C2: | G | D | C | C | G | D | C | C | G | D | C | C | G | D | C | C | · S: | G | D | C | C | G | D | C | C | G | D | C | C | G | D | C | C | · V3: | C G | D | C | C7 | G | D | C | C | G | D | C | C | C G | D | C | C | · C3: | G | D | C | C | G | D | C | C | G | D | C | C | G | D | C | C | · C4: | G | D | C | C | G | D | C | C | G | D | C | C | G | D | C | C | · S2: | G | D | C | C | G | D | C | C | · O: | G | D | C | C | G | D | C | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #32 Anhören ↗ Could I Have This Dance Anne Murray · 1980 · Tonart A · ≈ 87 BPM · Harmonie 4/5 · Fortgeschritten SON: | N.C. | · I: | A | Amaj7 | Bm7 | E7sus4 | · V: | A | A7 | D | E | D | E | A | E | A | A7 | D | E | D | E | A | E | · C: | A | A7 | D | D | E | E | D | E | A | A7 | D | Dm | A | A | E | · T: | A | E | · V2: | A | A7 | D | E | D | E | A | E | A | A7 | D | E | D | E | A | E | · C2: | A | A7 | D | D | E | E | D | E | A | A7 | D | Dm | A | A | E | · T2: | A | E | · C3: | A | A | D | D | E | E | D | E | A | A7 | D | Dm | A | A | E | E | · CO: | A | A | D | E | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #33 Anhören ↗ Think James Brown · 1973 · Tonart Eb · ≈ 157 BPM · Harmonie 3/5 · Mittel C: | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Bb7 | Ab7 | Eb7 | Eb7 Bb7/F | · V: | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Bb7 | Bb7 | Bb7 | Bb7 | Bb7 | Bb7 | Bb7 | Bb7 | · C2: | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Bb7 | Ab7 | Eb7 | Eb7 Bb7/F | · S: | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Bb7 | Bb7 | Bb7 | Bb7 | Bb7 | Bb7 | Bb7 | Bb7 | · C3: | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Bb7 | Ab7 | Eb7 | Eb7 Bb7/F | · V2: | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Eb7 | Bb7 | Bb7 | Bb7 | Bb7 | Bb7 | Bb7 | Bb7 | Bb7 | · C4: | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Eb7#9 | Bb7 | Ab7 | Eb7 | Eb7 Bb7/F | Bb7 | Ab7 | Eb7 | Eb7 Bb7/F | Bb7 | Ab7 | Eb7 | Eb7 Bb7/F | Eb7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #33 Anhören ↗ Carrie Cliff Richard · 1980 · Tonart Dm · ≈ 112 BPM · Harmonie 4/5 · Fortgeschritten I: | Csus2/D | D5 | Csus2/D | D5 | F/D C/D | D5 C/D | D5 F5/D | D5 | · V: | Csus2/D | D5 | Csus2/D | D5 | F/D C/D | D5 C/D | D5 F5/D | D5 | Csus2/D | D5 | Csus2/D | D5 | F/D C/D | D5 C/D | D5 C5 | · C: | Dm C | Dm C | Dm C | Bb C | Ebadd9 Fadd9 | C9sus4 D9sus4 | Dm C | Dm C | Dm C | Dm C | Dm C | Bb C | Ebadd9 Fadd9 | C9sus4 D9sus4 | Eb9 | · T: | Csus2/D | D5 | Csus2/D | D5 | · V2: | Csus2/D | D5 | Csus2/D | D5 | F/D C/D | D5 C/D | D5 F5/D | D5 | C | Bb | C | Bb | Am | Bb C | Dm C | · C2: | Dm C | Dm C | Dm C | Bb C | Ebadd9 Fadd9 | C9sus4 D9sus4 | Dm C | Dm C | · S: | Dm C | Dm C | Dm C | Bb C | Ebadd9 Fadd9 | Bb9sus4 C9sus4 | Dm C | Dm C | · C3: | Dm C | Dm C | Dm C | Bb C | Ebadd9 Fadd9 | C9sus4 D9sus4 | Ebadd9 Fadd9 | C9sus4 D9sus4 | Eb9 | · O: | Csus2/D | D5 | Csus2/D | D5 | Csus2/D | D5 | Csus2/D | D5 | Csus2/D | D5 | Csus2/D | D5 | · O: | Csus2/D | D5 | Csus2/D | D5 | Csus2/D | D5 | Csus2/D | D5 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #34 Anhören ↗ Me Myself And I De La Soul · 1989 · Tonart Am · ≈ 115 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | N.C. | · V: | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | N.C. | · C: | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | N.C. | · V2: | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | N.C. | · C2: | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | N.C. | · S: | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | N.C. | · V3: | N.C. | N.C. | N.C. | N.C. | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | N.C. | · C3: | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | N.C. | · V4: | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | N.C. | N.C. | N.C. | N.C. | · V5: | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | N.C. | · C4: | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | N.C. | · INST: | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | N.C. | · O: | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | Eaug7 Am9 | Am7/G Am7/F# Eaug7 | N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #34 Anhören ↗ Sunrise Eric Carmen · 1976 · Tonart Abm · ≈ 128 BPM · Harmonie 5/5 · Experte I: | Ab5 | Ab5 | Ab5 | Ab5 | Ab5 | Ab5 | Abm/Cb | Dbsus2 | Fb Ab5/Eb | Ab5 | Abm/Cb | Dbsus2 Ab5/Gb | Fb | Ab5/Gb | Bbm7 | Ebmaj7 | Bbm7 | Gb/Fb | Ebm7 | B7 | Emaj7 | Emaj7 | G7 N.C. | · T: | C | C | · V: | C | Em7 | F | Dm7 G7 | G7 C | Em7 | F | Bm7b5 E7 | Am | Gm C7 | Fmaj7 | D7 | C/G A7 | A7 Dm7b5 G7b9 | · T2: | C | G/C F/C | · V2: | C | Em7 | F | Dm7 G7 | G7 C | Em7 | F | Bm7b5 E7 | Am | Gm C7 | Fmaj7 | D7 | C/G A7 | A7 Dm7b5 G7b9 | · T3: | C | Ab | · B: | Bbm | Ebmaj7 | Bbm7 | Eb/Db | Cm | Fm Fm/Eb | Db Db/Cb | Gb/Bb A | G G/F | G/E G/D | N.C. | N.C. | · V3: | C | Em7 | F | Dm7 G7 | G7 C | Em7 | F | Bm7b5 E7 | Am | Gm C7 | Fmaj7 | D7 | C/G A7 | A7 Dm7b5 G7b9 | · T4: | Ab Ab/Gb | Ab/F Ab/Eb | Ab Ab/Gb | Ab/F Ab/Eb | · O: | C | Eb | Bb | F | C | Eb | Bb | F | C | Eb | Bb | F | C | Eb | Bb | F | C | Eb | Bb | F | C | Eb | Bb | F | C | Eb | Bb | F | C | Eb | Bb | F | N.C. | Eb | Bb | F | C | Eb | Bb | F | C | Eb | Bb | F | C | Eb | Bb | F | · O: | C | Eb | Bb | F | C | Eb | Bb | F | C | Eb | Bb | F | C | Eb | Bb | F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #34 Anhören ↗ Stop The Wedding Etta James · 1962 · Tonart Bb · ≈ 87 BPM · Harmonie 4/5 · Fortgeschritten I: | Bb | Bb | F7 Bb | Bb N.C. | · V: | Bb | Bb | Eb | Eb | F | Eb | Bb Eb | Bb | Bb | Bb7 | Eb | Eb | F | Eb | Bb Eb | Eb/Bb Bb | · C: | Bb | D | Eb | Edim | Bb/F Gm7 | Cm7 F7 | Bb Eb | Bb F7 | Bb Gm7 | Cm7 F7 | Bb Eb | Bb F7 | · O: | Bb Gm7 | Cm7 F7 | Bb Eb | Bb Gm F7 | · O: | Bb Gm7 | Cm7 F7 | Bb Eb | Bb Gm F7 | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #34 Anhören ↗ Drivin' Wheel Foghat · 1977 · Tonart D · ≈ 140 BPM · Harmonie 4/5 · Fortgeschritten I: | D | D | C | G D | D | D | C | G D | D | D | C | G D | · V: | D | D | C | G D | D | D | C | G D | · PC: | A | G | A | G | A | G | A | G | · C: | D C | G | D C | G | D C | G | D C G | G N.C. | · T: | D | D | C | G D | · V2: | D | D | C | G D | D | D | C | G D | · PC2: | A | G | A | G | A | G | A | G | · C2: | D C | G | D C | G | D C | G | D C G | G | · T2: | D | D | · B: | G | G | G | G | A | A | A | A | · S: | D C | G | D C | G | D C | G | D C | G | G | G | G | A | A | A | A | A | A | A | A | · C3: | D C | G | D C | G | D C | G | D C G | G N.C. | G(no3,no5) | D(no3,no5) | · V3: | D | D | C | G D | D | D | C | G D | D | D | C | G D | Am | Am | C | G D | C | C | · C4: | D C | G | D C | G | D C | G | D C | G | D C | G | D C | G | D C | G | D C | G | D C | G | D C | G | · O: | D C | G | D C | G | D C | G | D C | G | D C | G | D C | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #34 Anhören ↗ I Want To Take You Higher Ike & Tina Turner · 1970 · Tonart Ab · ≈ 116 BPM · Harmonie 3/5 · Mittel I: | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | · V: | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | · C: | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | N.C. | · INT: | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | · V2: | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | · C2: | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | N.C. | · INT2: | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | · S: | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | · C3: | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | N.C. | · INT3: | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | · V3: | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | · C4: | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | Ab7#9 | · O: | Ab7#9 | Ab7#9 | Ab7#9 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #34 Anhören ↗ See See Rider LaVern Baker · 1963 · Tonart Db · ≈ 188 BPM · Harmonie 3/5 · Mittel I: | Db7 | Db7 | Gb7 | Gb7 | Db7 | Ab7 | N.C. | N.C. | · V: | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Gb7/Db | Gb7/Db | Gb7/Db | Gb7/Db | Db7 | Db7 | Db7 | Db7 | Ab7 | Ab7 | Gb7 | N.C. | Db7 | Gb7 | Db7 | Ab7 | · V2: | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Gb7/Db | Gb7/Db | Gb7/Db | Gb7/Db | Db7 | Db7 | Db7 | Db7 | Ab7 | Ab7 | Gb7 | N.C. | Db7 | Gb7 | Db7 | Ab7 | · S: | Db Gb | Db | Db Gb | Db | Db Gb | Db | Db Gb | Db | Gb7 Gb6 | Gb7 | Gb7 Gb6 | Gb7 | Db Gb | Db | Db Gb | Db | Ab7 | Ab7 | Gb7 | Gb7 | Db Gb | Db | Db Gb | Db | · V3: | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Gb7/Db | Gb7/Db | Gb7/Db | Gb7/Db | Db7 | Db7 | Db7 | Db7 | Ab7 | Ab7 | Gb7 | N.C. | Db7 | Gb7 | Db7 | Ab7 | · V4: | Db7 | Db7 | Db7 | Db7 | · O: | Db7 | Db7 | Db7 | Db7 | Gb7/Db N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #34 Anhören ↗ Last Kiss Wednesday · 1974 · Tonart E · ≈ 132 BPM · Harmonie 3/5 · Mittel I: | E | C#m | A | B | · C: | E | C#m | A | B | E | C#m | A | B | E | N.C. | · V: | E | C#m | A | B | E | C#m | A | B | E | C#m | A | B | E | C#m | A | B | E | N.C. | · C2: | E | C#m | A | B | E | C#m | A | B | E | N.C. | · V2: | E | C#m | A | B | E | C#m | A | B | E | C#m | A | B | E | C#m | A | B | E | C#m | A | B | E | N.C. | · C3: | E | C#m | A | B | E | C#m | A | B | E | N.C. | · O: | E | C#m | A | B | · O: | E | C#m | A | B | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #34 Anhören ↗ Chicago Graham Nash · 1971 · Tonart Am · ≈ 83 BPM · Harmonie 4/5 · Fortgeschritten I: | Am Dm/A Am Dm/A | Am Dm/A Am Dm/A | Am Dm/A Am Dm/A | Am Dm/A Am Dm/A | · V: | Am Dm/A Am Dm/A | Am Dm/A Am Dm/A | G C/G G C/G | Am Dm/A Am Dm/A | Am Dm/A Am Dm/A | Am Dm/A Am Dm/A | G C/G G C/G | Am Dm/A Am | · C: | G F | Em | G F | Em N.C. | D G/D | D7 G/D | · T: | Am Dm/A Am Dm/A | Am Dm/A Am Dm/A | · V2: | Am Dm/A Am Dm/A | Am Dm/A Am Dm/A | G C/G G C/G | Am Dm/A Am Dm/A | Am Dm/A Am Dm/A | Am Dm/A Am Dm/A | G C/G G C/G | Am Dm/A Am | · C2: | G F | Em | G F | Em N.C. | D G/D | D7 G/D | D G/D | D7 G/D | G | G/F | · T2: | Am Dm/A Am Dm/A | Am Dm/A Am Dm/A | · V3: | Am Dm/A Am Dm/A | Am Dm/A Am Dm/A | G C/G G C/G | Am Dm/A Am Dm/A | Am Dm/A Am Dm/A | Am Dm/A Am Dm/A | G C/G G C/G | Am Dm/A Am | · C3: | G F | Em | G F | Em N.C. | D G/D | D7 G/D | D G/D | D7 G/D | G | G/F | G/F | G/F N.C. | · O: | G F | E | G F | E | G F | E | G F | E | G F | E | G F | E | G F | E | · O: | G F | E | G F | E | G F | E | G F | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #35 Anhören ↗ Crazy On You Heart · 1978 · Tonart Am · ≈ 131 BPM · Harmonie 5/5 · Experte SON: | C/G | F#m7b5 | E N.C. | Dm | E | N.C. | · I: | Am | F | Am | F G | Am | F | Am | F G | Am | G | F | · V: | Am | C | C Dm | E | E Am | C | C Dm | E | · T: | Am D/A | D/A | Am D/A | D/A | · PC: | Dm Em | C F | Dm | E | · C: | Am | F G | G Am | F G | Am | G | F | · V2: | Am | C | C Dm | E | Am | Am C | Dm | E | · T2: | Am D/A | D/A | Am D/A | D/A | · PC2: | Dm Em | C F | Dm | E | · C2: | Am | F G | Am | F G | Am | G | F | Am | · B: | Am F#m7 | D | C#m | D | C#m | D | C#m | Bm7/F# | Bm7 | A | A | E | E | E | E7 | · C3: | Am | F G | Am | F G | Am | G | F | · V3: | Am | C | C Dm | E | Am | C | Dm | E | · C4: | Am | F G | Am | F G | Am | G | F | · C5: | F Am | F G | Am | F G | Am | G | F | · S: | Am | F G | Am | F G | Am | G | F | Am | · S2: | F#m7 | D | C#m | D | C#m | D | C#m | Bm7/F# | Bm7 | A | A | E | E | E | E7 | · C6: | E7 Am | F G | Am | F G | Am | Am G | F | Am | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #35 Anhören ↗ Bongo Stomp Little Joey & The Flips · 1962 · Tonart Eb · ≈ 105 BPM · Harmonie 2/5 · Leicht I: | Eb Cm | Ab Bb | Eb Cm | Ab Bb | Eb | Eb | Eb | Eb | · V: | Eb | Eb | Eb | Eb | Ab | Ab | Eb | Eb | Bb Ab | Eb | Bb Ab | Eb | · V2: | Eb | Eb | Eb | Eb | Ab | Ab | Eb | Eb | Bb Ab | Eb | Bb Ab | Eb | · B: | Ab | Ab | Eb | Eb | Ab | Ab | Bb A | Bb | · V3: | Eb | Eb | Eb | Eb | Ab | Ab | Eb | Eb | Bb Ab | Eb | Bb Ab | Eb | · CO: | Ab | Bb | · O: | Eb | Eb | Eb | Eb | Eb | Eb | Eb | Eb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #35 Anhören ↗ One Metallica · 1989 · Tonart Bm · ≈ 105 BPM · Harmonie 5/5 · Experte S: | Bm | Gmaj7 | Bm | Gmaj7 | Bm | D/A | Gmaj7 | E5 F#sus4 | · S2: | Bm | Gmaj7 | Bm | Gmaj7 | Bm | D/A | Gmaj7 | E5 F#sus4 | · S3: | Bm | Gmaj7 | Bm | Gmaj7 | Bm | D/A | Gmaj7 | E5 F#sus4 E5 | · S4: | Bm | Gmaj7 | Bm | Gmaj7 | Bm | D/A | Gmaj7 | Esus2 F#5 | G A | · V: | D | G | Fadd9 | Em | D | G | Fadd9 | Em C(no3,no5) | · V2: | Bm | Gmaj7 | Bm | Gmaj7 Asus4 | Bm | D/A | Gmaj7 | Esus2 F#5 | Bm | Gmaj7 | Bm | Gmaj7 Asus4 | Bm | D/A | Gmaj7 | Esus2 F#5 | · PC: | G | F#7 Bm | A | C(no3,no5) C#(no3,no5) | · V3: | D | G | Fadd9 | Em | D | G | Fadd9 | Em C(no3,no5) | · V4: | Bm | Gmaj7 | Bm | Gmaj7 Asus4 | Bm | D/A | Gmaj7 | Esus2 F#5 | Bm | Gmaj7 | Bm | Gmaj7 Asus4 | Bm | D/A | Gmaj7 | Esus2 F#5 | · PC2: | G | F#7 Bm | A | C(no3,no5) C#(no3,no5) | · V5: | D | G | Fadd9 | Em | D | G | Fadd9 | Em | D | G | Fadd9 | Em | D | G | Fadd9 | Em | · PC3: | G | F#7 Bm | A | B(no3,no5) C#(no3,no5) | G | F#7 Bm | A | B(no3,no5) C#(no3,no5) | G | F#7 Bm | · S5: | Am | G | B | C5 | Am | G | B | C5 | Am | G | B | C5 | Am | G | B | C5 | Am | G | B | C5 | Am | G | B | C5 | C | C | · INT: | Em | Em | Em | Em F5 | Em F5 | Em F5 | Em F | Em F5 | E5 | E5 F5 | E5 | E5 F5 | E5 F5 | Em D(no3,no5) E(no3,no5) F(no3,no5) | Em F5 | Em D(no3,no5) E5 B5 | Em | Em F5 | Em F | Em F5 | Em F5 | Em F5 | Em F | Em F5 | E5 | E5 | Em F5 | Em F5 | Em F | Em F5 | E5 | E5 | · S6: | Em F5 | Em F5 | Em F | Em F5 | E5 | Em | Em G5 | Em | Em G5 | G5 | G5 Ab5 F5 | G5 | G5 Ab5 F5 | G7 | F5 | G7 | F | G5 D5 | Em F5 | Em F5 | Em F5 | Em F5 | E | Em F5 | Em F5 | Em F5 | Em F5 | Em F5 | Em F5 | Em F5 | Em F5 | Em F5 | Em F5 | Em F5 | Em F5 | Em F5 | G5 | Em F5 | G5 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #35 Anhören ↗ Eleanor Rigby Ray Charles · 1968 · Tonart Em · ≈ 116 BPM · Harmonie 2/5 · Leicht I: | Em | Em | · V: | Em | Em | C7 | C7 Em | Em | Em | C7 | C7 Em | · C: | Em7 | Em6 | Em | Em | Em7 | Em6 | Em | Em | · INT: | C7 | C7 | Em | Em | Am | Am | Em | Em | · V2: | Em | Em | C7 | C7 Em | Em | Em | C7 | C7 Em | · C2: | Em7 | Em6 | Em | Em | Em7 | Em6 | Em | Em | · INT2: | C7 | C7 | Em | Em | Am | Am | Em | Em | · V3: | Em | Em | C7 | C7 Em | Em | Em | C7 | C7 Em | · C3: | Em7 | Em6 | Em | Em | Em7 | Em6 | Em | Em | · INT3: | C7 | C7 | Em | Em | Am | Am | Em | Em | · C4: | Em7 | Em6 | Em | Em | Em7 | Em6 | Em | Em | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #35 Anhören ↗ Three Hearts In A Tangle Roy Drusky · 1961 · Tonart Db · ≈ 93 BPM · Harmonie 3/5 · Mittel I: | Db | Db7 | Gb | Gb | Db | Ab7 | Db | Db | · V: | Db | Ab7 | Db | Db | Db | Db | Ab7 | Ab7 | Db | Db7 | Gb | Gb | Db | Ab7 | Db | Db | · C: | Db | Ab7 | Db | Db | Db | Db | Ab7 | Ab7 | Db | Db7 | Gb | Gb | Db | Ab7 | Db | Db | · INT: | Db | Db7 | Gb | Gb | Db | Ab7 | Db | Db | · V2: | Db | Ab7 | Db | Db | Db | Db | Ab7 | Ab7 | Db | Db7 | Gb | Gb | Db | Ab7 | Db | Db | · C2: | Db | Ab7 | Db | Db | Db | Db | Ab7 | Ab7 | Db | Db7 | Gb | Gb | Db | Ab7 N.C. | Db | Db N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #35 Anhören ↗ I Won't Stand In Your Way Stray Cats · 1983 · Tonart Eb · ≈ 105 BPM · Harmonie 5/5 · Experte I: | Eb Cm7 | B7 Bb7 N.C. | · V: | Eb Ebmaj7 | Eb7 | Ab | Abm Db7 | Eb Eb/D | Cm7 Eb/Bb | Ab Fm | B7 Bb7 | · C: | Eb Ebmaj7 | Eb7 | Ab | Abm Db7 | Eb Eb/D | Cm7 Eb/Bb | Fm7 Bb13 | Eb Eb7 | · B: | Ab | Db7 | Eb Ab | Eb Eb7 | F7 | F7 | Fm7 | Bb7 | · C2: | Eb Ebmaj7 | Eb7 | Ab | Abm Db7 | Eb Eb/D | Cm7 Eb/Bb | Fm7 Bb13 | Eb | · S: | Eb Ebmaj7 | Eb7 | Ab | Abm Db7 | Eb Eb/D | Cm7 Eb/Bb | Fm7 Bb13 | Eb Abm | Eb Eb7 | · B2: | Ab | Abm | Eb Ab | Eb Eb7 | F7 | F7 | Fm7 | B7 Bb7 N.C. | · C3: | Eb Ebmaj7 | Eb7 | Ab | Abm Db7 | Eb Eb/D | Cm7 Eb/Bb | Ab | Db7 | Fm7 | Bb13 N.C. | Eb | Abm | Ebmaj9 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #35 Anhören ↗ One Last Kiss The J. Geils Band · 1978 · Tonart Dm · ≈ 130 BPM · Harmonie 3/5 · Mittel I: | Dm | Dm C | Bb | Bb C | Dm | Dm C | Bb | C | · V: | Dm | Bb | F | G | Dm | Bb | F | G | Dm | Dm | Gm | Gm | Dm | Dm | Gm | Bb | · C: | C | Dm | C | Dm | C | Dm | Bb | C | C/Bb | C/Bb | · V2: | Dm | Bb | F | G | Dm | Bb | F | G | Dm | Dm | Gm | Gm | Dm | Dm | Gm | Bb | · C2: | C | Dm | C | Dm | C | Dm | Bb | C | C/Bb | C/Bb | · T: | Dm | Dm C | Bb | Bb C | Dm | Dm C | Bb | C | · S: | Dm | Dm | Gm | Gm | Dm | Dm | Gm | Gm | Dm | Dm | Gm | Gm | Dm | Dm | Bb | Bb | · C3: | C | Dm | C | Dm | C | Dm | Bb | C | C/Bb | C/Bb | · T2: | Dm | Dm C | Bb | Bb C | Dm | Dm C | Bb | Bb C | · S2: | Dm | Dm | Bb | Bb | Dm | Dm | Bb | Bb | Dm | Dm | Bb | Bb | Dm | Dm | Bb | Bb | Dm | Dm | Bb | Bb | Dm | Dm | Bb | Bb | Dm | Dm | Bb | Bb | · O: | Dm | Dm | Bb | Bb | Dm | Dm | Bb | Bb | Dm | Dm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #35 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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