80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
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1.000 Songs Seite 29 von 40 Hello Hello The Sopwith Camel · 1967 · Tonart C · ≈ 139 BPM · Harmonie 5/5 · Experte I: | B | C | C | Am | Am | F | G | C | C(no3,no5) G7 | · C: | C | F | C | F | C | F | C | F | G | Am Am/G | D/F# | F D7/F# | C | G | C | C G(no3,no5) A(no3,no5) Bb(no3,no5) | · PC: | B7 | Em | B7 | Am | G | C | F | D7 G7 | · C2: | C C/G | Fadd9 | C C/G | Fadd9 | C | Fadd9 | C | Fadd9 | G | Am Am/G | D/F# | F D7/F# | C | G | C | C G(no3,no5) A(no3,no5) Bb(no3,no5) | · PC2: | B7 | Em | B7 | Am | G | C | F | D7 G7 | · C3: | C | Fadd9 | C | Fadd9 | C | Fadd9 | C | Fadd9 | G | Am Am/G | D/F# | F D7/F# | C | G7 | C B Bb | A7 | · O: | D7 | G7 | C Cdim Bdim | Bbdim Adim Abdim Gdim | Gbdim Fdim | N.C. | N.C. C7/Bb | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #26 Anhören ↗ Honey, Honey ABBA · 1974 · Tonart F · ≈ 141 BPM · Harmonie 4/5 · Fortgeschritten I: | F | F | Bb | Bb C | · V: | F | F | Bb | Bb | F | F | Bb | Bb | · V2: | F | Dm | F | Dm | F | Dm | Bb | Bb C | · V3: | F | F | Bb | Bb | F | F | Bb | Bb | F | Dm | F | Dm | · V4: | F | Dm | Bb | C7sus4 | C7 | · B: | Cm | F | Bb F/A | Gm | Cm | F | Bb | Bb | Fm | Bb | Eb Bb/D | Ab | Ab | Db | Gm7 | C | · V5: | F | F | Bb | Bb | F | F | Bb | Bb | · V6: | F | Dm | F | Dm | F | Dm | Bb | C7sus4 | C7 | · B2: | Cm | F | Bb F/A | Gm | Cm | F | Bb | Bb | Fm | Bb | Eb Bb/D | Ab | Ab | Db | Gm7 | C | · V7: | F | F | Bb | Bb | F | F | Bb | Bb | · V8: | F | Dm | F | Dm | F | Dm | Bb | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #27 Anhören ↗ That's The Way I Feel About Cha Bobby Womack · 1971 · Tonart D · ≈ 70 BPM · Harmonie 4/5 · Fortgeschritten I: | Gmaj7 | D6 | Gmaj7 D6/F# Em7 A7sus4 | Dmaj7 Em7 A7 | · V: | Gmaj7 | D6 | Gmaj7 D6/F# Em7 A7sus4 | Dmaj7 Em7 A7 | Gmaj7 | D6 | Gmaj7 D6/F# Em7 A7sus4 | Dmaj7 Em7 A7 | Gmaj7 | D6 | Gmaj7 D6/F# Em7 A7sus4 | Dmaj7 Em7 A7 | Gmaj7 | D6 | Gmaj7 D6/F# Em7 A7sus4 | Dmaj7 Em7 A7 | · C: | G/A | G/A | Dmaj7 A7 | Bm7 | Em7 | A7 | D6 A7/C# | Bm7 F# | Bm9 | Bm9 E7 | Gmaj7 Bm7 | Em7 F# | Bm9 | Bm9 E7 | Gmaj7 | G/A | · V2: | Gmaj7 | D6 | Gmaj7 D6/F# Em7 A7sus4 | Dmaj7 Em7 A7 | Gmaj7 | D6 | Gmaj7 D6/F# Em7 A7sus4 | Dmaj7 Em7 A7 | · C2: | G/A | G/A | Dmaj7 A7 | Bm7 | Em7 G | A7 | D6 A7/C# | Bm7 | Em7 G | A7 | D6 A7/C# | Bm7 | · O: | Em7 G | A7 | D6 A7/C# | Bm7 | Em7 G | A7 | D6 A7/C# | Bm7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #27 Anhören ↗ Reelin' & Rockin' Chuck Berry · 1972 · Tonart G · ≈ 170 BPM · Harmonie 3/5 · Mittel I: | G5 | G5 | G5 | G5 | · V: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | D7 | G7 | G7 D7 | · V2: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | D7 | G7 | G7 D7 | · V3: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | D7 | G7 | G7 D7 | · V4: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | D7 | G7 | G7 D7 | · V5: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | D7 | G7 | G7 D7 | · V6: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | D7 | G7 | G7 D7 | · V7: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | D7 | G7 | G7 D7 | · V8: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | D7 | G7 | G7 D7 | · V9: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | D7 | G7 | G7 D7 | · V10: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | D7 | G7 | G7 D7 | · V11: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | D7 | G7 Bb7 A7 | Ab7 G7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #27 Anhören ↗ Tenderness General Public · 1984 · Tonart C · ≈ 181 BPM · Harmonie 3/5 · Mittel I: | F | F | C | G | F | F | C | G | F | F | C | G | · V: | F | F | C | G | F | F | C | G | F | F | C | G | F | F | C | G | · T: | F | F | C | G | · C: | F6/G | F | C | G | · V2: | F | F | C | G | F | F | C | G | F | F | C | G | F | F | C | G | · B: | Em | Em | F | G | Em | Em | Am | G | Em | Em | F | G | Em | Em | Am | G | · C2: | F6/G | F | C | G | F6/G | F | C | G | · B2: | Em | Em | F | F | G | G | F | F | Em | Em | F | F | G | G | G | G | Bbmaj7 | Bbmaj7 | · T2: | F | F | C | G | F | F | C | G | · C3: | F6/G | F | C | G | F6/G | F | C | G | · B3: | Em | Em | F | G | Em | Em | Am | G | Em | Em | F | G | Em | Em | Am | G | · C4: | F6/G | F | C | G | F6/G | F | C | G | F6/G | F | C | G | F6/G | F | C | G | · O: | F6/G | F | C | G | F6/G | F | C | G | F6/G | F | C | G | F6/G | F | C | G | F6/G | F | C | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #27 Anhören ↗ Amie Pure Prairie League · 1975 · Tonart A · ≈ 178 BPM · Harmonie 4/5 · Fortgeschritten I: | A | A | A | A | A | A | A | A | A | A | A | A | · T: | A | G D | A | G D | · V: | A | G D | A | G D | A | G D | A | A | D | D | C | C | D | D | C | C | E | E | E | E | · C: | A | A | G | D | A | A | G | D | Bm | Bm7 | E | E | · T2: | A | G D | A | G D | · V2: | A | G D | A | G D | A | G D | A | A | D | D | C | C | D | D | C | C | E | E | E | E | · C2: | A | A | G | D | A | A | G | D | Bm | Bm7 | E | E | · T3: | A | G D | A | G D | · S: | A | G D | A | G D | A | G D | A | A | D | D | C | C | D | D | C | C | E | E | E | E | · C3: | A | A | G | D | A | A | G | D | Bm | Bm7 | E | E | · T4: | A | G D | · V3: | A | G D | A | G D | A | G D | A | A | D | D | C | C | D | D | C | C | E | E | E | E | · C4: | A | A | G | D | A | A | G | D | Bm | Bm7 | E | E | · C5: | A | A | G | D | A | A | G | D | Bm | Bm7 | E | E | · O: | A | A | A7sus2 | D/A | A | A | A7sus2 | D/A | A | A | A7sus2 | D/A | A | A | D/A | D/A | Fmaj7/A | Fmaj7/A | E7b9/A | E7b9/A | Aadd9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #27 Anhören ↗ Old Time Rock & Roll Bob Seger · 1979 · Tonart F# · ≈ 124 BPM · Harmonie 2/5 · Leicht I: | F# | C# | F# | C# | · V: | F# | F# | B | B | C# | C# | F# | F# | F# | F# | B | B | C# | C# | F# | C# | · C: | F# | F# | B | B | C# | C# | F# | C# | · S: | F# | F# | B | B | C# | C# | F# | C# | · V2: | F# | F# | B | B | C# | C# | F# | F# | F# | F# | B | B | C# | C# | F# | C# | · C2: | F# | F# | B | B | C# | C# | F# | C# | · S2: | F# | F# | B | B | C# | C# | F# | C# | · C3: | F# | F# | B | B | C# | C# | F# | C# | · C4: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | C# | · C5: | F# | F# | B | B | C# | C# | F# | C# | · O: | F# | F# | B | B | C# | C# | F# | C# | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #28 Anhören ↗ Guitar Man Elvis Presley · 1968 · Tonart Db · ≈ 233 BPM · Harmonie 3/5 · Mittel I: | Db | Db | Db | Dbdim Ab7/Db | Db Ab7 | Ab7 | · V: | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Gb7 | Gb7 | Gb7 | Gb7 | Db7 | Db7 | Db7 | Db7 | Ab7 | Ab7 | Gb7 | Gb7 | Db | Dbdim Ab7/Db | Db Ab7 | Ab7 | · V2: | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Gb7 | Gb7 | Gb7 | Gb7 | Db7 | Db7 | Db7 | Db7 | Db7 Ab7 | Ab7 | Gb7 | Gb7 | Db | Dbdim Ab7/Db | Db7 | Db7 | · B: | Gb7 | Gb7 | Gb7 | Gb7 | Db7 | Db7 | Db7 | Db7 | Gb7 | Gb7 | Gb7 | Gb7 | Eb7 | Eb7 | Eb7 Ab7 | Ab7 | · S: | Db7 | Db7 | Gb7 | Gb7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Gb7 | Gb7 | Db7 | Db7 | Ab7 | Gb7 | Db7 | Db7 | Db Ab7 | Ab7 | · V3: | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Gb7 | Gb7 | Gb7 | Gb7 | Db7 | Db7 | Db7 | Db7 | Db7 Ab7 | Ab7 | Gb7 | Gb7 | · S2: | Db7 | Db7 | Gb7 | Gb7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Db7 | Gb7 | Gb7 | Db7 | Db7 | Ab7 | Gb7 | Db7 | Db7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #28 Anhören ↗ Wild Horses The Rolling Stones · 1971 · Tonart G · ≈ 72 BPM · Harmonie 3/5 · Mittel I: | G | Am7 | G | Am7 | G | · V: | Bm | G | Bm | G | Am | C D | G | D C | Bm | G | Bm | G | Am | C D | G | D | · C: | Am | C D | G F | C Bm | Am | C D | G F | C | · V2: | Bm | G | Bm | G | Am | C D | G | D C | Bm | G | Bm | G | Am | C D | G | D | · C2: | Am | C D | G F | C Bm | Am | C D | G F | C | · S: | F | C | F | C D | G Am/G | G | · V3: | Bm | G | Bm | G | Am | C D | G | D C | Bm | G | Bm | G | Am | C D | G | D | · C3: | Am | C D | G F | C Bm | Am | C D | G F | C | · S2: | Bm | G | Bm | G | Am | C D | G | D | · C4: | Am | C D | G F | C Bm | Am | C D | G F | C | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #28 Anhören ↗ Chiquitita ABBA · 1979 · Tonart A · ≈ 84 BPM · Harmonie 4/5 · Fortgeschritten SON: | A D | A D | · V: | A D/A | A | A | E | E D/F# | E E7/G# | A D | A D | A D | A | C#m C#madd9 | C#m C#madd9 | E D | E | A D | A | · V2: | A D/A | A | A E | E | E D | E | A | A | A D | A | C#m C#madd9 | C#m C#madd9 | E D | E | A D | A | · C: | D | D | A | A | E D | E | A | A | D | D | A A6 | Amaj7 A6 | E D | E | A | A | E D | E | A D | A | · V3: | A D/A | A | A E | E | E D | E | A D | A | A D | A | C#m C#madd9 | C#m C#madd9 | E D | E | A D | A | · C2: | D | D | A A6 | Amaj7 A6 | E D | E | A | A | D | D | A A6 | Amaj7 A6 | E D | E | A | A | E D | E | A D | A | E D | E | A | N.C. | · O: | D | D | A | A | D | D | A | A | · O: | D | D | A | A | D | D | A | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #29 Anhören ↗ Flesh For Fantasy Billy Idol · 1984 · Tonart Bm · ≈ 95 BPM · Harmonie 5/5 · Experte I: | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | · V: | E13sus4 | E13sus4 | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | E13sus4 | E13sus4 | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | E13sus4 | E13sus4 C#m7/E E13sus4 | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | E13sus4 | E13sus4 C#m7/E E13sus4 | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | · C: | Bm A/C# | D A/C# | Bm A/C# | D A/C# | Gmaj7 | A6 | Bm7 | Bm7 | Gmaj7 | A6 | E9sus4 | E9sus4 | · T: | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | · V2: | E13sus4 | E13sus4 | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | E13sus4 | E13sus4 | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | E13sus4 C#m7/E | E13sus4 C#m7/E | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | · C2: | Bm A/C# | D A/C# | Bm A/C# | D A/C# | Gmaj7 | A6 | Bm7 | Bm7 | Gmaj7 | A6 | E9sus4 | E9sus4 | · INT: | N.C. | N.C. | B5 | N.C. | B5 | N.C. | N.C. | B5 | N.C. | · C3: | Em7 Dadd9/F# | Em/G A | Em7 Dadd9/F# | Em/G A | Em7 | F#m7 | Bm7 | Bm7 | Gmaj7 | A6 | Bm7 | Bm7 | Gmaj7 | A6 | Bm7 | Bm7 | Gmaj7 | A6 | E9sus4 E9 | E9sus4 E9 | · T2: | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | · V3: | E13sus4 | E13sus4 | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | E13sus4 | E13sus4 | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | E13sus4 | E13sus4 C#m7/E E13sus4 C#m7/E | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | E13sus4 | E13sus4 C#m7/E E13sus4 C#m7/E | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | · O: | E13sus4 | E13sus4 | B(no3,no5) A(no3,no5) | B(no3,no5) A(no3,no5) | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #29 Anhören ↗ My Thang James Brown · 1974 · Tonart Fm · ≈ 101 BPM · Harmonie 3/5 · Mittel I: | Bb | Ab | Ab | Ab | Ab | Bb | C7 | Fm Fm7/Ab Bb | Fm Fm7/Ab Bb | Fm Fm7/Ab Bb | Fm Fm7/Ab Bb | · V: | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | · C: | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | · V2: | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | · C2: | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | · V3: | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | Fm7 | · C3: | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | · O: | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F | Fm7 Bb7/F N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #29 Anhören ↗ Shock The Monkey Peter Gabriel · 1982 · Tonart Dm · ≈ 148 BPM · Harmonie 4/5 · Fortgeschritten I: | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | · V: | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | · C: | Dm C | C | C | C | Dm | Dm | Dm | Dm | · V2: | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | · C2: | Dm C | C | C | C | Dm | Dm | Dm | Dm | · B: | D5 | D5 | C5 | C5 | Dm | Dm | Dm C5 | C5 Csus4 | Dm | Dm | C | Csus4 | Bb | Bb | Bb | Bb | Bb | Bb | Csus4 | Csus4 Dm | · INST: | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | · V3: | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | · B2: | D5 | D5 | C5 | C5 | Dm | Dm | Dm Csus4 | Csus4 | Dm | Dm | C | C | Bb | Bb | Bb | Bb | Bb | Bb | C | C Dm | · O: | F | Am/E | Dm7 | Dm7 | F | Am/E | Dm7 | Dm7 | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | Dm | F | Am/E | Dm | Dm | Dm | Dm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #29 Anhören ↗ You've Got A Friend Roberta Flack & Donny Hathaway · 1971 · Tonart Ab · ≈ 84 BPM · Harmonie 5/5 · Experte I: | Ab | Db/Ab | Ab | Gm7b5 C7 | · V: | Fm | C7/G C7 | Fm C7/G | Fm/Ab C7/G Fm | Bbm7 | Eb7 | Ab | Ab | · PC: | Gm7b5 | C7 | Fm C7/G | Fm/Ab C7/G Fm | Bbm7 | Cm7 | Eb11 | Eb | · C: | Ab | Ab7 | Db | Db | Ab | Ab | Eb7 | Eb7 | Ab | Abmaj7 | Db | Gb Db | Dbmaj7 Cm7 | Bbm7 | Ab | · B: | Gbadd9 | Db | Ab | Ab | Db | Gb7 | Fm7 | Bbm7 | Eb11 | Eb | · C2: | Ab | Ab7 | Db | Db | Ab | Ab | Eb7 | Eb7 | Ab | Abmaj7 | Db | Gb Db | Dbmaj7 Cm7 | Bbm7 | · O: | Ab | Db/Ab | Ab | Db/Ab | Ab | Db/Ab | Ab | Db/Ab | · O: | Ab | Db/Ab | Ab | Db/Ab N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #29 Anhören ↗ Can We Still Be Friends Todd Rundgren · 1978 · Tonart C# · ≈ 119 BPM · Harmonie 4/5 · Fortgeschritten I: | C#m9 | C#m9 | C#m9 | C#m9 | C#m9 | C#m9 | C#m9 | C#m9 | · C: | Amaj7#11 | Amaj7#11 | C#m9 | C#m9 C#m9/B | Amaj7#11 | Amaj7#11 | C#m9 | C#m9 C#m9/B | · V: | Amaj7 | G#7 | F#m7 B7sus4 B7 | Emaj7 E7 | Amaj7 | G#m7 | F#7sus4 F#7 | B7sus4 B6 | · C2: | Amaj7#11 | Amaj7#11 | C#m9 | C#m9 C#m9/B | Amaj7#11 | Amaj7#11 | C#m9 | C#m9 C#m9/B | · V2: | Amaj7 | G#7 | F#m7 B7sus4 B7 | Emaj7 E7 | Amaj7 | G#m7 | F#7sus4 F#7 | B7sus4 B6 | · S: | C#m9 | C#m9 | G#m7 | G#m7 | F#m7 | F#m7 | B | B Bsus4/A B/A | C#m9 | C#m9 | G#m9 | G#m9 | F#m9 | F#m9 | B7sus4 | B7sus4 B | · C3: | Amaj7#11 | Amaj7#11 | C#m9 | C#m9 C#m9/B | Amaj7#11 | Amaj7#11 | C#m9 | C#m9 C#m9/B | · V3: | Amaj7 | G#7 | F#m7 B7sus4 B7 | Emaj7 E7 | Amaj7 | G#m7 | F#7sus4 F#7 | B7sus4 | B7sus4 | B6/9 | B6/9 | · S2: | C#m9 | C#m9 | G#m9 | G#m9 | F#m7 | F#m7 | B | B Asus2 B/A | C#m9 | C#m9 | G#m9 | G#m9 | F#m7 | F#m7 | B | B Asus2 B/A | C#m9 | C#m9 | G#m9 | G#m9 | F#m7 | F#m7 | B | B Asus2 B/A | · O: | C#m9 | C#m9 | G#m9 | G#m9 | F#m7 | F#m7 | B | B Asus2 B/A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #29 Anhören ↗ When It's Love Van Halen · 1988 · Tonart D · ≈ 103 BPM · Harmonie 4/5 · Fortgeschritten I: | D | A | D/F# | G | D | A | D/F# | G | D | A | D/F# | G | D | A | D/F# | G | F | C | G | G | · T: | D5 F | G5 Am | D5 F | G5 Bb C | D5 F | G5 Am | D5 F | G5 | · V: | D5 F | G5 Am | D5 F | G5 Bb C | D5 F | G5 Am | D5 F | C Am | · C: | D | A | Bm | Esus4 A | D | A | Bm | Esus4 A | · T2: | D | A | Bm | F G | · V2: | D5 F | G5 Am | D5 F | G5 Bb C | D5 F | G Am | D5 F | G A | · C2: | D | A | Bm | Esus4 A | D | A | Bm | Esus4 A | · B: | F | G | F | G | F | G | Am | Am | · S: | D5 F | G5 Am | D5 F | G5 Bb C | D5 F | G5 Am | D5 F | C Am | · B2: | F | G | F | G | F | G | Am | Am | · C3: | D | A | Bm | Esus4 A | D | A | Bm | Esus4 A | D | A | Bm | Esus4 A | · O: | D | A | D/F# | G | D | A | D/F# | A | D | A | D/F# | G | D | A | D/F# | G | D | A | D/F# | G | D | A | D/F# | G | D | A | D/F# | G | F | C | F | C | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #29 Anhören ↗ Lovely Day Bill Withers · 1978 · Tonart E · ≈ 98 BPM · Harmonie 4/5 · Fortgeschritten I: | E(no3,no5) | C#(no3,no5) | A(no3,no5) | A(no3,no5) C(no3,no5) B(no3,no5) | E | C#m7 | Amaj9 | Amaj9 Cmaj7 B7sus4 | · V: | E | C#m7 | Amaj9 | Amaj9 Cmaj7 B7sus4 | E | C#m7 | Amaj9 | Cmaj7 | · PC: | D9sus4 | E9sus4 | Am7 | Bm7 | D9sus4 | E9sus4 | Am7 | Bm7 | · C: | E | C#m7 | Amaj9 | Amaj9 Cmaj7 B7sus4 | E | C#m7 | Amaj9 | Amaj9 Cmaj7 B7sus4 | · V2: | E | C#m7 | Amaj9 | Amaj9 Cmaj7 B7sus4 | E | C#m7 | Amaj9 | Cmaj7 | · PC2: | D9sus4 | E9sus4 | Am7 | Bm7 | D9sus4 | E9sus4 | Am7 | Bm7 | · C2: | E | C#m7 | Amaj9 | Amaj9 Cmaj7 B7sus4 | E | C#m7 | Amaj9 | Amaj9 Cmaj7 B7sus4 | · V3: | E | C#m7 | Amaj9 | Amaj9 Cmaj7 B7sus4 | E | C#m7 | Amaj9 | Cmaj7 | · PC3: | D9sus4 | E9sus4 | Am7 | Bm7 | D9sus4 | E9sus4 | Am7 | Bm7 | · C3: | E | C#m7 | Amaj9 | Amaj9 Cmaj7 B7sus4 | E | C#m7 | Amaj9 | Amaj9 Cmaj7 B7sus4 | E | C#m7 | Amaj9 | Amaj9 Cmaj7 B7sus4 | E | C#m7 | Amaj9 | Amaj9 Cmaj7 B7sus4 | E | C#m7 | Amaj9 | Amaj9 Cmaj7 B7sus4 | · O: | E | C#m7 | Amaj9 | Amaj9 Cmaj7 B7sus4 | E | C#m7 | Amaj9 | Amaj9 Cmaj7 B7sus4 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #30 Anhören ↗ Living Doll Cliff Richard · 1959 · Tonart A · ≈ 127 BPM · Harmonie 4/5 · Fortgeschritten I: | N.C. | A(no3,no5) | · C: | A(no3,no5) A | A | A | A | A | A | B7 | E7 | E7 A | A | F#7 | F#7 | F#7 A | E | A | A N.C. | · B: | D | D | A | A | D | D | D E N.C. | N.C. | · C2: | N.C. A | A | A | A | A | A | B7 | E7 | A | A | F#7 | F#7 | F#7 A | E | A | A N.C. | · S: | A | A | A | A | A | A | B7 | E7 | A | A | F#7 | F#7 | A | E | A | A N.C. | · B2: | D | D | A | A | D | D | D E N.C. | N.C. | · C3: | N.C. A | A | A | A | A | A | B7 | E7 | A | A | F#7 | F#7 | F#7 A | E N.C. | N.C. | A6/9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #30 Anhören ↗ Jamie Eddie Holland · 1962 · Tonart Eb · ≈ 122 BPM · Harmonie 4/5 · Fortgeschritten I: | Bb7 | Bb7 | · I2: | Eb Cm | Fm7 Bb7 | Eb Cm | Fm7 Bb7 | · V: | Eb | Bb7 | Eb | Eb7 | Ab | Ab | F7 | F7 | · C: | Eb Cm | Ab Bb7 | Eb Cm | Ab Bb7 | Eb Cm | Ab | Bb7 | Bb7 | · V2: | Eb | Bb7 | Eb | Eb7 | Ab | Ab | F7 | F7 | · C2: | Eb Cm | Ab Bb7 | Eb Cm | Ab Bb7 | Eb Cm | Ab Bb7 | Eb Ab | Eb7 | · B: | Ab | Ab | G | G | Ab | Ab | F | Bb7 | Bb7 | · V3: | Eb | Bb7 | Eb | Eb7 | Ab | Ab | F7 | F7 | Ab | Ab | F7 | F7 | · C3: | Eb Cm | Ab Bb7 | Eb Cm | Ab Bb7 | Eb Cm | Ab Bb7 | Eb Ab | Eb7 | · O: | Eb Cm | Ab Bb7 | Eb Cm | Ab Bb7 | Eb Cm | Ab Bb7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #30 Anhören ↗ In-A-Gadda-Da-Vida Iron Butterfly · 1968 · Tonart Dm · ≈ 119 BPM · Harmonie 3/5 · Mittel I: | Dm | Dm | Dm | Dm | Dm | Dm7 | Dm7 | Dm7 | Dm7 | · V: | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | N.C. | N.C. | · C: | G13sus4 | E | G13sus4 | E | A13sus4 | F# | A13sus4 | F# | B | B | Dm | Dm | · INT: | Dm7 | Dm7 | Dm7 | Dm7 | · V2: | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | N.C. | N.C. | · C2: | G13sus4 | E | G13sus4 | E | A13sus4 | F# | A13sus4 | F# | B | B | Dm | Dm | · INT2: | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | N.C. | N.C. | N.C. | N.C. | · INT3: | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | Dm7 | · S: | Dm | Dm | Dm | Dm | · O: | Dm7 | Dm7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #30 Anhören ↗ Do Your Thing Isaac Hayes · 1972 · Tonart Fm · ≈ 76 BPM · Harmonie 2/5 · Leicht I: | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | · V: | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | · C: | Ab | C7/Bb | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | · V2: | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | · C2: | Ab | C7/Bb | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | · O: | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Fm Fm7/C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #30 Anhören ↗ Come Monday Jimmy Buffett · 1974 · Tonart A · ≈ 112 BPM · Harmonie 3/5 · Mittel I: | A D/A | A | A D/A | A | · V: | A | D | E | A | A | D | E | A | Bm7 | D | E | E | · C: | D | A | D | E | A C#m7 | D E | D E | A D/A | A | · V2: | A | D | E | A | A | D | E | A | Bm7 | D | E | E | · C2: | D | A | D | E | A C#m7 | D E | D E | A D/A | A | · B: | Bmaj7 | E | Bmaj7 | E | Bmaj7 | E | D | E | E | · T: | G | D | A | A | · V3: | A | D | E | A | A | D | E | A | Bm7 | D | E | E | · C3: | D | A | D | E | A C#m7 | D E | D E | A | A C#m7 | D E | D E | G | D | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #30 Anhören ↗ Running Up That Hill Kate Bush · 1985 · Tonart Cm · ≈ 108 BPM · Harmonie 4/5 · Fortgeschritten I: | Cm N.C. | Cm | Cm | Ab/C | Bb/C | Cm | Cm | Ab/C | Bb/C | Cm | · V: | Ab/C Bb/C | Cm Cm9 | Ab/C Bb/C | Cm Cm9 | Ab/C Bb/C | Cm Cm9 | Ab/C Bb/C | · PC: | Fm7/C Cm9 | Fm7/C | Fm7/C Cm9 | Fm7/C | · C: | Ab/C | Bb/C | Cm | Cm | Ab/C | Bb/C | Cm | Cm | Ab/C | Bb/C | Cm | Ab/C | Ab/C | Bb/C | Cm | · V2: | Ab/C Bb/C | Cm Cm9 | Ab/C Bb/C | Cm Cm9 | Ab/C Bb/C | Cm Cm9 | Ab/C Bb/C | Cm Cm9 | Ab/C Bb/C | Cm Cm9 | Ab/C Bb/C | · PC2: | Fm7/C Cm9 | Fm7/C | Fm7/C Cm9 | Fm7/C | Fm7/C Cm9 | Fm7/C | · C2: | Ab/C | Bb/C | Cm | Cm | Ab/C | Bb/C | Cm | Cm | Ab/C | Bb/C | Cm | Ab/C | Ab/C | Bb/C | Cm | · PC3: | Fm7/C Cm9 | Fm7/C | Fm7/C Cm9 | Fm7/C | Fm7/C Cm9 | Fm7/C | · B: | Ab/C | Bb/C | Cm | Cm | Ab/C | Bb/C | Cm | Cm | · INT: | Ab/C | Bb/C | Cm | Ab/C | Ab/C | Bb/C | Cm | Cm | · C3: | Ab/C | Bb/C | Cm | Cm | Ab/C | Bb/C | Cm | Cm | · C4: | Ab/C | Bb/C | Cm | Cm | Ab/C | Bb/C | Cm | Cm | · C5: | Ab/C | Bb/C | Cm | Cm | Ab/C | Bb/C | Cm | Cm | · O: | Ab/C | Ab/C | Bb/C | Bb/C | Cm | Cm | Cm | Cm | Cm | Cm | Cm | Cm | Cm | Cm | Cm | Cm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #30 Anhören ↗ Lucky The Greg Kihn Band · 1985 · Tonart Am · ≈ 124 BPM · Harmonie 3/5 · Mittel I: | Am | Am | Am | Am | Am | Am | Am | Am | Am | Gm7/A C7/A | Fmaj7/A | Gm7/A C7/A | Am | Gm7/A C7/A | Fmaj7/A | Gm7/A C7/A | Am | Gm7/A C7/A | Fmaj7/A | Gm7/A C7/A | Am | Gm7/A C7/A | Fmaj7/A | Gm7/A C7/A | · V: | Fmaj7 | Gm7/A C7/A | Fmaj7 | Gm7/A C7/A | Fmaj7 | Gm7/A C7/A | Fmaj7 | E | E7 | · C: | Dm Em/D | Dm7 | Dm7 | Dm Em/D | Dm7 | Dm7 | · V2: | Am | Gm7/A C7/A | Fmaj7/A | Gm7/A C7/A | Fmaj7 | Gm7/A C7/A | Fmaj7 | E | E7 | · C2: | Dm Em/D | Dm7 | Dm7 | Dm Em/D | Dm7 | Dm7 | Dm Em/D | Dm7 | Dm7 | Dm Em/D | Dm7 | Dm7 | · S: | Am | Gm7/A C7/A | Fmaj7/A | Gm7/A C7/A | Fmaj7 | Gm7/A C7/A | Fmaj7 | E | E7 | · C3: | Dm Em/D | Dm7 | Dm7 | Dm Em/D | Dm7 | Dm7 | Dm Em/D | Dm7 | Dm7 | Dm Em/D | Dm7 | Dm7 | · V3: | Am | Gm7/A C7/A | Fmaj7/A | Gm7/A C7/A | Fmaj7 | Gm7/A C7/A | Fmaj7 | E | E7 | · C4: | Dm Em/D | Dm7 | Dm7 | Dm Em/D | Dm7 | Dm7 | Dm Em/D | Dm7 | Dm7 | Dm Em/D | Dm7 | Dm7 | · S2: | Am | Gm7/A C7/A | Fmaj7/A | Gm7/A C7/A | Am | Gm7/A C7/A | Fmaj7/A | Gm7/A C7/A | Am | Gm7/A C7/A | Fmaj7/A | Gm7/A C7/A | Am | Gm7/A C7/A | Fmaj7 | E | E7 | · C5: | Dm Em/D | Dm7/F | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #30 Anhören ↗ She Thinks I Still Care Elvis Presley · 1977 · Tonart Bb · ≈ 83 BPM · Harmonie 3/5 · Mittel I: | Bb Gm | F7 | Bb | Bb | · V: | Bb | Eb | Bb | Bb | Bb | F7 | Bb | Bb | Bb | Bb7 | Eb | Eb | Bb | F7 | Bb | Bb | · V2: | Bb | Eb | Bb | Bb | Bb | F7 | Bb | Bb | Bb | Bb7 | Eb | Eb | Bb | F7 | Bb | Bb Bb7 | · C: | Eb | Eb | Bb | Bb | C7 | C7 | F7 | F7 | Eb | Eb | Bb | Bb | C | C7 | F7 | F7 | · V3: | Bb | Eb | Bb | Bb | Bb | F7 | Bb | Bb | Bb | Bb7 | Eb | Eb | Bb | F7 | Bb | Bb7 | · O: | Bb | F7 | Bb | Bb7 | · O: | Bb | F7 | Bb | Bb7 | Bb | F7 | Bb | Bb7 N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #31 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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