80/20 Music School / Harmony Trainer / Song-Akkordatlas 1.000 Songs · 4 dokumentierte Quellen · keine Songtexte
Song-Akkordfolgen durchsuchen und direkt üben Finde kompakte Akkordübersichten nach Titel, Interpret, Jahr oder Tonart. Der Atlas bündelt reale, normalisierte Song-Analysen für das Lernen – nicht als universelle Erfolgsrangliste oder offizielles Notenmaterial.
Gesamter Katalog
1.000 Songs Seite 33 von 40 Wendy The Beach Boys · 1964 · Tonart F · ≈ 137 BPM · Harmonie 4/5 · Fortgeschritten I: | D(no3,no5) | G(no3,no5) | D(no3,no5) | Bb(no3,no5) N.C. | · INT: | F | Gm | · V: | F | Gm | F | Bb | F | Bb | Eb | A | · V2: | Dm | Gm | Dm | Bb | F | Gm C | F | Gm | · V3: | F | Gm | F | Bb | F | Bb | Eb | A | · V4: | Dm | Gm | Dm | Bb | F | Gm C | F | Eb | · S: | Dm | Gm | Dm | Bb | F | Dm | Gm | C | · V5: | F | Gm | F | Bb | F | Bb | Eb | A | · V6: | Dm | Gm | Dm | Bb | F | Gm C | F | F | · INT2: | F | Gm | · O: | F | Gm | F | Bb | F | Gm | F | Bb | F | Gm | F | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #44 Anhören ↗ My Kinda Lover Billy Squier · 1982 · Tonart C · ≈ 97 BPM · Harmonie 2/5 · Leicht I: | C | C | · V: | C | C | G | G | C | C | G | G | · PC: | Am | F G | Am | F G | · C: | Am | F | G | Am | Am | F | G | Am | Am | · V2: | C | C | G | G | C | C | G | G | · PC2: | Am | F G | Am | F G | · C2: | Am | F | G | Am | Am | F | G | Am | · B: | G | F/G | G | F/G | G | F/G | G | F/G | F | · V3: | C | C | G | G | C | C | G | G | · PC3: | Am | F G | Am | F G | · C3: | Am | F | G | Am | Am | F | G | Am | · C4: | Am | F | G | Am | · O: | Am | F | G | Am | Am | F | G | Am | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #45 Anhören ↗ Buy For Me The Rain Nitty Gritty Dirt Band · 1967 · Tonart C · ≈ 188 BPM · Harmonie 3/5 · Mittel I: | Csus2 | Csus2 | Bb6/9 | Bb6/9 F/A F | · T: | C | Bb6/9 | C | Bb6/9 | · V: | C | Bb6/9 | C | Bb6/9 | C | Bb6/9 | C | Gm11/Bb | F | F | G7 | G7 | C | Bb6/9 | F | Bb6/9 | Bb6/9 | · T2: | C | Gm7 | C | Gm7 | · V2: | C | Bb6/9 | C | Gm7 | C | Bb6/9 | C | Bb6/9 | F | F | G7 | G7 | C | Bb6/9 | F | Bb6/9 | Bb6/9 | · T3: | C | Gm7 | C | Gm7 | · V3: | C | Bb6/9 | C | Bb6/9 | C | Bb6/9 | C | Bb6/9 | F | F | G7 | G7 | C | Bb6/9 | F | Bb6/9 | Bb6/9 | · T4: | C | Gm7 | C | Gm7 | · V4: | C | Bb6/9 | C | Bb6/9 | C | Bb6/9 | C | Bb6/9 | F | F | G7 | G7 | C | Bb6/9 | F | Bb6/9 | Bb6/9 | · T5: | C | Gm7 | C | Gm7 | · INT: | C | Bb6/9 | C | Bb6/9 | F | F | G7 | G7 | C | Bb6/9 | F | Gm6 | Gm6 | Gm7 | Gm7 | C | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #45 Anhören ↗ I'm In Love Wilson Pickett · 1967 · Tonart E · ≈ 93 BPM · Harmonie 4/5 · Fortgeschritten I: | E6 B6/D# C#m7 | C#m7 E | Amaj7 G#m7 F#m7 | F#m7 B9 | E6 B6/D# C#m7 | C#m7 E | Amaj7 G#m7 F#m7 | F#m7 B9 | · V: | E6 B6/D# C#m7 | C#m7 E | Amaj7 G#m7 F#m7 | F#m7 B9 | E6 B6/D# C#m7 | C#m7 E | Amaj7 G#m7 F#m7 | F#m7 Gm7 | · PC: | G#m7 | G#m7 | A | B | · C: | E G#m7 A | A | F#m7 B7 E | E | · V2: | E6 B6/D# C#m7 | C#m7 E | Amaj7 G#m7 F#m7 | F#m7 B9 | E6 B6/D# C#m7 | C#m7 E | Amaj7 G#m7 F#m7 | F#m7 Gm7 | · PC2: | G#m7 | G#m7 | A | B | · C2: | E G#m7 A | A | F#m7 B7 E | E F#m7 Gm7 | · S: | G#m7 | G#m7 | A | B | · C3: | E6 B6/D# C#m7 | C#m7 E | Amaj7 G#m7 F#m7 | F#m7 B9 | E6 B6/D# C#m7 | C#m7 E | Amaj7 G#m7 F#m7 | F#m7 B9 | · O: | E6 B6/D# C#m7 | C#m7 E | Amaj7 G#m7 F#m7 | F#m7 B9 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #45 Anhören ↗ Rebel Yell Billy Idol · 1984 · Tonart Bm · ≈ 166 BPM · Harmonie 5/5 · Experte I: | Bm7 | Bm7 | Bm7 | Bm7 | · INT: | Gmaj7 | F#m7 | E7sus2 | E7sus2 | Gmaj7 | F#m7 | E7sus2 | E7sus2 D Asus2 | · T: | Bm7 | Bm7 | Bm7 | Bm7 | · V: | Bm | Bm | Bm | Bm | Asus4 | Asus4 | Gmaj7 | Em7 D(no3,no5) A(no3,no5) | Bm | Bm | Bm | Bm | Asus4 | Asus4 | Gmaj7 | Em7 D(no3,no5) A(no3,no5) | · C: | Bm | Bm | Bm | Bm | D/A | D/A | Gmaj7 | Em7 D(no3,no5) A(no3,no5) | Bm | Bm | Bm | Bm | D/A | D/A | Gmaj7 | Em7 D(no3,no5) A(no3,no5) | · T2: | Bm7 | Bm7 | Bm7 | Bm7 | · V2: | Bm | Bm | Bm | Bm | D/A | D/A | Gmaj7 | Em7 D(no3,no5) A(no3,no5) | Bm | Bm | Bm | Bm | D/A | D/A | Gmaj7 | Em7 D(no3,no5) A(no3,no5) | · C2: | Bm | Bm | Bm | Bm | D/A | D/A | Gmaj7 | Em7 D(no3,no5) A(no3,no5) | Bm | Bm | Bm | Bm | D/A | D/A | Gmaj7 | Gmaj7 | · INT2: | Gmaj7 | F#m7 | E7sus2 | E7sus2 | Gmaj7 | F#m7 | E7sus2 | E7sus2 | Gmaj7 | F#m7 | E7sus2 | E7sus2 | Gmaj7 | F#m7 | E7sus2 | E7sus2 D Asus2 | · T3: | Bm | Bm | Bm7 | Bm7 | · S: | Bm | Bm | Bm | Bm | D/A | D/A | Gmaj7 | Em7 D(no3,no5) A(no3,no5) | Bm | Bm | Bm | Bm | D/A | D/A | Gmaj7 | Em7 D(no3,no5) A(no3,no5) | · T4: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · B: | B(no3,no5) | B(no3,no5) | B(no3,no5) | B(no3,no5) | A(no3,no5) | A(no3,no5) | G(no3,no5) | E(no3,no5) D(no3,no5) A(no3,no5) | B(no3,no5) | B(no3,no5) | B(no3,no5) | B(no3,no5) | A(no3,no5) | A(no3,no5) | G(no3,no5) | E(no3,no5) D(no3,no5) A(no3,no5) | Bm | Bm | Bm | Bm | D/A | D/A | Gmaj7 | Em7 D(no3,no5) A(no3,no5) | Bm | Bm | Bm | Bm | D/A | D/A | Gmaj7 | Gmaj7 | · C3: | Bm | Bm | Bm | Bm | D/A | D/A | Gmaj7 | Em7 D(no3,no5) A(no3,no5) | Bm | Bm | Bm | Bm | D/A | D/A | Gmaj7 | Gmaj7 | · S2: | Bm7 | Bm7 | Bm7 | Bm7 | D/A | D/A | Gmaj7 | Em7 D(no3,no5) A(no3,no5) | Bm7 | Bm7 | Bm7 | Bm7 | D/A | D/A | Gmaj7 | Em7 D(no3,no5) A(no3,no5) | · O: | Bm7 | Bm7 | Bm7 | Bm7 | Bm7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #46 Anhören ↗ Feelin' Satisfied Boston · 1979 · Tonart E · ≈ 132 BPM · Harmonie 4/5 · Fortgeschritten I: | B | E | B | E | B | E/B | B | A | A | · V: | E | E | D/A A | D/A A | E | E | D/A A | E/B B | · PC: | C#m | G#m | A | D A | E | A | E | A | E | B | A | Aadd9 | · C: | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | · INT: | B | E/B | B | E/B | B | E/B | B | A | A | · V2: | E | E | D/A A | D/A A | E | E | D/A A | E/B B | · PC2: | C#m | G#m | A | D A | E | A | E | A | E | B | A | Aadd9 | · C2: | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | C#m B | A E | B A G#m | F#m A E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #46 Anhören ↗ Walk Right In Dr. Hook · 1977 · Tonart D · ≈ 115 BPM · Harmonie 3/5 · Mittel I: | D7 | D7 | D7 | D7 | D7 | D7 | · V: | D | D B7 | E7 A7 | D | D | D B7 | E7 | A7 | D | D | G | E7/G# | D | D B7 | E7 A7 | · T: | D7 | D7 | D7 | D7 | · V2: | D | D B7 | E7 A7 | D | D | D B7 | E7 | A7 | D | D | G | E7/G# | D | D B7 | E7 A7 | D | · S: | D | D B7 | E7 A7 | D | D | D B7 | E7 | A7 | D | D7 | G | E7/G# | D | D B7 | E7 A7 | · T2: | D7 | D7 | D7 | D7 | · V3: | D | D B7 | E7 A7 | D | D | D B7 | E7 | A7 | D | D | G | E7/G# | D | D B7 | E7 A7 | D | D | D B7 | E7 A7 | D | · O: | D | D B7 | E7 A7 | D | D | D B7 | E7 A7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #46 Anhören ↗ Lambada Kaoma · 1990 · Tonart Dm · ≈ 237 BPM · Harmonie 2/5 · Leicht I: | Dm | Dm | Dm | Dm | · S: | Dm | Dm | Bb | C | F | F | Dm | Dm | Bb | C | F | F | Gm | Gm | Gm | Gm | C | C | Dm | Dm | Gm | Gm | Gm | Gm | C | C | Dm | Dm | · V: | Dm | Dm | Bb | C | F | F | Dm | Dm | Bb | C | F | F | Gm | Gm | Gm | Gm | C | C | Dm | Dm | Gm | Gm | Gm | Gm | C | C | Dm | Dm | · V2: | Dm | Dm | Bb | C | F | F | Dm | Dm | Bb | C | F | F | Gm | Gm | Gm | Gm | C | C | Dm | Dm | Gm | Gm | Gm | Gm | C | C | Dm | Dm | · INST: | Dm | Dm | F | F | Dm | Dm | F | F | Gm | Gm | Gm | Gm | C | C | Dm | Dm | Gm | Gm | Gm | Gm | C | C | Dm | Dm | · V3: | Dm | Dm | Bb | C | F | F | Dm | Dm | Bb | C | F | F | Gm | Gm | Gm | Gm | C | C | Dm | Dm | Gm | Gm | Gm | Gm | C | C | Dm | Dm | · INST2: | Dm | Dm | F | F | Dm | Dm | F | F | Gm | Gm | Gm | Gm | C | C | Dm | Dm | Gm | Gm | Gm | Gm | C | C | Dm | Dm | · O: | Dm | Dm | F | F | Dm | Dm | F | F | Dm | Dm | F | F | Dm | Dm | F | F | Dm | Dm | F | F | · O: | Dm | Dm | F | F | Dm | Dm | F | F | Dm | Dm | F | F | Dm | Dm | F | F | Dm | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #46 Anhören ↗ It's Raining Men The Weather Girls · 1983 · Tonart Fm · ≈ 136 BPM · Harmonie 4/5 · Fortgeschritten I: | Fm | Fm | Eb | Eb | Db | Db | Csus4 | C | Fm | Fm7 | Fm6 | Fm | Fm | Fm7 | Fm6 | Fm | · V: | Fm | Fm | Fm | Fm | Fm | Fm | Csus4 | C | Fm | Fm | Bbm7 | Bbm7 | Csus4 | C | Csus4 | C | C | · C: | Db | Eb | C | Fm | Db | Bbm | Bbm/C | C7 | C7 | Db | Eb | C | Fm | Db | Bbm | Bbm/C | C7 | C7 | · B: | Db | Eb | C | Fm | Db | Eb | C | Fm | Db | Eb | C | Fm | Bbm Fm/C | Db Dm7b5 | C/E Fm | C/G Fm/Ab | Csus4 | C | Fm | Fm | · V2: | Fm | Fm | Fm | Fm | Fm | Fm | Fm | Fm | Fm | Fm | Fm | Fm | Csus4 | C | Fm | Fm | Bbm7 | Bbm7 | Csus4 | C | Csus4 | C | Csus4 | C | · O: | Db | Eb | C | Fm | Db | Eb | C | Fm | Db | Eb | C | Fm | Db | Eb | C | Fm | · O: | Db | Eb | C | Fm | Db | Eb | C | Fm N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #46 Anhören ↗ Sweet Little Rock And Roll Chuck Berry · 1958 · Tonart G · ≈ 153 BPM · Harmonie 2/5 · Leicht I: | G7 | · V: | G7 | G7 | G7 | G7 | D7/A | D7/A | G7 | G7 | D7/A | C7 | G7 | G7 | · V2: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · C: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · INST: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · V3: | G7 | C7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · V4: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · C2: | G7 | G7 | G7 | G7 | C7 | C7 | G7 | G7 | D7 | C7 | G7 | G7 | · O: | G7 | G7 | G7 | G7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #47 Anhören ↗ I Don't Mind James Brown · 1961 · Tonart C · ≈ 53 BPM · Harmonie 3/5 · Mittel I: | Am | C7 | Am | C7 | Am | C7 | · V: | Am | C7 | Am | C7 | F7 | D7 | G7 | C7 | · V2: | Am | C7 | Am | C7 | F7 | D7 | G7 | C7 | · INT: | Am | C7 | Am | C7 | F7 | D7 | G7 | C7 | · V3: | Am | C7 | Am | C7 | F7 | D7 | G7 | C7 | · INT2: | Am | C7 | Am | C7 | Am N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #47 Anhören ↗ (You're So Square) Baby I Don't Care Joni Mitchell · 1982 · Tonart G · ≈ 172 BPM · Harmonie 4/5 · Fortgeschritten I: | G5 | G5 | G5 | G5 | Gsus4 | Gsus4 | Gsus4 | Gsus4 | D/G | D/G | G | G | C/G | C/G | C/G | C/G | · V: | G C | G | G C | C G | G C | G C | G C | G | · C: | C7 | D7 N.C. | · INT: | G5 | G5 | G5 | G5 | · V2: | G C | G | G C | C G | G C | G C | G C | G | · C2: | C7 | D7 N.C. | G | G | · B: | G C7 | C7 | G | G7 | G7 C7 | C#dim | C#dim D N.C. | N.C. | · V3: | G C | G | G C | C G | G C | G C | G C | G | · C3: | C7 | D7 N.C. | G5 | G5 | · INST: | C7 | C7 | G | G7 | C7 | C#dim | D(no3,no5) | N.C. | · V4: | G C | G | G C | G | G C | G C | G C | C G | · C4: | C7 | D7 N.C. | · O: | D/G | D/G | D/G | D/G | C/G | C/G | C/G | C/G | D/G | D/G | D/G | D/G | C/G | C/G | C/G | C/G | D/G | D/G | D/G | D/G | C/G | C/G | C/G | C/G | D/G | D/G | D/G | D/G | C/G | C/G | C/G | C/G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #47 Anhören ↗ Oh Me, Oh My (Dreams In My Arms) Al Green · 1975 · Tonart F · ≈ 97 BPM · Harmonie 4/5 · Fortgeschritten I: | F | Bb | Gm | A7 | · V: | F | F Bb/F | Am | Am | Am Bb | Gm | A7 | A7 | F | F Bb/F | Am | Am | Am Bb | Gm | Gm A7 | A7 | · C: | F | F D7 | Bb | Eb9 | Eb9 E7 | E7 | Abm | Db7 | C7 | C7 | · INST: | F | Gm | Am | Bb | Am | Abdim | Gm | C7 | · C2: | F | F D7 | Bb | Eb9 | Eb9 E7 | E7 | Abm7 | Db7 | C7 | C7 | · O: | F | F D7 | Bb | Eb9 | E7 | E7 | F | F D7 | Bb | Eb9 | Eb9 E7 | C7 | F | F D7 | Bb | Eb9 | Eb9 E7 | C7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #48 Anhören ↗ Brass Monkey Beastie Boys · 1987 · Tonart A · ≈ 116 BPM · Harmonie 2/5 · Leicht I: | N.C. | N.C. | N.C. | N.C. | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | · C: | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | · V: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · C2: | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | · V2: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · C3: | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | · V3: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · C4: | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | · C5: | A(no3,no5) | A(no3,no5) | A(no3,no5) | A(no3,no5) | · V4: | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | · CO: | A(no3,no5) | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #48 Anhören ↗ You Can't Judge A Book By The Cover Bo Diddley · 1962 · Tonart Ab · ≈ 114 BPM · Harmonie 2/5 · Leicht I: | Ab | Ab | Ab | Ab | · V: | Ab | Ab | Ab | Ab | Ab | Ab | Ab | Ab | · C: | Db | Db | Ab | Ab | Eb | Db | Ab | Ab | · T: | Ab | Ab | Ab | Ab | Ab | Ab | Ab | Ab | Ab | Ab | Ab | Ab | Ab | Ab | · V2: | Ab | Ab | Ab | Ab | Ab | Ab | Ab | Ab | · C2: | Db | Db | Ab | Ab | Eb | Db | Ab | Ab | · T2: | Ab | Ab | Ab | Ab | Ab | Ab | Ab | Ab | · V3: | Ab | Ab | Ab | Ab | Ab | Ab | Ab | Ab | · C3: | Db | Db | Ab | Ab | D | Db | Ab | Ab | · S: | Ab | Ab | Ab | Ab | Ab | Ab | Ab | Ab | Ab | Ab | Ab | Ab | · O: | Ab | Ab | Ab | Ab N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #48 Anhören ↗ Stop This Game Cheap Trick · 1980 · Tonart E · ≈ 138 BPM · Harmonie 3/5 · Mittel I: | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | · T: | Em | Em | G | G | Em | Em | C | C | C | C | · V: | E | E | E | C | E | E | E | C | Am | B | · C: | E | E7/D | E6/C# | C | E | E7/D | E6/C# | C | · V2: | E | E | E | C | E | E | E | C | Am | B | · C2: | E | E7/D | E6/C# | C | E | E7/D | E6/C# | C | C | · B: | A | A D | A | A D | B | B D | B | B | · T2: | Em | Em | G | G | Em | Em | C | C | C | C | · C3: | E | E7/D | E6/C# | C | E | E7/D | E6/C# | C | · C4: | E | E7/D | E6/C# | C | E | E7/D | E6/C# | C | · C5: | E | E7/D | E6/C# | C | E | E7/D | E6/C# | C | · C6: | E | E7/D | E6/C# | C | E | E7/D | E6/C# | C | · O: | E | E7/D | E6/C# | C | E | E7/D | E6/C# | C | E | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #48 Anhören ↗ Lucky Man Emerson, Lake & Palmer · 1971 · Tonart G · ≈ 104 BPM · Harmonie 3/5 · Mittel I: | G | D/F# | G | D/F# | · V: | G | D/F# | G | D/F# | G | D/F# | G | D/F# | · C: | Am | Em7 | D | D | Am | Em7 | D | D | · V2: | G | D | G | D | G | D | G | D | · C2: | Am | Em7 | D | D | Am | Em7 | D | D | · S: | G | D | G | D | G | D | G | D | Am | Em7 | D | D | Am | Em7 | D | D | · V3: | G | D | G | D | G | D | G | D | · C3: | Am | Em7 | D | D | Am | Em7 | D | D | · V4: | G | D | G | D | G | D | G | D | · C4: | Am | Em7 | D | D | Am | Em7 | D | D | · O: | Am | Em7 | D | D | Am | Em7 | D | D | Am | Em7 | D | D | Am | Em7 | D | D | Am | Em7 | D | D | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #48 Anhören ↗ Let It Rain Eric Clapton · 1972 · Tonart D · ≈ 123 BPM · Harmonie 4/5 · Fortgeschritten I: | A | G/A | G/A | A | A | G/A | G/A | A | · V: | D | Am | C G | D | D | Am | C G | D | · C: | D Am | D Am | C G | D | D Am | D Am | C G | D | · V2: | D | Am | C G | D | D | Am | C G | D | · C2: | D Am | D Am | C G | D | D Am | D Am | C G | · INT: | A | G/A | G/A | A | A | G/A | G/A | A | · S: | F#m | F#m/F | F#m/E | F#6/D# B7sus2 | Em | A | Em | A | Em | A | · V3: | D | Am | C G | D | D | Am | C G | D | · C3: | D Am | D Am | C G | D | D Am | D Am | C G | D | · C4: | D Am | D Am | C G | D | D Am | D Am | C G | · INT2: | A | G/A | G/A | A | A | G | G/B | A | · O: | A | G | G | A | A | G | G | A | A | G | G | A | A | G | G | A | A | G | G | A | A | G | G | A | A | G | G | A | A | G | G | A | A | G | G | A | A | G | G | A | A | G | G | A | A | G | G | A | A | G | G | A | A | G | G | A | A | G | G | A | A | G | G | A | A | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #48 Anhören ↗ People Get Ready Jeff Beck · 1985 · Tonart D · ≈ 72 BPM · Harmonie 4/5 · Fortgeschritten I: | D D/F# F#m | G Dsus2 D | D D/F# F#m | A9sus4 D | · S: | D Bm | G D | D Bm | G D | D Bm | G D | Bm Em | A9sus4 D | · V: | D Bm | G Dsus2 D | D Bm | G D | D Bm | G Dsus2 D | Bm Em | A9sus4 D | · T: | D Bm | G D | · V2: | D Bm | G Dsus2 D | D Bm | G D | D Bm | G Dsus2 D | Bm Em | A9sus4 D | · S2: | D Bm | G Dsus2 D | D Bm | G D | D Bm | G Dsus2 D | Bm Em | A9sus4 D | · T2: | D Bm | G D | D Bm | G D | · V3: | D Bm | G Dsus2 D | D Bm | G D | D Bm | G Dsus2 D | Bm Em | A9sus4 D | · V4: | D Bm | G Dsus2 D | D Bm | G D | D Bm | G Dsus2 D | Bm Em | A9sus4 D | · T3: | D Bm | G D | Eb Cm | Ab Eb | · S3: | Eb Cm | Ab Eb | Eb Cm | Ab Eb | Eb Cm | Ab Eb | Cm Fm | Bb9sus4 Eb | · S4: | Eb Cm | Ab Eb | Eb Cm | Ab Eb | Eb Cm | Ab Eb | Cm Fm | Bb9sus4 Eb | · S5: | Eb Cm | Ab Eb | Eb Cm | Ab Eb | Eb Cm | Ab Eb | Cm Fm | Bb9sus4 Eb | Eb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #48 Anhören ↗ Not Fade Away The Rolling Stones · 1964 · Tonart E · ≈ 191 BPM · Harmonie 4/5 · Fortgeschritten I: | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | E(no3,no5) | · V: | E | E | A | A D/A A | E | E | E | E A/E E | E | E | A | A D/A A | E | E | E | E | E | E | E | E | · V2: | E | E | A | A D/A A | E | E | E | E A/E E | E | E | A | A D/A A | E | E | E | E | E | E | E | E | E | E | E | E | · INT: | A | A D/A A | A | A D/A A | E | E A/E E | E | E A/E E | A | A D/A A | A | A D/A A | E | E A/E E | E | E A/E E | E | E | · V3: | E | E | A | A D/A A | E | E | E | E A/E E | E | E | A | A D/A A | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | E | · S: | E(no3,no5) | E(no3,no5) D(no3,no5) E(no3,no5) | E(no3,no5) | E(no3,no5) D(no3,no5) E(no3,no5) | E(no3,no5) | E(no3,no5) D(no3,no5) E(no3,no5) | E(no3,no5) | E(no3,no5) D(no3,no5) E(no3,no5) | E(no3,no5) | E(no3,no5) D(no3,no5) E(no3,no5) | E(no3,no5) | E(no3,no5) D(no3,no5) E(no3,no5) | E(no3,no5) | E(no3,no5) D(no3,no5) E(no3,no5) | E(no3,no5) | E(no3,no5) D(no3,no5) E(no3,no5) | E(no3,no5) | E(no3,no5) D(no3,no5) E(no3,no5) | E(no3,no5) | E(no3,no5) D(no3,no5) E(no3,no5) | E(no3,no5) | E(no3,no5) D(no3,no5) E(no3,no5) | E(no3,no5) | E(no3,no5) D(no3,no5) E(no3,no5) | E | E | · O: | E A | E | E A | E N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #48 Anhören ↗ Baby Can I Hold You Tracy Chapman · 1989 · Tonart D · ≈ 74 BPM · Harmonie 4/5 · Fortgeschritten I: | D A/D D | A7sus4 A7 | D A/D D | A7sus4 A7 | · V: | D A/D D | A7sus4 A7 | Em | A7sus4 A7 | D A/D D | A7sus4 A7 | Em | Em/G | A | Asus4 A | · V2: | D A/D D | A7sus4 A7 | Em | A7sus4 A7 | D A/D D | A7sus4 A7 | Em | Em/G | A | Asus4 A | · C: | D | Em G | D | Em G | Bm | A | · T: | D | Em G A | · V3: | D A/D D | A7sus4 A7 | Em | A7sus4 A7 | D A/D D | A7sus4 A7 | Em | Em/G | A | Asus4 A | · C2: | D | Em G | D | Em G | Bm | A | · C3: | D | Em G | D | Em G | Bm | A | · O: | D | Em G A | D | Em G A | D | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #48 Anhören ↗ Baby, You're Right James Brown · 1961 · Tonart D · ≈ 65 BPM · Harmonie 2/5 · Leicht V: | D7 | D7 | D7 | A7 | · C: | D7 | G7 E7 | G7 E7 | G7 E7 | G7 E7 | G7 E7 | D7 | G7 E7 | D7 A7 | D7 A7 | · V2: | D7 | D7 | D7 | A7 | · C2: | D7 | G7 E7 | G7 E7 | G7 E7 | G7 E7 | G7 E7 | D7 | G7 E7 | D7 A7 | D7 A7 | · INST: | D7 | D7 | D7 | A7 | · B: | D7 | G7 E7 | G7 E7 | G7 E7 | G7 E7 | G7 E7 | D7 | G7 E7 | D7 A7 | D7 A7 | · O: | G7 E7 | G7 E7 | G7 E7 | G7 E7 | G7 E7 | G7 E7 | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #49 Anhören ↗ Sail On Sailor The Beach Boys · 1975 · Tonart G · ≈ 73 BPM · Harmonie 4/5 · Fortgeschritten I: | G | G | · V: | G | G | G | G | Ebmaj9 D9sus4 | Ebmaj9 D9sus4 | · C: | Ebmaj9 F | G | · V2: | G | G | G | G | Ebmaj9 D9sus4 | Ebmaj9 D9sus4 | · C2: | Ebmaj9 F | G | · T: | D D#dim | Em7 | D D#dim | Em7 | · B: | Am7 Em7 Am7 Em7 | Am7 Em7 Am7 Em7 | Em7 | G Am7 G Am7 | G Am7 G C | C | Am7 Em7 Am7 Em7 | Am7 Em7 Am7 | · C3: | Ebmaj9 F | G | · V3: | G | G | G | G | Ebmaj9 D9sus4 | Ebmaj9 D9sus4 | · C4: | Ebmaj9 F | G | · B2: | Am7 Em7 Am7 Em7 | Am7 Em7 Am7 Em7 | Em7 | G Am7 G Am7 | G Am7 G C | C | Am7 Em7 Am7 Em7 | Am7 Em7 Am7 | · C5: | Ebmaj9 F | G | · O: | Ebmaj9 F | G | Ebmaj9 F | G | Ebmaj9 F | G | Ebmaj9 F | G | · O: | Ebmaj9 F | G | Ebmaj9 F | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #49 Anhören ↗ Ob-La-Di, Ob-La-Da The Beatles · 1976 · Tonart Bb · ≈ 113 BPM · Harmonie 4/5 · Fortgeschritten I: | F F7 | Bb | Bb | Bb | Bb | · V: | Bb | F7 | F7 | Bb | Bb | Eb | Bb F7 | Bb | · C: | Bb | Dm/F Gm | Bb F | Bb | Bb | Dm/F Gm | Bb F | Bb | · V2: | Bb | F7 | F7 | Bb | Bb | Eb | Bb F7 | Bb | · C2: | Bb | Dm/F Gm | Bb F | Bb | Bb | Dm/F Gm | Bb F | Bb | · B: | Eb | Eb | Bb Bbsus4add9 | Bb Bb9 | Eb | Eb | Bb/F | F7 | · V3: | Bb | F7 | F7 | Bb | Bb | Eb | Bb F7 | Bb | · C3: | Bb | Dm/F Gm | Bb F | Bb | Bb | Dm/F Gm | Bb F | Bb | · B2: | Eb | Eb | Bb Bbsus4add9 | Bb Bb9 | Eb | Eb | Bb/F | F7 | · V4: | Bb | F7 | F7 | Bb | Bb | Eb | Bb F7 | Bb | · C4: | Bb | Dm/F Gm | Bb F | Bb | Bb | Dm/F Gm | Bb F | Gm | · CO: | Gm | F Bb | Bb N.C. | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #49 Anhören ↗ There She Goes The La's · 1991 · Tonart G · ≈ 123 BPM · Harmonie 4/5 · Fortgeschritten I: | G D/F# | Cadd9/E | G D/F# | Cadd9/E D/F# | G D/F# | Cadd9/E D/F# | G D/F# | Cadd9/E D/F# | · C: | G D | Cadd9 D | G D | Cadd9 D | G D | Cadd9 | · V: | Am7 G | Cadd9 | D | · C2: | G D | Cadd9 D | G D | Cadd9 D | G D | Cadd9 | · V2: | Am7 G | Cadd9 | Am7 G | Cadd9 | D | · C3: | G D | Cadd9 D | G D | Cadd9 D | G D | Cadd9 | · V3: | Am7 G | Cadd9 | Am7 G | Cadd9 | D | · C4: | G D | Cadd9 D | G D | Cadd9 D | G D | Cadd9 | · V4: | Am7 G | Cadd9 | Am7 G | Cadd9 | D | · B: | Em | C | Em | C D D7 | G Dadd9 D7 | Cmaj7 Dadd9 D7 | G Dadd9 D7 | Cmaj7 Dadd9 D7 | Am7 | Em7 | C6 | D | · C5: | G D | Cadd9 D | G D | Cadd9 D | G D | Cadd9 | · V5: | Am7 G | Cadd9 | Am7 G | Cadd9 | D | · C6: | G D | Cadd9 D | G D | Cadd9 D | G D | Cadd9 | G | Quelle: McGill Billboard Project über CoCoPops · Höchstplatzierung in den Billboard Hot 100 #49 Anhören ↗ Die Popularitätssortierung nutzt Chartplätze, Kritikerlisten oder redaktionelle Auswahl der jeweiligen Quelle. 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